Aishwarya Rai, Taal, 1999.
okay, but, like, I feel like we need to emphasize more on how important it is to have a partner you can just talk to. I was telling this to someone the other day, but Hollywood and media focuses so much on sexual tension and explosive passion in a relationship, and while those are completely valid and understandable things for certain, not all, people to desire (even I myself do), I feel like there’s barely enough light casted onto the value of being able to converse with your partner and relish in their company even in the most neutral discussion. I can barely count how many films, particularly romance ones, have emphasized on the importance and value of being able to speak to a partner like they are your close friend, and being able to absolutely adore their company, and engage in conversation with them about anything and everything, even if it isn’t romantic. Lexi and Fez, Aristotle and Dante, Marianne and Heloise, Jesse and Celine, Connell and Marianne. so many people adore these couples because they showcase such a human, genuine connection through conversation. Lexi and Fez discussing God and the backlash of social media. Aristotle and Dante’s talks on finding identity and how life feels better when the shoes are kicked off. Marianne and Heloise debating over what it meant when Orpheus turned around, and the release found within music. Celine speaking to Jesse about how the media is controlling our minds and how she thinks she really loves someone when she can detect every detail of them, Jesse speaking to Celine about when he saw his deceased grandmother in the sprinkle of a hose and the things he remembers his parents having said to him. Connell and Marianne sitting under the summer sun, eating ice cream, discussing the differences in their class and how money can be simultaneously corrupt and indescribably appealing. all of these couples have made me realize how while passionate kisses under the rain and loud proclamations of your love for someone are valuable for certain people, it is also inexpressibly important to find someone who you can linger in the passenger seat for just to hear what they thought about the movie you watched last night. someone who you take your time putting your shoes on for just to hear about the physical sensation they got when the second last line of your favourite song reverberated through their headphones.
http://iglovequotes.net/
Krishna and Rukmini for the Compass Rose meme. Thanks.😄
North
first encounter | (turnabout is) fair play | fool’s gold | forbidden fruit | the female of the species is more deadly than the male
They watch her, eyes glittering with greed, and anger tightens Rukmini’s throat once more: to this crowd of shameless men, she is no more than a prize, a possession that their friend has already claimed.
She forces herself to smile.
Let them look; they will never have more than this illusion of her, docile and demure. They are fools, each and every one of them, and treasure knows better than to stay in their hands.
South
(cold) comfort | confession | cloak and dagger | crocodile tears | charmed life
Perhaps it is a tad dramatic to send a secret letter.
Rukmini cannot bring herself to regret it, though: always she has been wise Rukmini, prudent Rukmini, Rukmini to whom all answers are known. Some might suppose it was only that she craved some excitement in her life; so, at least, her brother supposes in her fury.
But in truth, she has as much of a taste for intrigue as her husband — and when one feels so, when one fights for her very life, who would not expect wise and prudent Rukmini to plot and scheme?
East
stars | songs and stories | (politics/misery makes for) strange bedfellows | silver lining | sea change
Someday, Rukmini knows, Dwaraka will return to the sea. She does not regret this: her kingdom, though beautiful, is but borrowed from the ocean, and outsiders may not enjoy his bounty for long.
No, what she dreads is that Dwaraka dares not abandon its duty while Krishna lives, but he cannot do so forever. Someday, Rukmini knows, Krishna must return to the heavens from which he came—and that day shall be her last on this earth.
West
just in time | joined at the hip | jam tomorrow | juvenile | journey’s end
Her heart stops a dozen times, once for every step that leads down the Devi temple. She feels alone, flanked though she is by waiting-women—at least until she hears the thunder of trotting horses.
A hand takes hers, and tugs her into the chariot; Rukmini laughs in delight.
“I trust,” says Krishna, “that I am not too late.”
“Not at all,” Rukmini replies, in every bit as excessively solemn a tone. “You are just in time.”
They beam at each other.
“What is it, one-eyed Visenya? Did we finally conquer Dorne?”
all that matters is water and streams and rivers