😂😂😂😂

I am always up to read Event Stories no matter how angsty, cheesy, outlandish or predictable they are.

But. CLIFFHANGERS.

yandere nobuyuki

Would you be able to give a headcanon or write something about Nobuyuki's yandere side? Like his reaction if MC said another man's name in bed or if she wasn't in love with him and tried to leave? I know voltage would never show something so dark but I'm curious to know just how "dark" you think Nobuyuki would get. You don't have to do this if you feel uncomfortable of course! Thank you in advance. :)

I am all about yanderes recently. Fuck yeah. I’m going to put this under a cut because it might disturb some people, maybe…? Warnings for death, forced isolation, manipulation, possessiveness… General yandere stuff.

Sanada Nobuyuki dark headcanons

Keep reading

Get a room, then. 😜

Err...aren't they the same person?

Buddhist nuns from the Druk Gawa Khilwa Abbey

Nadiya’s Asian Odyssey

God, Toyotomi Hideyoshi was the worst person.

Reblog for future reference

Actually

The question I get the most is how I write characters that feel like real people. 

Generally when I’m designing a human being, I deconstruct them into 7 major categories:

1. Primary Drive 2. Fear: Major and Secondary 3. Physical Desires 4. Style of self expression 5. How they express affection 6. What controls them (what they are weak for) 7. What part of them will change.

1. Primary Drive: This is generally related to the plot. What are their plot related goals? How are they pulling the plot forward? how do they make decisions? What do they think they’re doing and how do they justify doing it. 2. Fear: First, what is their deep fear? Abandonment? being consumed by power? etc. Second: tiny fears. Spiders. someone licking their neck. Small things that bother them. At least 4. 3. Physical desires. How they feel about touch. What is their perceived sexual/romantic orientation. Do their physical desires match up with their psychological desires.

4. Style of self expression: How they talk. Are they shy? Do they like to joke around and if so, how? Are they anxious or confident internally and how do they express that externally. What do words mean to them? More or less than actions? Does their socioeconomic background affect the way they present themselves socially?  5. How they express affection: Do they express affection through actions or words. Is expressing affection easy for them or not. How quickly do they open up to someone they like. Does their affection match up with their physical desires. how does the way they show their friends that they love them differ from how they show a potential love interest that they love them. is affection something they struggle with?

6. What controls them (what they are weak for): what are they almost entirely helpless against. What is something that influences them regardless of their own moral code. What– if driven to the end of the wire— would they reject sacrificing. What/who would they cut off their own finger for.  What would they kill for, if pushed. What makes them want to curl up and never go outside again from pain. What makes them sink to their knees from weakness or relief. What would make them weep tears of joy regardless where they were and who they were in front of. 

7. WHAT PART OF THEM WILL CHANGE: people develop over time. At least two of the above six categories will be altered by the storyline–either to an extreme or whittled down to nothing. When a person experiences trauma, their primary fear may change, or how they express affection may change, etc. By the time your book is over, they should have developed. And its important to decide which parts of them will be the ones that slowly get altered so you can work on monitoring it as you write. making it congruent with the plot instead of just a reaction to the plot. 

That’s it.

But most of all, you have to treat this like you’re developing a human being. Not a “character” a living breathing person. When you talk, you use their voice. If you want them to say something and it doesn’t seem like (based on the seven characteristics above) that they would say it, what would they say instead?

If they must do something that’s forced by the plot, that they wouldn’t do based on their seven options, they can still do the thing, but how would they feel internally about doing it?

How do their seven characteristics meet/ meld with someone else’s seven and how will they change each other?

Once you can come up with all the answers to all of these questions, you begin to know your character like you’d know one of your friends. When you can place them in any AU and know how they would react.

They start to breathe.

(Spoilers!!) That Reveal Moment in Edgar's Route...

Sweet Innocent MC went from....

...to this wandering paranoiac....

And YET...!!

Me, however...

Otome Game Memes…

When Your Event Allies Quit Midway…

When you like the Side Characters more than your “hubbies”…

When you alone is rooting for the fandom’s “least favorite” Love Interest amongst your circle of friends…

When you rant about a certain route or a character on social media…

When your ship is sailing to lala land in the limited edition epilogue you just bought..

googledocs you are getting awfully uppity for something that can’t differentiate between “its” and “it’s” correctly