I'm In A New Fandom. You Know What Time It Is- In-universe Tma Memes. Pov: You Work At At The Magnus

If nendou takes his buddies out for ramen often enough do you think he might classical condition them into associating him w ramen ? like this

ITS THE LAST STAND BABY!!!!!!!!

Harrow: my deepest darkest trauma is that my parents killed a bunch of children in order to make me into a powerful necromancer. they died for me. their blood is on my hands.

Gideon: that sucks dude. anyways I'm going to sacrifice myself to save your life. you'll be an even more powerful necromancer. pretty sick, huh?

Gideon: why are you so upset about this

Gideon: is it because you don't like me

if aught but death part me and thee

I like how Jonathan freely admits how scared he is or how he could be easily crushed by the other man or how he never states that he must stay the course because he's not a coward etc

And then all "academic analyses" of the text say he's hypermasculine as if Dracula didn't just pull a "make sure to break your hand-shaking partner's fingers to assert dominance".

Impending rant aside, Jonathan is a perfect example of fear meaning bravery. Unlike other protagonists of his time, he doesn't scoff and turn his nose up at the danger he's in. He's not a prideful Englishman self-assured of his main character status giving him plot armour. He doesn't callously dismiss the warnings or try to assert his British-ness over the Count.

He's humble and not afraid to tell his fiancée how unnerved he is by how much stronger the Count is than him. He can't even hide his distress from the Count out of politeness– he's very expressive: a contradiction to the British stereotype of an unmoved prig with a stiff upper lip. He also just doesn't get defensive about his bravery. He's not worried about being seen as a coward, and that is precisely what prevents him from being one. He goes forth with his work not to prove himself a man but to prove himself a dependable employee. And to get that bread.

Like, I can't help but compare him to Hippy Rowan from A Kiss of Judas. Hippy attacks a man who was merely minding his business out of irrational fear but presents his fear as disgust instead, and later on, he brags about never having ever felt terror, to which the men he is staying with respond with a bet that they can show him true terror beyond his imagination. They were just planning to put on masks and jumpscare him when he was not expecting, but just the anticipation of being proven a coward leaves him bedridden with dread. Now that is stupidity and cowardice.

Jonathan's a brave man. He's not stupid, he's not arrogant, he is aware of his helplessness but still determined to pull through for the sake of his loved ones.

Inspired by recent discussions of an Actual Play.

i’m currently reading stoker’s notes from when he was plotting out and researching dracula.

apparently he took 10+ pages of notes on whitby dialect & slang. it greatly amuses me to imagine the reason mr swales talks Like That is because stoker really wanted a chance to use his research notes at least once in the book

August 6: Dracula

“She is steered mighty strangely, for she doesn't mind the hand on the wheel; changes about with every puff of wind. We'll hear more of her before this time tomorrow.”

Larian, i'm available for suggestions, please reach me at wyll_simp_4ever@blorbo.gov

Cutie-pie of the sea (x)