What do you think about the post-June 2014 messages on Search for the Blindeye? I find them strange because some of the messages on what appears to be the Author's side start to sound more like Bill's messages, referring to Dipper as Pine Tree (although maybe if the Author had some way of seeing the normal world ("You're saying no?") in the same way communicates he'd know Dipper by that name?), the little couplets... It'd also be interesting to see if the Author were responsible for the credits.
lol wouldn’t it be interesting if in the next episode, the author refers to them with their corresponding symbols like it’s normal and everybody would be so uncomfortable about it.
You have a point though. It bother’s me that the year before, right after the “Author” stops sending out messages, “Bill” says “HE’S GONE BECAUSE YOU FAILED”
When the messages started appearing again, they become more cryptic and it’s harder to tell if it’s the “Author” or “Bill” talking. (Normally Bill is on the left and Author is on the right but now most of the messages are the coded ones on the right)
Some of the coded messages I found interesting were..
“ALL THE SECRETS OF THE UNIVERSE COULD BE YOURS. IF YOU ARE WILLING TO MAKE A DEAL.”
—which is presumably Bill since he says something like that later on in Sock Opera.
But then there’s..
“SANITY AND CLARITY WERE AROUND AT FIRSTUNTIL I HAD MET HIM AND WAS COERCEDGUILT BUILT UP AND IT ATE INSIDEI COULD NOT FORGET NO MATTER HOW I TRIEDREASON TURNED TO DOUBT AS QUICK AS A FLASHFIND HIS SECRETS IN MY CACHE”
which is probably the Author and “HIS SECRETS” would be referring to Bill’s secrets whatever those are.
Another one is..
“A WISE OLD OWL LIVED IN AN OAK THE MORE HE SAW THE LESS HE SPOKE THE LESS HE SPOKE THE MORE HE HEARD WHY CAN’T WE ALL BE LIKE THAT WISE OLD BIRD?“
You know what has a lot of owl images?
The Mystery Shack. Or the former home of the author. Is it possible that the author has received enlightenment somehow (possibly through Bill)? But it turned him insane in the process??
We officially know next to nothing about the author (so far in the series) but all these clues (plus the crazy ramblings in the journal) lead to nothing good.
u hurt me too good
I still did everything wrong
This just killed me. It's so beautiful ╯﹏╰
At last, Harry stands before Voldemort in a blood-soaked field, the taste of copper and ash coating Harry’s tongue. The sound of war has faded into the background as the soulmates stare one another down. Things could have gone differently. Harry could have given himself up as requested, could have walked through the Forbidden Forest to his doom. But Harry is not willing to chance that Voldemort will live through this. He’s fought his way through countless Death Eaters to stand here in Voldemort’s way.
It has come to this at last and there are but two pieces of soul left to destroy, one in himself and one in the tall, inhuman frame barely ten metres away.
Harry is tired. Harry is ready for this to be over.
“You have lost,” Voldemort taunts.
“No,” Harry replies simply, raising his wand.
And then Voldemort is tilting his head, studying Harry in a silent moment. His eyes have narrowed, but they are oddly unthreatening.
“No?” Voldemort repeats, tasting the word, his normally high-pitched voice toned low.
“No,” Harry states calmly.
“You should have told me,” Voldemort says, then. There’s a holy fire in Voldemort’s eyes that Harry hasn’t seen ignited before. Unlike the light of obsession and rage and violence, this flame does not call for bloodshed. Instead, it burns with possessive wonder.
And Harry knows, right at that moment, that Voldemort has figured it out. That he hadn’t until then.
“I thought it was obvious,” Harry answers instead, the wand in his grip warming, tone dry, gesturing to the space between them. “How else would you explain this?”
“I suppose it was,” Voldemort replies, considering. “And I have been too far gone to see it. Though, looking back, it explains a much-needed drive to find you. Come here, soulmate. Be with me.”
It’s like a punch in the chest, wringing his lungs dry. It hurts his very soul to hear Voldemort acknowledge their bond, it hurts more than Umbridge’s punishments, more than seeing his godfather fall through The Veil, more than hearing the wails of Hermione as she’s tortured by an insane witch.
But pain is all Harry knows, all he’s ever known. Harry ignores those words, knows Voldemort is trying to draw him in with the same glowing warmth of an angler fish's lure, positioning Harry just before the strike. Harry knows that he must die to bring Voldemort down. That mutually assured destruction is the only way. So he ignores those words, ignores the potential of even more future words that Voldemort will whisper but is physically incapable of meaning, and stands his ground, staring Voldemort down with cold steel in his eye.
“It is considered a foul reflection of one’s character for their soulmate’s first word to be no,” Voldemort states abruptly. “It is poor form for your destined companion to deny you instantly. I would never have considered the words of my soulmate to have been spoken by a toddler as I raised my wand against his mother.”
“You don’t know the half of it,” Harry retorts humourlessly, wand-hand beginning to tremor lightly with exhaustion, but he keeps it steadily trained on Voldemort. “Imagine if your soulmark was the death curse.”
Voldemort doesn’t reply to that, instead still and calm, unnaturally at peace.
“I thought I had killed you long ago, for I’ve heard so many noes from so many strangers,” Voldemort then eventually replies, contemplative. “Though if I must have an equal, I suppose I would only accept it, if it were to be you. After all, you already have a bit of my soul, don’t you?”
Harry realizes things are rapidly going downhill. Voldemort has figured out what he is; Harry sees this going one of two ways.
“Fight me,” Harry whispers sharply, inhaling deep.
“No,” Voldemort states simply, lowering his wand, lip twitching as if telling an inside joke.
Harry shrugs, embodiment of indifference, and lowers his wand.
Voldemort smiles and it is a cruel expression.
Harry thinks to himself, quietly in the confines of his mind, Extinguo Animarum. The wand in his hand glows gently at first but then, in a moment of sudden movement, a golden bubble explodes from his wand and entraps Voldemort and himself in a sphere of his own design.
“You didn’t,” Voldemort says.
Harry tries to laugh at the aghast nature of Voldemort’s tone, but a dry sob heaves out of his chest instead.
Voldemort could never expect this, would never, because Voldemort could not possibly imagine doing something like this himself.
“Extinguisher of Souls,” Voldemort whispers and he does not struggle. Voldemort knows there is no way out of this now. “You are mine, Harry Potter, in this life and the next. Do not forget.”
The glowing, golden orb sears ever brighter. It fills with blinding light, piercing into Harry’s chest as it floods Voldemort. Voldemort’s eyes never leave Harry’s, upper lip twitching in an expression Harry cannot decipher.
This is right, this is what you are made for, Harry tells himself in the moment as the light swells to unbearableness, glows in his glasses, a reflection of his life in a solitary beam of light.
Harry hears the words echo in the timelessness between moments as his soul is ripped apart, as he feels his connection to Voldemort shatter as his soulmate is obliterated by purifying, heatless flame, as they are torn violently from the mortal plane in the mutually assured destruction of Harry’s own making.
No.
Avada Kedavra.
What a couple they make.
No Glory by @obsidianpen
A Dangerous Game by @cybrid
What He Grows to Be by Severus_divides_into_H @k-s-morgan
Consuming Shadows by @childotkw
A Future Without a Face by @dividawrites
And the living will envy the dead by Severus_divides_into_H @k-s-morgan
Either must die at the hand of the other by @metalomagnetic
love is touching souls (surely you touched mine) by @toast-ranger-to-a-stranger
The Train to Nowhere by MayMarlow
Vicious Circle by Bakuko
The two hundred and twelfth loop by Bakuko
Haunted and Hunted series by @obsidianpen (the one and only fic that made me cry)
(never) let me go by Ailora
dawn of a death of a dream by @cindle-writes
Inevitabilities by EclipseWing
Past’s Player by The_Fictionist
draw me after you (let us run) by @toast-ranger-to-a-stranger
Growing pains by Naomi_Riddle
I still have lots to read, I'm Tomarrymort fan since July '23 only :)
He inherited his whole face from his dad
megumi inherited his green eyes from toji (ˊ̥̥̥̥̥ ³ ˋ̥̥̥̥̥)
Sukuna knows who he wants
SLAMS FIST ON TABLE
Can I ask for advice my dear?
Like, you know how you write fics and you have an idea of where you want it to go.
I have an exposition and an ending ready but how do you guys bridge that? Like there is a plot but also how do you connect and make sense of the whole thing? I dunno if it makes sense but I hope it does 😅
Sorry it took me so long to get to this - I was thinking about how best to answer!
From what I understand, you have a general plot and the ending of your story worked out? You know the rough beats and the main overarching 'this is what the story will be about'?
Since I'm not sure how much experience you have writing, I might cover some things you're already aware of - if so, sorry about that. I'm just going to bring in some of the basics.
So, while I believe there is no 'one way' to design and plan your plot, there are a few good structures you can use to help put your ideas in some semblance of order. I use both of these frequently when setting out a plot, or even when just planning out a scene. These story cycles are usually pretty scalable, which is great!
This is a very basic explanation of the hero cycle. There are some more broken down versions that go into the in-between steps, but these are the main beats that I tend to drift towards, and this is a graphic I made that helps me remember the rough stages.
Now, I mainly use this cycle when it comes to longer, drawn out stories, like CS, or my own original novels. This is one of the most well known and most used in story writing.
I really encourage people to try and use this cycle. It is a very popular and strong way to structure a long story because it works.
This second cycle is a favourite of mine because it's applicable for both a story as a whole and on a scene-by-scene basis. I've often used this model to craft specific scenes in my stories.
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Structuring a plot can be a very laborious and frustrating task, but where your story is short or long, I really do think these two cycles can help you.
Depending on the length of your story, take one of the models above (or heck, look up another if you think these aren't quite suited to your style), and start to categorise your ideas beneath the main titles.
Ask yourself questions like: 'where does this scene fit?', 'what is this scene accomplishing in the story, is it before or after the climax?', or 'how would it affect the flow if I put it *here*?', and go from there.
Remember that this outline isn't set in stone either. You can chop and change where you want ideas to come into your story as you write it.
This is how I go about linking my ideas up into a coherent plot. After you do it for long enough, you stop consciously realising that you even do this anymore. You pick up a natural feel for things. So long as you just start somewhere - whether it's a vague idea or the final scene in a story - you're already doing fantastic!
Hope this helps!
Do you sometimes read a fic writer’s work, and just… thank all the gods this person managed to get obsessed with the same fictional people you did?
im scrolling through the bungou stray dogs tag on ao3 and these popped up (ಠ_ಠ)
what the fuck
ngl, at first i thought i was hallucinating bc it’s 1:30 in the morning but ig not
We are thrilled to announce we are hosting DAMEN LOVE FEST 2023, a week-long celebration dedicated to Damianos of Akielos, set to take place during the first week of DECEMBER 2023.
If you'd like to participate, please use the hashtag #damenlovefest2023 so we can find and share your work. From art to edits, gifs, moodboards, fic, web weavings, meta, and more, all forms of content are warmly welcomed and appreciated. Additionally, we kindly ask that you reblog this post to help signal boost the event!
Each day of the event will feature a unique prompt along with suggestions to inspire and motivate creators. Here's a preview of the daily themes:
Day 1: Family
Familial relationships
Favorite dynamics
Men and women in Damen’s life
Damen craving family
Damen and “his” son
Day 2: Akielos
Ancestral family tree / previous monarchs
His household: Lykaios, his childhood trainer Haemon, his unnamed guards, squires and slaves
What Akielos means to Damen
Boyhood and adolescence
Friends and allies
Longing for home
Clothes, outfits and costumes
Cultural customs and norms
Day 3: Politics
Damen as a leader
His idea of realm and rulership
Damen and his people
Justice and law
Decisions and actions
Intelligence and skills
Abolitionism
Social and political changes
Validation of marginalized people
Cultural and linguistic amalgamation
Wants and needs vs duty and sacrifices
Day 4: Personality
Damen as a lover
Sexuality
Underrated qualities and skills
Importance to the narrative
Intelligence
Humor
Compassion, kindness and tenderness
Bravest moments
Liberator, protector, hero, abolitionist, and savior
Versatility as a prince, military commander, captain, merchant's assistant, slave/servant/squire, commoner, and king
Humanity, unity and peace
Embodiment of hope
Legacy
Day 5: Relationships
Lovers
Love interests
Friendships
Rarepairs
Underrated relationships and dynamics
(To keep the focus centered on Damen during his week of celebration, we kindly ask that you prioritize 1:1 Damen pairings)
Day 6: Slavery, Trauma and Abuse
Damen as a slave
Damen as a survivor
Childhood trauma
Trauma in Ios
Trauma in Arles
How Laurent’s abuse affected him
Coping mechanisms
From prince to slave to king
Trials and challenges
Resilience and inner strength
Dealing with xenophobia
Adaptability
Overcoming cultural differences
Narrative of displacement
Day 7: Foils and Parallels
Antagonists
Parallels
Foils
Mythological or historical parallels
We can't wait to see your contributions and celebrate Damen's incredible character together! ♡
So earlier today, @sissaf and I got into a conversation about the current arc in the comments of Chapter 41 Part 1, and the topic of my theories about Tsukasa came up. I couldn’t explain all of this fully in a comment so I made an entire obsessive post about it instead… ¯\_(ツ)_/¯
Just be aware these are just my own personal interpretations and opinions of what I’ve read up until now, and I could be entirely wrong, and no one has any obligation to read all this or agree with me^^
❀ Theories after the jump–> [Spoilers up to Ch. 45]
*Edited to include info from a comment on 08/30/2018~
Keep reading
A place where I express all my obsession through art. PLEASE DO NOT REPOST any of my works.
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