Old OCs I Think It Was A Magical Apocalypse

Rare Baltimore win

Good morning Baltimore

little drawing for a comic idea

You’ve just joined an adventuring party. The rogue wordlessly gives you a handkerchief and slinks away. “Ah, it’s his way of handling his kleptomania. Instead of stealing things at random, he’ll be going specifically for that.”

I have never cried that fucking hard over a show in years.

I fully FULLY support the divergence of this episode, it was a phenomenal example of adapting source material in a way that feels like “oh yeah this is what actually happened they just didn’t have time in the game for all of this holy shit”.

They expanded on the frankly easy to ignore implications of the game and showed us that life can still be even in the midst of fear and uncertainty and apathy and FUCKING EVERYTHING, they showed us goodness and survival out of love because THAT is what The Last Of Us is about.

Death is horrific and sudden and will rob you blind with nothing to salvage; but it isn’t always that. Death is also kind, even forgiving. “Satisfying”, in the words of Bill. Frank wasn’t brutalized this time around, Bill wasn’t left alone to his prior demons. We got to see a side of this universe that hasn’t been portrayed thus far and it wasn’t twenty years of violent tragedy.

It was twenty years of two men enduring and surviving together in a world that had gone to shit, but they still took the leap and held hands while they fell. Everything else, the journey to the bottom, came after and it came painlessly.

Me when I'm boyfriend gets back from Japan

werewolves and metaphors

listening to more goth music, really devouring the doors pretty taste

spirk using telepathy to keep each other alive. kirk, desperate, psy-null and untrained, reaching clumsily into spock's dying mind and pulling, dragging spock's essence into himself, wrenching him forceably from the very jaws of death and holding him there through sheer strength of will, saying you can't die, i won't let you, you can't leave me, i need you, and binding him to life and to himself until it's impossible to fully separate them. spock, more skilled, carefully managing each one of kirk's vital signs - keeping his heart beating steady, his lungs drawing breath, his temperature within a safe range, all while suppressing kirk's pain, and at the same trying, vainly, to keep their minds from tying themselves inexorably together, but they're pressed too close and he can't, and he hopes that kirk will forgive him, for bonding them like this (he will, of course he will), but the alternative, letting kirk die, was - unthinkable.

STAR TREK IS NUMBER ONE ON TRENDING ITS TIME TO BONESPOST

REBLOG IF YOU ARE A TRUE BONER

Hot take: I unironically think Solarpunk should do more stuff with googie/general-50s-style aesthetics as an act of political praxis.

Cause like, specifically because of how different it is from the Default Solarpunk Aesthetic that slowly seems to be becoming A Thing.

Because there’s always a worry that solarpunk becomes appropriated as just an aesthetic divorced from the political praxis and practical design aspects that are the whole point of it.

And like, while it’d always have the inherent boundary of form-follows-function, I think the best way to head that off is to diversify solarpunk into many other aesthetics, if that makes sense?