Manfred Von Karma!

Sobbing thinking about how much I love Phoenix and Franziska's rivalry in Justice for All.

The fact that both of them are so attached to winning their cases because they don't know who they are outside of being a lawyer. Phoenix says "let me defend you" and Franziska says "our battle begins now" because they don't know how else to say "don't leave me behind". Phoenix hides his negative emotions because "for a lawyer, the worst of times are when you have to force your biggest smiles" and Franziska hides her vulnerability because "a Von Karma is someone who is destined to be perfect".

Both of them react with anger and bitterness at getting abandoned. Phoenix blames himself for Miles' disappearance and Franziska blames Phoenix because they'd rather do that than feel utterly helpless. And they are too busy fighting each other to realize they both love Miles, they both want to save him, but they're both incredibly wrong about how to do it.

today, you'll never guess what happened at gourd lake

One core trait of Phoenix Wright as a character that I rarely see discussed is how utterly evasive he is about his private affairs. It sticks out the most in AA4 when we see Phoenix from the outside, but "Phoenix won't tell anyone anything important unless he absolutely has to (and even then, he probably won't)" is by no means a new development for him.

From AA1 onwards, we see Phoenix dodge people's questions about his personal life time and time again. In part, this is by narrative necessity - Phoenix knows more than the player is meant to know in order to achieve the optimal tension curve. But AA takes his narrative shortcut and turns it into a real character beat.

Phoenix Wright is the most cagey fucker on the planet.

At the end of 1-1 Mia asks him how he came to befriend Larry and Phoenix dodges the question with a vague promise to tell her later - this also means that in all of his time working with Mia, he's never actually disclosed his full motivation for becoming a lawyer to her.

In 1-2, Maya asks him how he knows Edgeworth and he dodges, because of course he does. The same song and dance repeats at the end of 1-3. And despite Maya's repeated prodding by 1-4, Phoenix still has not told her a thing about his past. That's from October until December that Maya is left going ??? and her questions go nowhere.

Then, between AA1 and AA2, Edgeworth is presumed dead by suicide. Does Phoenix tell Maya about this? Absolutely not. He does not tell her in letters nor is he clear about it when they see each other again in person, months later.

What Maya gets once it's inevitable to talk is a vague 'he's gone' and no elaboration other than the request to not speak about him again.

This is Phoenix's default coping mechanism.

In AA3, there are numerous instances where he mentions forgetting Dahlia, not speaking her name again, etc. Edgeworth is 100% getting the 'person who hurt me too deeply to think about' treatment here.

But to not even tell Maya a vague overview on the matter, when Maya knew him too? Rough. And it just keeps going.

It's six months between telling Maya that Edgeworth is 'gone' in 2-2 and her finding out that 'gone' seemingly means' dead' in 2-3.

Maya complains about it, too. This isn't a matter of 'she never asked again', it's a matter of 'Phoenix is dodging all questions'. Gumshoe has to intervene in order for Maya to finally find out.

And finally in 3-5, does he tell anybody why he's going to Hazakura temple and why he seems interested in Iris? Absolutely not!

At this point we get Edgeworth openly acknowledging that Phoenix keeps his emotional cards extremely closely to the chest. When he states that he wants confirmation on whether or not he has met Iris before, this exchange happens:

Even as Edgeworth directly calls him out on being evasive and never actually speaking to people, all Phoenix can do is acknowledge that this is how he is by apologizing - but he won't change his ways.

AA4 Phoenix is really just a natural evolution of Trilogy Phoenix - Trilogy Phoenix is already evasive, already hates telling people about his struggles or accepting help... It's really no wonder that he'd isolate himself instead of reaching out once he gets disbarred.

Something I'm fond of saying is "The villain drives the plot but the hero sets the tone." Something that's very important about this is that the resolution to the conflicts presented need to match the hero's tone. If your story doesn't believe problems can be solved the way the hero wants to solve them... why is this the hero?

If you want your problems to be solved with brutal catharsis, then your hero should be someone who believes in brutal catharsis.

If you want your problems to be solved with forgiveness and reconciliation, then your hero should be someone who believes in forgiveness and reconciliation.

They don't have to begin there. This can be something they come around to over the course of the story, as they grow and change per their character arc. But by the time of their ultimate encounter with the villain, their values should be the values that drive the story forward.

There's this thing in D&D that some DMs do. Where, when you roll enough damage to deplete the monster's hit points, they'll turn to you and say, "That's a kill. Describe for the group how you take the monster down." And you're allowed to come up with some cool maneuver or something that your character did in order to deliver the finishing blow.

The hero's ultimate triumph over the villain is a lot like this. More than any other part of the story, this moment is their apotheosis. It should be a celebration of everything they are and everything they stand for.

You have defeated the villain; Now describe for the group what form that victory takes.

🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈Happy Pride 🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

Thinking about AA role-swap AUs and if prosecutor Phoenix Wright would also “choose death” and then I remembered that in Farewell My Turnabout, Phoenix tells Edgeworth it might be time for "Defense Attorney Phoenix Wright chooses death". In the bad ending where Matt Engarde is declared "not guilty", Phoenix literally wanders the streets. Before I played this case, I thought Maya dies in the bad ending which prompts this reaction, but no he doesn't even see Maya again.

The more I look at canon, the more I realize Phoenix is as much of an emotional mess as Miles is, likely even worse. Phoenix's identity has always been so tied to being a lawyer, to saving people. He condemns one innocent person (Adrian Andrews) and he completely falls apart. And honestly, the same would probably happen if he got Matt Engarde "guilty" and Maya dies. Of course prosecutor Phoenix Wright would leave like Miles did.

This is further evidence for my point that that Edgeworth has a “move on” attitude towards trauma and the past. After his father’s death, he pushed down his grief and guilt to pursue guilty verdicts. He probably did everything he could to forget his old life. Even now, he doesn’t dwell on the past, the difference is his goal is no longer so unhealthily single-minded.

He buries his emotions not for the sake of hiding them but to accomplish his goals.

THEY SHOULDVE HUGGED IT OUT 💔💔💔💔💔

I’ve been getting into Ace Attorney! Scene from Farewell My Turnabout (no spoilers tho pls, I haven’t finished the case yet)

Actually, “Feenie” Makes Perfect Sense as a Backstory for Phoenix (+ 3-1 Initial Thoughts)

I've decided to start a series where I record my thoughts and analysis as I play through the Ace Attorney games for the first time. I'll try to post these as soon as I finish a case so that my thoughts are fresh.

Phoenix Wright/"Feenie"

I've noticed critiques in this fandom that "Feenie" from Turnabout Memories is too different from Phoenix in the trilogy or that the backstory is poorly inserted. But, honestly I disagree. It's easy to treat Phoenix and Feenie as different people because of their different outfits and mannerisms, but I think the characterization is consistent (despite "Feenie" being exaggerated sometimes for comedic effect).

I've seen the fandom portray "Feenie" as a sweet pushover. But if anything, his belief is extremely stubborn and strong-willed. Phoenix believed in true love and fate which was why he accepts that necklace in the first place. He also never relents to Dahlia (or should I say Iris) when she asks for the necklace back.

He’s only able to be used and manipulated by Dahlia because his own goals and beliefs aligned with the facade she presented to him.

Phoenix literally shoves a guy so hard that he fell onto his back because he badmouthed Dahlia. I think one constant of Phoenix's character is that he cares too deeply and is protective over the people he loves.

There's also the part where Phoenix mocks Doug for being British? or wearing the British flag (I didn’t take a screenshot of it). “Feenie” is just as sassy and judgmental as Phoenix is. He might be a lot more naive and immature but he's still Phoenix.

Oh Phoenix... back when you believed in people saving you... before you bottled up your problems and refused to let anyone help you...

To be fair he is the defendant here but still. He doesn't ask for support after Edgeworth disappears, he doesn't ask for help at first when Maya is kidnapped.

I think, unfortunately, this incident with Dahlia is what kickstarted a lot of his trust and abandonment issues. His overwhelmingly strong belief and trust in Dahlia backfired in the worst way possible. It’s not a stretch that this made him too terrified of betrayal to open up to anyone in the trilogy.

So I know this is for comedic effect, but it’s also really good proof that Phoenix heavily idealizes the people he gets super attached to.

(Coughs in Edgeworth and Justice for All)

… I mean he’s not wrong! But he’s also being delusional

This is one of the first things Phoenix says after finding out he was betrayed. He doesn't spend much time acknowledging his feelings of hurt. He just goes into denial.

(COUGHS IN EDGEWORTH AND JUSTICE FOR ALL)

This is just further proof for me that Phoenix’s coping mechanisms are suppression and delusion.

And then Phoenix immediately he moves on to saving Edgeworth! He just shoves all that trauma aside to fixate on saving someone else... to cope by giving himself more control. Phoenix's savior complex stems from abandonment issues.

This trial doesn't give Phoenix the idea to save Edgeworth, it solidifies it.

After being reminded by Mia of his belief that a defense attorney saves people, Phoenix firmly sets himself on this path.

There it is. Phoenix says it himself... he suppressed these memories. That's why he never brought it up in the last two games. I know the real reason is because the creators didn’t plan it, but it also makes sense narratively.

I mean, Phoenix hides the class trial story until Turnabout Goodbyes. This man does not like to talk about his problems or trauma.

Mia Fey

Damn Mia is so brutal. Is this where Phoenix gets his sass from?

Mia is also not how I expected her to be. I mean whenever she gets channeled to help Phoenix out, she's in the role of the wise mentor. But here? She's a nervous wreck, cynical of romance, and full of trust issues.

Speaking of trust issues... I unfortunately did not take a screenshot of this but as soon as Mia finds out Phoenix has lying to her, she reacts very strongly with distrust. She also has to convince herself multiple times to trust in him again. Believing in people or trusting them doesn't seem to come easy to Mia. Which is super interesting because her advice is to always believe in your client. Maybe Mia eventually got used to trusting her clients but... she also never tells Phoenix about her investigation in Redd White. I don't think Mia is as trusting as she presents herself as.