James Clar.

Artist Christina Hutchinson combines the cosmos and Earth in her series of exquisite resin necklaces.

You can check out her Etsy shop here: [x]

WWF Australia Showing the View of the Reef from a Turtle’s Point of View.

A GoPro was secured to the back of the Sea Turtle as part of a campaign to raise awareness for the declining health of the Great Barrier Reef.

The reef is UNESCO listed and although passed without the “in danger” title, pollution and human development are steering the reef toward this direction in the next couple of years.

The GoPro was eventually shaken off by the Turtle and was collected by divers.

(x)

MARLO, a bipedal robot curated by EECS Professor Jesse Grizzle and his researchers, walks through Robotics Day at the NCRC on the North Campus of the University of Michigan on April 5, 2016.

Photo: Joseph Xu, Michigan Engineering Communications & Marketing

www.engin.umich.edu

Garden by Satomi Sugimoto (more here)

Steak and shrimp sheet pan fajitas

Just Like Fire by Pink

Pink has never been a blockbuster star the way other divas of her era have. We’re much more likely to see a performance from Taylor Swift, or a third one from Beyonce, at the Super Bowl, for example, than from Pink. But sixteen years after her debut studio album, Pink has demonstrated a staying power worthy of respect. Some may attribute this to the strong firebrand persona she’s maintained over the years, which comes through on her new song Just Like Fire, from the soundtrack to the film Alice: Through The Looking Glass. The song has self-assertive lyrics delivered in a somewhat sentimental tone, with a grandiose chorus that reminds me of Katy Perry’s Roar. I probably won’t end up seeing the movie, but I won’t mind if this song comes on my pop music Pandora playlist.

Jackson Pollock’s Echo: Number 25, 1951 is back on view at MoMA as part of Jackson Pollock: A Collection Survey, 1934–1954 after its recent visit to the Dallas Museum of Art. Find out what our conservation department learned from studying Echo. 

[Shown: Jackson Pollock. Echo: Number 25, 1951. 1951. The Museum of Modern Art, New York. © 2016 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. Installation view of Jackson Pollock: A Collection Survey, 1934–1954 at The Museum of Modern Art, New York (November 22, 2015–March 13, 2016). Photograph: Yan Pan]

Resilience by Francisco Galarraga

In Japan, manhole covers are decorated with intricate art pieces.

(Artist)

Dope track. Major Lazer always kills it