Part 4/6 - Buttercup and Westley
Part 1 - The Family | 2 - Style | 3 - The Sicilian Assassins | 5 - The Prince and the Count | 6 - Florin Castle
I wanted to make it very clear that the man in black / Westley is a pirate. So I used loose billowy clothes that also made him feel bigger and intimidating.
Horse is a Jutland horse, native to Denmark (which is what’s in between Sweden and Germany). It’s a draft horse, so good for farming, which is where Buttercup grew up, on a farm. I also wanted Horse and Westley’s design to somewhat mirror each other. Since Buttercup grew up on a farm, I did not want her to look dainty.
Buttercup’s story is more than just about love, it’s also about freedom. I realised that freedom was the core to her character. Her horse riding, doesn’t care what others think, and wild personality is all about freedom. I wanted her hair to flow with the wind, for her and her hair feel full of life. In the book, Buttercup had red hair. For her to have such a bold hair colour, especially one that in Europe during the medieval period was not considered desirable, felt right. Her hair and her personality is a defiance to the standard of beauty and of how a woman “should” be. That someone as bold as her would be considered the most beautiful woman in the world felt pretty badass. Having red hair (kinda vermillion) also provided opportunity to work with Humperdinck’s more blood red. When wearing her presentation dress as Princess of Hammersmith (despite the title of Princess, it is a title that does not sound dainty), Humperdinck’s red on her dress subdues the boldness of Buttercup’s red hair. Combining this with a restrictive design for her presentation dress and of her hairstyle, her design become reflective of her situation as a prisoner.
But when on her daily ride her dress can flow and her bright, bold, red hair is free.
I started playing DnD with my friends. I’m a noob, but I’m a noob that can draw, so of course I made character cards for our entire party. Because friendship.
For the cards, I took inspiration from different cultures for how I would stylize each one 😁
for more info/dev commentary on Umran (because he’s my character) keep reading if you want I guess.
For Umran, my character, I wanted to do an asian inspired take on a Paladin. Not a monk, because I wanted him to still be armoured. So I took the idea of a religious warrior, and tried to make the base religion different from catholicism, and add a focus on spirituality. Which is why I made him a Kalashtar (Secret Identity background so I guess in game no one really knows he’s a Kalashtar or that Umran is technically not even his real name). Although his origins are a secret, it’s fairly obvious that he’s foreign so he doesn’t hide that he’s foreign and his design leans into that. In fact he takes advantage of how other’s perceive him a the “exotic foreigner” and hides his true identity in plain sight. Umran was really about putting different spins on a Paladin. Different base religion, more DPS leaning, not lawful, a rogue-ish-like personality, etc.
Setanta Mahariel, Hero of Ferelden.
I’ve played as a Male Cousland for around three playthroughs of DA: O, but in light of DA: I reveals, the irony of a Dalish Elf having Mythal Vallaslin is just an opportunity that couldn’t be passed up.
SPOILER ALERT
Imagine the hilarity of a Mahariel Warden-Morrigan reunion after the events of Inquisition, wherein Morrigan drank from the well. So many possible scenarios.
“If anyone were to appreciate this situation, it would be your mother." “I can almost hear your mother laughing. Do the voices agree?" “Considering I tried to kill her, I guess we're pretty crappy servants.” “I tried killing one of my people’s gods... I make a bad elf.” “I should be called old god slayer!" “Talk about a controlling in-law…”
(also, I can’t decide between green or brown eyes. He had green eyes in my playthrough but Kieran has brown)
This is a study I made while I was on my flight to the US. It was the longest day ever mostly because I'm pretty sure my April 19, 2014 lasted for more than 24 hours.
Lately I've been practicing drawing from life. Before, I was a little scared because i didn't like making mistakes, but I realized that it's okay to ale mistakes because later on I'll be able to correct them. And as I drew from life, it has been excellent practice.
I wanted to draw the guy beside me across the aisle (because he had a nice blazer on and very very nice brogues) but unfortunately he kept noticing me looking at him so I couldn't draw him... The other people I drew didn't notice (when you see the drawings I guess you can tell why).
My favorite drawing here is definitely the mom and her daughter (mother and child jk). It was very very cute and it was great seeing that. The man in the middle left (no, not the one who is sleeping funnily) seemed to be quite nostalgic and a lot of people get sentimental or think while on modes of transportation for a long time. The man on the lower right, I'm guessing is purser of the plane, he seemed to be quite happy with how the people were doing when one of the meals were served.
I rarely get to go on vacation or travel, but I love it. Seeing all sorts of different people, and thinking of the many things that they have gone through or the kind of people they are. People are interesting.
FE3H dump / Pushing my Hilda in Brigandine agenda.
I love drawing Hilda with a wild-ness to her hair, it’s mused from all the fighting. But in a fabulous way. She has accounted for it.
Was already re-designing Henrik a few months ago (To match the whole Leicester designs seem to have lots of cloth on them = Leicester has textiles = Would have Brigandine idea), but only found out about the change in plot/premise of Three Hopes when the demo came out so the other drawings still use his old-new design (the middle of the three variations) 😅
Here’s my version of Mark / the Tactician from FE7.
I know that the devs were just having fun and that there's no way Morgan from Awakening being Mark from FE7 is ever going to be canon, but it IS a fun idea to just play around with 😁
(Please notice my Easter Eggs.)
Part 5/6 - Prince Humperdinck and Count Rugen (The Prince and the Count)
Part 1 - The Family | 2 - Style | 3 - The Sicilian Assassins | 4 - Buttercup and Westley | 6 - Florin Castle
I loved Chris Sarandon's curls so although I eventually went in the direction of a shorter cut for Humperdinck, I wanted to keep some sort of waviness to his hair. I also wanted to make sure that it was clear that Humperdinck is a hunter and at the same time have an almost wild and animal-like feeling to him so the wavy hair helped bring it to that direction.
In the books Humperdinck is described as "weighed close to 250 pounds, brick hard". Although in the books he is not tall, I did not want the leading antagonists of both the first and back half of the series to BOTH be short (Vizzini and Humperdinck). Felt like I would be sending a not so good message.
For Count Rugen, I went with black so that there would be a transfer of association from Man-in-Black/Dread Pirate Roberts/Secretly Westley in the first part of the series to Count Rugen later on. Diagonal slashes on clothing was a more northern style plus it makes him look even more like death which is in line with the whole Executioner-Grim Reaper direction I wanted to go with him.
Differentiating him from Inigo was also important. So although I went towards a thin direction for both, everything else about them is a contrast. While Inigo was meant to have a flamboyance and a certain “Fencing is life and my passion” feeling, for Count Rugen the idea was that although he is a master Fencer, his purpose is death and fencing is one of the ways he does it kind of thing.
Reiko.
Who says muscles and elegance in a woman were mutually exclusive?
Logan was supposed to be just a single character exercise (he isn't even supposed to be the main character) but ideas came and now there are a few other characters in my head related to him... so here is Logan so far, before what is probably going to be a new direction.
A sketch of a possible design for the Crown Princess for my current project, George.
The current design for the King and George’s Father in my modern fantasy project George.
I’m thinking of maybe going for something more realistic that this in the future for it hmmm....
(I didn’t realise that my queue ran out)