work in progress. atelier: 4.35h da manhã.
projecto parcial de centro de interpretação do Aqueduto das Águas Livres. Monsanto.
por Tiago Sá Gomes
© office - arvo part centre - laulasmaa, finland - 2014
sempre em carnavais para não ter tempo de tristezas
Joshua L Jones, USF School of Architecture, Class of 2011
Class: “A House for Two Orphans” - Spring 2011, Dr. Levant Kara
Architectural drawing of Eisenstein’s The Return.
Oslo, Norway.
Jessica Brown Findlay
Swing by the Perelman Building and check out “Mythography: Sources for Classical Myth,” on view in the Museum Library now through February 19. With a selection of classically-inspired works from the 1300s to the 1800s, the installation explores changing perspectives on the work of Homer and his peers.
“Homer, His Iliads,” translated by John Ogilby in 1660, engraving by Cornelis van Caukercken after Abraham van Diepenbeeck
Kristjana S Williams
"Sometimes you see something so absolutely the opposite of your usual style that it stops you in your tracks and makes you smile. And perhaps even makes you question what you thought you liked. I am a minimalist and a modernist, I like calm; I like grey. I like simplicity; I like the understated; I like quiet clean lines and white space. But then along came Kristjana S Williams“ ~ Katie Treggiden, Confessions of a Design Geek