THE ERA OF VANISHING HAS BEGUN

THE ERA OF VANISHING HAS BEGUN

THE ERA OF VANISHING HAS BEGUN

They are not arresting people. They are vanishing them.

Rumeysa Ozturk wasn’t read her rights. She wasn’t told why she was being detained. She was walking to break her fast in Somerville, Massachusetts when masked men in an unmarked SUV pulled up, took her phone, slapped on handcuffs, and dragged her into a vehicle like she was some kind of national security threat.

She’s a doctoral student. A Fulbright scholar. A trauma researcher. But in Donald Trump’s America, she fit the profile: Muslim, foreign-born, sympathetic to Palestinians.

Now she’s locked in a for-profit detention center in Louisiana, hundreds of miles from her lawyer, after a federal judge specifically said she wasn’t to be moved.

They moved her anyway. Because rules no longer apply to those with badges — real or fake.

A MOVEMENT BUILT ON CHAINS AND COWARDS

Alireza Doroudi is gone too.

He’s a doctoral student at the University of Alabama, born in Iran, studying mechanical engineering. No criminal record. No warning. Just scooped off the grid.

ICE refuses to say where he’s being held. No public charge has been announced. His only crime appears to be existing in the wrong body, from the wrong country, in the wrong era.

Mahmoud Khalil was next — a Columbia student, arrested for leading pro-Palestinian protests. Trump labeled him a “radical foreign Hamas sympathizer” on Truth Social. Days later, he was gone.

Jeanette Vizguerra was taken from her Target shift in Colorado, chained at the waist.

Alfredo “Lelo” Juarez, a farmworker organizer, was dragged from his car at dawn in Washington. His window was smashed by federal agents. His voice silenced.

These aren’t isolated incidents. These are deliberate acts of political intimidation.

They are testing the system — testing us — to see how many people they can disappear before we stop calling it democracy.

WHEN ICE IS A BADGE — AND A COSTUME

While the real ICE disappears scholars, organizers, and mothers, the fakes are circling like vultures.

In South Carolina, Sean-Michael Johnson posed as an ICE officer. He pulled over a van of Latino men, screamed slurs, jiggled their keys, and knocked a phone out of someone’s hand. “You’re going back to Mexico!” he shouted. He wasn’t an agent — but he played one with conviction.

In North Carolina, Carl Thomas Bennett used a fake badge to sexually assault a woman at a motel. He told her if she didn’t comply, he’d have her deported. He held up a counterfeit ID and pretended to be the state.

And in Philadelphia, a Temple University student in an “ICE” shirt tried to storm a dorm building with two accomplices. They were dressed for the part, intoxicated by the illusion of authority, emboldened by the climate.

This is what happens when the state makes cruelty a brand. When a badge becomes a fetish object. When the line between enforcement and cosplay disappears altogether.

THE WHOLE SYSTEM IS THE CRIME

Let’s stop pretending this is a coincidence.

This is a unified strategy. The Trump administration is using ICE like a personal strike force — targeting international students, protest leaders, organizers, and mothers with surgical precision.

They invoke secret designations. They bypass due process. They manufacture pretexts out of thin air and rely on the fog of bureaucracy to hide the blood on the floor.

The point isn’t law enforcement. The point is deterrence. Spectacle. Control.

This is what political cleansing looks like when it’s dressed up in the language of national security.

They’re showing the world that resistance has a cost — and the cost is your freedom, your voice, your visibility, your future.

SILENCE IS CONSENT. AND WE ARE LOUD.

There is no middle ground here. No fence to sit on. No neutral position when people are being kidnapped in the name of the state.

ICE doesn’t need your applause. It needs your silence. Every time a student vanishes and the media shrugs, every time a woman is cuffed and the public looks away, the machine gets stronger.

They are daring us to ignore it. They are counting on our numbness. They are betting that we’ll keep scrolling.

We cannot let them win.

This is not border policy. This is not visa enforcement. This is not safety.This is authoritarianism with a PowerPoint presentation.This is fascism disguised as formality.

This is the state stripping people from the land and pretending it’s order.

Let the record show:

They took people.

And we did not look away.

We saw it.

We named it.

We raised hell.

And we did not stop.

(I didn’t write this. Credit goes to Fear and Loathing: Closer to the Edge)

More Posts from Ajkiranwrites and Others

3 weeks ago
Autochthonous (adjective)

autochthonous (adjective)

10 months ago

10 Best Books About Writing Fiction

Someone recently asked me for some fiction writing book recommendations, so here they are!

Some fiction writing teachers try to steer their students clear of books about writing. While it’s true that there’s a lot of bad or dubious writing advice out there, my philosophy is that more information is always better. Over the years, I’ve read voraciously about fiction writing–upwards of 50 books about the writing life, plot, fiction craft, dialogue, character development, you name it. While I got a little something from each one, here are the 5 star gems that are worth sharing. Enjoy!

Best Books About the Writing Life

Bird by Bird, Anne Lamott

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It’s a classic for a reason. Lamott’s trademark humor makes for an effortless read as she shares her wisdom into the process of writing. Equal parts technical help, encouragement, and brutal honesty balance throughout the book, keeping the reader engaged and in good spirits from start to finish.

From Where You Dream, Robert Olen Butler

Butler’s ideas about the process of writing fiction are not necessarily unique, but I’ve found no other book that discusses the writing “trance” as thoroughly as this one. The exercises in this book teach how you to access the writing “dream state” that good stories often come from. The book can be a little esoteric at times, but it’s worth the patience it takes to understand what Butler is getting at here. Especially recommended for writers who have intrusive inner critics, and those who have strong ideas but find that their writing feels lackluster and flat.

The Writing Life, Annie Dillard

This is a short read, so I’ll just provide a titillating quote and you can go pick it up for yourself: “One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now… Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.” -Annie Dillard

Best Books About Fiction Craft

Self-Editing for Fiction Writers, Rennie Browne and Dave King

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Hands down, this is the best craft book on the market. It’s written for beginning writers, but is layered and subtle enough to be useful for advanced writers as well. I’ve read and re-read this book at many different stages of my learning process and taken away something new each time. Unlike the cover suggests, this is not a book about grammar. It shows you how to edit for flow and syntax, to properly tag your dialogue, the basics of show-don’t-tell, as well as providing helpful exercises where you get to try your hand at editing once you’ve learned the techniques.

Stein on Writing, Sol Stein

Make no mistake: Sol Stein is a pompous asshole. But he’s also super, duper smart. I consider this to be an advanced craft book, just because of the level of detail he goes into, but I think a beginner would get a lot out of it as well. Another classic, which means it’s almost always at the library.

Writing Fiction: A Guide to the Narrative Craft, Janet Burroway

Yes, this is a text book. Thick. Heavy. Teeny tiny print. But it’s good. And because it has a million editions, you can get an old version used on the internet for like $.04. Especially nice are the full-length short stories that are supplied as examples in the back of every chapter.

Best Book About Dialogue

Writing Dialogue, Tom Chiarella

Chiarella doesn’t bog the reader down with his own set of hard rules about dialogue, instead he skillfully and humorously persuades the reader about what works and what doesn’t. Busting such myths as “dialogue sounds like real speech,” he gives dozens of creepy-writer-stalker tips like “crowding” and “jotting,” which is basically where you eavesdrop on people and write down what they’re saying. I now carry a notebook on my person at all times specifically for this purpose. I think this book might be out of print (yet 50 Shades of Gray makes millions… is there no justice in this world?), but you can still get it on the internet for a decent price. Do it now before it’s too late!

Best Books About Plot

Plot Whisperer, Martha Alderson

Stupid title, great book. Alderson talks about the idea of the “Universal Story,” which is the process of struggle (conflict) and transformation (climax and resolution) present in most stories. These “energy markers,” she says, are so inherent in our lives, and in the very idea of story itself, that they can be found in almost every plotted novel. She then proceeds to go into insane detail describing these markers and how to incorporate them into your own writing in order to make a plot that resonates with readers. From time to time she also drops some wisdom a la The Artist’s Way (which she calls, I believe, “The Writer’s Way”), helping writers to overcome the hurdles of writing a book. While Alderson is not a writer herself, she has been studying plot and assisting writers with plot struggles for over a decade, and her knowledge and credibility shine in this book. I came away with a much deeper understanding of the purpose of plot and how to wield it, and highly recommend this book.

Wired for Story, Lisa Cron

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The sensational subtitle (“The Writer’s Guide to Using Brain Science to Hook Readers from the Very First Sentence”) makes it sound like one of those smarmy write-a-novel-in-30-days books, but don’t be fooled. This the best book on plot I’ve read. It’s devoted to the idea of ‘story’–what makes a story, what people are ‘wired’ to look for and want in a story, and how to satisfy those cravings in your fiction. The 'brain science’ part is presented in a very accessible way, and Cron only gives us enough information to make her point, never overloading the reader with jargon. She talks a lot about the brain’s unconscious impulse to track patterns, make connections, and look for cause-and-effect, and how to translate that into good storytelling. Her definition of 'story’ alone is more valuable than 200 pages of most fiction craft books. There are endless gems in this book, and now my copy (that I purchased! with money! that’s saying a lot already) is completely marked up with pencil and sticky notes. I know this is a book I will refer to time and time again. Highly recommended.

Writing Fiction for Dummies, Randy Ingermanson

If you’re looking for advice about craft, the finer points of good prose, or syntax, look elsewhere. But if you want help with your plot and structure, how to organize scenes, when to cut a scene, how to analyze your characters, keeping your story focused, and what order to do it all in, Ingermanson might just blow your mind. His “Snowflake Method” of plotting is loved by thousands, and is discussed in length all over the internet for free. If it resonates with you, you might want to do what I did and buy the book.

/ / / / /

@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

2 weeks ago

male entitlement in academic spaces is so boring. can’t tell you how many times i’ve been in a class and a girl gives a short, insightful analysis, and then a dude raises his hand and says “jumping off of that…” then says literally the same thing she said but longer and worse.

1 month ago

You can fight AI in indie publishing by leaving reviews.

Seriously.

Ai-generated garbage is flooding the self-publishing market. It works as a numbers game- put out ENOUGH fake crap and eventually someone’s aunt will buy them the ebook as an unwanted gift, and you’ll have made two dollars. This tactic works at SCALE, which means real independent titles are now a needle amongst a haystack of slop.

If you have read a book this year that has less than 5 reviews, your rating is an algorithmic spotlight on that needle.

A one sentence review helps. Really. A star rating helps if you really can’t think of anything to say, but if you can muster up even “I laughed at the part about the tabby cat” you are doing indie authors a favor like you cannot believe.

(Also if you left a review on one of my books this year I am kissing you so softly on your forehead and I adore you)

1 year ago

Pin for survivors

Pin For Survivors
2 years ago

Me in the shower: *plans the paragraphs, dialogues and words i'll write for my WIP as soon as i'm done bathing*

Me as soon as i get out:

Me In The Shower: *plans The Paragraphs, Dialogues And Words I'll Write For My WIP As Soon As I'm Done

Tags
1 year ago

reblog if it's okay for your mutuals to message you and create an actual friendship, not just interactions

10 months ago

my friends r so talented. rb if ur friends are talented

1 month ago
Planette: Mars

Planette: Mars

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ajkiranwrites - SphinxofBlackQuartz
SphinxofBlackQuartz

Original Work Primary Blog. Sideblog for fanfics @stickdoodlefriend Come yell at me! | 18+

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