「散るならあんな風に美しく散りたいなあ」
"If I had to go I'd like to go as beautifully"
Funny how bsd wan was supposed to be cute and wholesome and suddenly it hit you with the force of one thousand suns.
Basically, I can put my History and Religious Studies Degree and put that shit to use and do some good for society
Essentially, I think chapter 113 left us clues for hinting at the bigger themes of Bungo Stray Dogs and possibly some insight into Fyodor's motivation for being caught by Bram. This might get long so buckle up bitch.
OH AND I THINK I FIGURED OUT THE EXACT YEAR THE DUNGEON MEMORY TAKES PLACE
Okay, so the first thing to understand is the contemporary events mentioned in Chapter 113. The guards and Bram mention King Matthias, the Sultan, and the Holy Crusaders.
The Crusades, for those of you who don't know, are a series of so-called Holy Wars whose main objective was the "reclamation" of the Holy Land. However, not all crusades had this objective. There were several crusades within Europe itself. These wars, like the Cathar Crusade, were aimed at driving out paganism or "heretical” sects of Christianity. While the main Crusades happened centuries before the Dungeon scene took place (the first official Crusade happening in 1095) there existed later Crusades that often sought to limit the authority and scope of the Ottoman Empire. Which is also mentioned in the chapter with "Sultan"
Now the Sultan mentioned is Mehemed II, often referred to as the Father of Conquest. He was in power when King Matthias (Matthias was the King of Hungary and Croatia) ruled and often fought to expand Ottoman territory into the lands Matthias ruled.
Now, you know who else was a contemporary ruler? Our boy Vlad Dracul, the inspiration behind Bram Stoker's Dracula.
Now, Vlad Dracul was the ruler of Wallachia, which is basically Romania today. Now it is my belief that Bram Stoker. like a lot of characters in BSD, is inspired by the tale of Dracula and not the actual Bram Stoker. But, I think instead of using the character of Dracula, Asagiri is using Vlad Dracul (also known as Vlad Tepes) as Bram's inspiration. This is for two reasons. 1. The castle depicted in the manga is the same castle Vlad ruled from 2. Bram states that he wants Fyodor skewed like a little shrimpy on the grill. Vlad Dracul got his bloodthirsty reputation by impaling his enemies and leaving their heads on pikes outside his castle for several months at a time. In fact, I forget the exact quote, but a visitor of the castle during Vlad's reign said you could smell the decaying rotten flesh for miles before arriving at the castle. This is why Bram Stoker wrote Dracula based on Vlad Dracul.
Now as for the specific year the memory takes place, I personally believe it takes place in the year 1462, either summer or early fall. Once again this is based on the textual evidence given in the manga... The guards are clearly nervous about the sultan, who we have established is Mehemed II. This guy is responsible for the downfall of the Byzantine (or Eastern Roman Empire) and founded the Ottoman Empire. He also has beef with Vlad since Vlad brutally killed Ottoman envoys sent to Wallachia in an attempt to make Wallachia a vassal state for the Ottomans. Moreover, 1462 was the year that Vlad was imprisoned by King Matthias till his release in 1475. During this time Wallachia was essentially conquered. Vlad died between 1476 and 1477 (the sources don't have a specific date).
Now historically speaking there is reason as to why King Matthias imprisoned Vlad. A letter, which a lot of scholars think was made up, allegedly claimed Vlad pledged his allegiance to the Ottomans to help them conquer Hungary and Croatia. Now, strictly speaking for the events of the manga, having Bram imprisoned and/or taken out of power sounds like something Fyodor would do. So it makes sense that in the manga he would have something to do with Bram being imprisoned. If Bram is imprisoned that is to say since we still don't have clear motives for that.
It should also be noted that Fyodor warns Bram that the "Gods of Warfare come from the West”. historically speaking it was the Ottoman Empire that caused Wallachia problems and not the Holy Roman Empire aka the Romans mentioned in the chapter. The only reason I can think of the guards and Bram suspecting "holy crusaders" and "Romans" is because of their differing religious beliefs. Now Wallachia followed Orthodox Christianity while Romans obviously followed Roman Catholic traditions. Protestantism wasn't a thing yet, but these two groups were already tense and there have been several major conflicts (like the Crusades I mentioned earlier) and schisms within the church.
So, this is the only thing I could think of, but I'm not sure of what Fyodor's play is at here. Maybe he's an immortal being wanting to rid the world of abilities and having Bram Stoker in chaos would help in advance that goal. Maybe he can take people's life forces away like I've seen a lot of people suggest. I don't know. And the whole "come from the West" quote is the one thing throwing me off. Overall, I would love to know if Asagiri used any sources from the period to influence this memory scene, and if so...I wanna know which one's bestie!!
Please let me know what you think! If I just rambled or if my sleep-deprived thoughts and research make any semblance of sense. I would also love to know any fun theories and/or facts you have about this chapter or BSD in general. Also, would pictures be helpful?
Thinking about how the appearance of Fyodor comes with the implication that something bad has happened to Dazai.
Atsushi's blood runs cold. His eyes wide and darting around. He activates the tigers senses and just like so many times lately he can't sense Dazai at all.
But that doesn't mean anything, he reminds himself. It doesn't mean... It can't.
Ranpo looks down, determined and not willing to even entertain the possibility. His glasses burn a hole in his pocket but he won't reach for them.
He can't.
Kunikida who's recovering from having his heart stopped is dragging himself to his feet. There's anger in his bones and a fear he won't admit too as he demands "Where is he?!
Kunikida will drag him back himself if he has too. Just like he always does.
Fukuzawa, heart pounding his ears holds onto faith in steady hands. He won't jump to conclusions, he won't cloud his mind. Because Dazai earned his trust a long time ago.
He will have a home to return to, and that Fukuzawa swears on.
Real talk, Dazai looked so good in this chapter…I just wanna squish his face
Ahhhh not the trio pic in the background of Ango’s office!! That’s so depressing but I love this art
And then they went back home and watched a movie or something
Do you ever start thinking about the fact that Dazai literally made tiny snowmen based on his favourite people? The ones he secretly keeps in his heart?
Said people being:
- ANGO
- ODASAKU
- ATSUSHI
- CHUUYA
AND I BELIEVE IT'S BEAUTIFUL
Rather than catastrophizing instances when Dazai isn't mentioned by name or physical presence in references to the Agency, consider:
that he fluidly moves between, shares unique and independent connections with, and influences each of the three pillars of the tripartite framework;
that when he isn't physically there, the others still feel his presence and are guided by his influence on them, strategies that he's relayed to them, and their trust in him; and
that the Agency as it is when they've reunited in Poe's book or in Fukuzawa's memory are together because of Dazai, as in he literally, in-text coordinates with Ango and Ranpo in regards to the former and he also recruited multiple members of the Agency, having brought in Atsushi and coached Kyouka through her entrance exam, in regards to the latter. I didn't even notice he wasn't there at first because I saw his shape in the shadows of the silhouettes of those who were.
That Dazai is there even when he isn't is an ongoing motif: Mori maintains Dazai's seat among the five executives; Chuuya enters Corruption despite Dazai's apparent death in Dead Apple; Chuuya, in part, resists Verlaine's nihilism because it reminded Chuuya of Dazai's, and even though Dazai was late in finding him, Chuuya wasn't in any danger of being lost with Dazai already so palpably there; Akutagawa understanda Kyouka has found her reason for living because it echoes what Dazai gave him through the Port Mafia, with Dazai appearing only as an impression and in implication; Ango explicitly defies Taneda's orders and his hierarchal obligations to the Special Division because he trusts Dazai enough to follow Dazai's heart on the matter (literally and figuratively); Atsushi visualizes Dazai when he's alone and paralyzed by internal conflict and when he does, the others appear around him too; while imprisoned, Kyouka was so alone there wasn't even anyone captaining the drone she was in until Dazai's voice cut through her isolation to relate to her and coach her through her entrance exam; etc., etc.
It's why Fyodor can't outmaneuver Dazai. Dazai tells Fyodor that Fyodor failed because Dazai had allies and Fyodor didn't. The guards physically present in Meursault with them were under Fyodor's control, while Dazai had no one in the prison with him except for a fellow inmate he could not access or speak to directly. Everyone Dazai relied on, he relied on without being able to see or hear or touch them, while physically surrounded by the presence of Fyodor's vampires.
But it didn't matter because Dazai's bonds aren't so weak that he needs to see them to know they're there, nor are they limited by organizational affiliation. The truth of the matter was that Fyodor had no one, and Dazai was surrounded by his people in substance if not in form— meaning only Fyodor tried to play chess in a game of Go.
Dazai does not have to be physically there to be present, anymore than the others have to be with him in Meursault for him to see them and rely on them and know they are supporting him as much as he's supporting them. Dazai's home and place of belonging also isn't limited to the Agency; he's theirs, but they share him with the Port Mafia and the Special Division.
He's like Natsume in that way, and like Natsume, he's uniquely capable of weaving between the tripartite framework's three pillars to remind them of and coordinate their efforts towards their shared goal of protecting Yokohama.
Thus, if you want to know where he is in a scene, sometimes you have to look for him in the connective tissue rather than the organ. Or, in more literary terms, what is essential is invisible to the eye.