You Can Love A Character & Still Admit When They’re Wrong. I Love Nanami But Can Acknowledge Her Flaws

You can love a character & still admit when they’re wrong. I love Nanami but can acknowledge her flaws (she has none) & can hold her accountable for her wrongdoings (she's never done anything wrong in her life) & call her out for her actions (which are always correct)

You Can Love A Character & Still Admit When They’re Wrong. I Love Nanami But Can Acknowledge Her Flaws

More Posts from Airfleck and Others

1 year ago
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1 year ago

Hi PLEASE go off about how the districts in The Hunger Games work. Thank you. 😘

ahaha OKAY!!

so I think the big issue with other YA dystopia that tried to emulate the hunger games was that it didn't grasp why the districts actually existed, and how the enforcement of their division actually served to benefit the capitol and weaken any resistance. tbh I didn't really think too deeply about this aspect of it until recently when i was watching someone on youtube's deep-dive into the divergent series and was struck by how stupid that series's idea of factions were. they're based primarily on personality traits, and not only that but they have a system where everyone has to be manually sorted into those factions? which is just way too much effort for a system so arbitrary that doesn't actually serve a logical purpose in maintaining a totalitarian regime.

meanwhile the hunger games's districts make complete sense; the capitol never had to corral people or even do much of anything other than draw some borders and then enforce said borders, and they did so logically based on preexisting socio-economic systems. district 12 is a mining district because it's located in appalachia, which is already an industrial mining area. by dividing panem based on available resources, the capitol can very easily maintain its control by forcing each individual district to be dependent on the capitol's allocation of said resources. no other districts can independently trade goods with one another, so if any district wants to receive everything it needs to survive, it has to stay in the capitol's good graces. if district four pisses them off, the capitol can just say "okay, good luck heating your homes this winter" and there's nothing district four can do about it. naturally this leads to certain districts receiving special treatment; district one supplies luxury goods for the capitol and as a result is allowed a level of wealth and comfort not afforded to other districts, which 1) motivates them to maintain the status quo to continue benefiting from it, 2) gives them a sense of pride and superiority to other districts that alienates them from others, and 3) breeds resentment for certain districts among the poorer ones, creating further division with minimal effort on the capitol's part. even if it's in everyone's best interests to unite and fight together, why would district 12 give a shit that district 1 is also suffering under the same regime? their families don't have to worry about putting food on the table.

and then the failed rebellion happens, district 13 is seemingly wiped off the map, and the capitol comes up with the hunger games, which is a pretty genius idea for a punishment that also serves to strengthen its power. "we destroyed district 13 and we have the power to destroy you, too, but all we're demanding of you is two of your children per year, and we're gracious enough to provide them a chance at survival." (i've seen shitty YA dystopias that have similar selection processes for whatever arbitrary system they establish where NO ONE who is selected comes back, which is insane and doesn't work because without that sliver of hope, no one who's being subjugated has anything to lose.)

and while every district is forced to sacrifice at least one child, some districts have a better chance of bringing a child home alive than others, which gives them the "privilege" of seeing selection for the games as something honorable. "yes, you might die, but you've had the resources to train for this your whole life, and if you win you'll bring more glory to our district, just like all the ones who came before you who now live in the victors' village" (and of course the more tributes who win in a certain district, the more aspirational being a tribute becomes, because you have plenty of examples of winners who now live in even more luxury than before; meanwhile district 12's victors' village is technically 'luxurious' but its only occupant is miserable and lonely and his life is hardly any better than the rest of them). and with this sense of competition comes even more division, because why would i see district 2 as my ally when their tribute, who i was forced to watch cave in my child's head with a rock, is now here on their mandatory victory tour celebrating the fact that they did so? sure, they still lost one kid, but they could have lost two like the rest of us.

so tl;dr the districts are a very logical, surprisingly simple aspect of the capitol's totalitarian rule: there's no arbitrary sorting system they have to create, it's based on the control of basic resources humans require to survive, it's relatively easy to enforce both through physical borders and a systemic "divide-and-conquer" approach appealing to human emotion. it's very believable as it merely takes real socio-economic disparity and class conflict to its most extreme.

(also this isn't related to the districts but other YA dystopia tends to portray their protagonists as "special" or "different" and that's why they're capable of taking down the system, but katniss is very explicitly Not Special. she's skilled in a way that makes perfect sense given her upbringing, but she's not overpowered; she wins because the pieces just so happen to fall into place in just the right way that allows her to win. the spark of rebellion she ignites by forcing the capitol to allow both her and peeta to win happens because she's intelligent, sure, but also because these poison berries happen to be available. it's a mundane victory made significant through circumstances where she happens to be the Right Person at the Right Time.)

obligatory "idk if this made any fucking sense lmao" bookend


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1 year ago

"So you see, my dear Lucy, this man here is bitchless, no bitch in sight, in fact, I reckon he never felt a woman's touch in his life"

- Abraham Van Helsing, September 3rd.


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1 year ago
I Could Never, Lup.
I Could Never, Lup.
I Could Never, Lup.
I Could Never, Lup.
I Could Never, Lup.
I Could Never, Lup.
I Could Never, Lup.

I could never, Lup.

Long time, no see. Have some angst!!! (now in the CORRECT panel order)


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taz
8 months ago

If I was Camilla I would be giving "Dulcinea" the hard fucking silent treatment too watching Palamedes bring her tea and tenderly drape her in his bathrobe only for her to barely give him a second glance or even say hello and go back to batting her lashes at the first well-muscled butch teenager she laid eyes on. Never mind the fact that she literally doesn't acknowledge the fact that Camilla exists when Camilla thought they were at least friends. She's not wearing the pulmonary drain he invented for her even though it works as intended and she audibly badly needs it. I'd be on the news


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6 months ago

imagine there is one semi-redeemed dalek who works at the space dmv. they hired it because it makes lines go quicker. someone forgets their papers and instead of arguing about it, they hear a dalek start yelling PAPERWORK. PAPERWORK. and they apologize profusely and leave.

1 year ago
This Idea Did Not Leave My Head For A Month So I Knew I Had To Draw It Or Else

this idea did not leave my head for a month so i knew i had to draw it or else


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1 year ago

Agnes Montague sketches

Agnes Montague Sketches

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2 years ago

the year is 2056. Critical role is on it’s 11th campaign. Samuel Reigel drinks out of an 8 foot tall marble martini glass. He sets it down and unzips his jacket. His t shirt has a photo of Matthew Mercer’s birth certificate and social security card printed onto it. Matthew Mercer can only respond with a creepily realistic bottle sound of distress.

6 months ago
You Carried Me Once, Friend, And Now I'll Carry You.

You carried me once, friend, and now I'll carry you.

[Prints here]


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