Satoru Gojo Was More Than Ready To Propose To You. For You To Be His Pretty Little Wife. For You To Take

no pain, no gain, right?

"is this all a game, or are they all secretly masochists?!"

nah, imaging being kidnapped by the batfam, neglected or not, romantic or platonic, and being expected to treat your abduction as merely normal, to love them like you've known them for your entire life rather than strangers who randomly decided that you're the object of affection they'd focus on their attention on one day—

do they honestly think you'd fall for their honeyed words? of course not! you're fucking trapped with both men and women alike with physical capabilities enough to trap you in a headlock or in a bear hug. they could kill you with a damn finger jabbed into your neck. is that not a valid enough reason for you to try and constantly fight them?

if you're a person bound on the feistier side, the first course of action you'd commit on, say, dick who's known to be the most physically affectionate, the neediest of them all - who's constantly kissing you, playing with your hair and laying his head on your chest - would be your nails digging deep into his skin and dragging it along his back, or trying to throw a punch into tim's face when you feel he's been staring into you rather than at you far too deeply for your liking, watching the blood drip down his nose like a faucet right after, as long as it means his eyes would leave your body for just a damn second.

whatever they're doing, even if they're always assuring you that they're doing this out of love, out of protection, out of their deep-seated paranoia that out there, you're not safe, you won't survive; their actions are all done for you — yet they'll always be met with you threatening to bite or chew their faces off. they're not your damn family, or lovers, or whatever fantasies they think they could reenact with you, and they know damn well that you won't be giving up soon, not at all—!

yet you don't know that behind your fiery side are those willing to let the fire burn much longer, those who throw more logs and gasoline into the ever-burning pit of rage and spite that crackles at your heart.

jason trying to trap you into his muscly arms only warrants your fight-or-flight instincts, akin to a gothamite walking past the crime alley, kicking and scratching at the man just wishing for a day of comfort as he sighs and nuzzles his head into the crown of your hair, breathing deeply to take in your scent, as if you're not currently pulling his hair out. he'll let you bite on his hard neck, or kick at the fat of thighs or even his crotch with no reaction other than tightening his already caged grip on your body.

a body much frailer compared to everybody else's. a mere gazelle to a lion ready to be chased anytime soon.

bruce placing a hand behind your back will only result in you digging deeply into his forearms, wide eyes and heaving breaths that reflects not only utter fear but a thinly-veiled threat of another session of attempting to uppercut him, like you're some wild prey ready to make a run if he dares push the boundaries you settled for. yet all he does is try his best to warmly smile at you without any weariness, not even any vigilance of your future actions, and most especially not fear.

how long are you going to fight them? why are even you doing this? to soften the blow? to make them wish they regret even taking you away from the first place? or do you wish for them to feel a semblance of fear you felt whenever their toned arms surprised you from when they appeared before a shadow? do they not know just how deeply terrified you are of them, that you're doing all this because you're afraid of their strength?

except, what you expected never came. you would've been fine with them punishing you, slowly losing their inhibitions, snarling at you every damn time you snap, becoming tired of your antics and threatening to throw you out, even mocking you for your weakness; anything...!

but not whatever this is.

not the stupidly gentle smiles, or the droopy eyes that look as if they've fallen in love even more at just how much droplets of blood you were able to procure with another set of scratches against jason's forearms. not the astounded whistles at another bruise you managed to punch into steph's shoulders after a momentary lapse of shock from another one of her back hugs— as of this were some all sick form of therapy. you know they're taking your daily fights seriously, you know it because they always take note of it by staring at each other every time you manage to injure them! but fuck, why are they just letting you do as you will?

since when have your nails been longer, sharper even?

why is jason just... staring at you, his gaze proud and mighty, not out of his attempts at mocking you but looking genuinely so gratified. there's rivulets of crimson dripping down his neck all the way to the clavicle until it reaches his upper pecs, multiple indents of scars already faded, now overlayed with fresher, even deeper ones; displayed like a museum artifact by his loose tee. his fingers, shaky and equally scarred, moved to run over the inflicted injuries, touching and pressing deep, as it just as quickly finds its way to his mouth, lapping at the blood, his eyes never leaving your equally shivering form; dread and disgust curling into your very being.

he takes deep breaths after lapping his fingers clean, his fists are curled together like yours; except your nails are stained with blood, jason's, a stench that curdles deep into your nostrils. and for a second you feel something scarier than fear, an immeasurable pit of doom that looms over your back. for a second, you thought this would be the last time you'll ever see the light again. just as quickly as you scratched him, you try to retort with an excuse.

"jason, i'm- i'm so sorry i didn't mean to—!"

"we get it now, angel...

this is your way of coping, right? it's all good, do as much damage as you could 's long as you get it all out of your system, 'kay?

and thanks, by the way. this one's even better than the one you gave me just earlier."

what does he mean? what's even better...? you just- you just gave it your all trying to engrave your sharp nails into already scarred skin; why is he talking to you as if he's congratulating you rather than scolding you?

no, no, no... he shouldn't be all like this... why is everybody staying silent all throughout? why do your ears wring, every sound mapped around the house turned into one singular sound? this shouldn't be happening, no! he should be mad, should be punching you, bruce should've broken you both up the moment he noticed your hands make a way for jason's neck— yet since when did anybody try to interrupt?! the only damn time, god... the only time they ever do is when you try to inflict injuries on yourself, but never on others... just why?

there's sudden clapping that distracts you from your thoughts, from dick's or duke, you don't know? one of them is saying something and you can't comprehend it other than one-liners and muffled, incomprehensible words.

"—'m jealous of you," that's duke's voice! what else is he saying? why is he envious? of what exactly? the fear doesn't settle down unlike all the other times, there's tears that began brimming on your eyes and you still stand in the middle of the living room, the chandelier's light basking you in its ethereal glow, yet you feel the opposite. you're no angel as what's jason called you, and the people surrounding you are more like demons than anything else; witnessing your fall from grace, taking you away from your home whilst having the audacity applauding your presence as if you've fucking graced them.

and then steph coos, your head snaps to the direction of her grating "awe's!". you're convinced she's looking at jason like he's been vindicated for some crime, eyes you never knew could hold so much anger and spite. you don't know why she does, you don't understand the hidden implications of her next words, you can only watch from a distance.

"that should've been me, y'know! that's so unfair of you!" her seething voice and hardened glare at the man subsided into your thoughts; who wishes to be hurt? who even wants to be the victim of your feisty glares and venomous insults? you know they don't like it when you stare at them with burning hatred— but why do they enjoy it when you physically scar them instead? when you punch at their noses and watch as the blood stains their clothes evidently?

and yet it only registered within your mind just now: how they never seem to patch up any of the marks you imprint on their body. it's only now that you realize that they always bare it right in front of everybody, some even wearing looser clothes that give others a peek of their skin in the more intimate places you've marked. there's bandages from when they go home after every patrol, there's casts that they wear after suffering through broken bones and dislocated limbs from the criminals they fight every night— but never with you, not even a gauze from when you've cut all too keenly into damian's cheeks, a deep gash that he's sported proudly throughout the following months with everyone else seething, even bruce seems envious of his own son.

"well, it's not my fault you didn't try hard enough, blondie. right, angel? guess they love me even more than you," his sultry words pierced through your mind, and for just a second, he was already at your side, hands weighing on your shoulder whilst his head makes its way to the crown of your head, leaning down to give you a lingering kiss on your forehead. he releases an airy laugh at the complaints that come after. and for a second, your claws were ready to retaliate from mere instinct, at how he dares treat the entire situation like a bragging right; but unlike last time, you try to hold back, shoulders sagging as you try to blink out the tears running down your eyes; all right after discovering their... sick fetishes.

fetishes you didn't know run deeper than just that. you don't even know of the competition they hold every night right after they put you to sleep, counting each and every scar, every pull of the hair, every bloodied nose, bruised eyes, scratched skin, cuts inflicted from knives and other sharp objects laying around, your very own murder attempts at your abductors; all tallied and inputted into barbara's coded system that tracks and points each and every injury. you don't know just how much they cherish these marks you left in their body, like medals dangling off their parts that showcase their dedication, their patience never dwindling at achieving your trust— bruce once said it was an unhealthy habit of yours, but dick retaliates, saying it's the only way they could get closer to you.

it's the only time that you willingly touch them, even if it's with animosity, with passion and hope that someday you'd maim them just hard enough to escape.

"don't even think tonight's over yet, todd. you all simply haven't seen what they've done to me just yet," now it's damian who butts in, with emerald eyes gleaming with emotions you're still unable to detangle. yet now there's hints of rage, a face that says he's ready to compete with what jason has to offer now, hands caressing the cloth he wears that hides an injury enough to compete with the pain you've inflicted upon jason, an injury you're far too familiar with.

he's the youngest, and sometimes, you feel the most fear trying to discern why he's too possessive of your time, of your space and your presence, all whilst sporting a glare that never seems to lighten. but nothing ever changed the fact that he's the one who pushes all your buttons the most, he's the one with the cruelest words and sickening intentions, enough for you to treat him the foulest you ever could; with murder the only product in your mind every time he tries to even come closer to you.

and his words right now made you realize just how deeply you fucked up, and just how equally as fucked up your abductors truly are...

after all, you did just bite him earlier, in the space between his neck and shoulders from when he attempted to lick at your neck, making sure your teeth grates at his skin and nearly rips at flesh; to the point where the taste of blood that filled your mouth still lingers even until now.

reblogs and interactions are encouraged and appreciated.

a/n: art by yuto sano. written in 30 minutes sheesh. you know what's scarier than your kidnappers retaliating against you whenever you try to attack them? them taking it all in stride instead. the delusional belief that it's your own expressive way of getting used to their presence— even going as far as turning it into some sort of competition on who gets to have the most scars by the end of the day. i think that's absolutely more insane than just punishing you, and please tell me i was at least able to portray the feeling of doom well with this. i also hope this isn't too ooc. guys, pls pls pls tell me what you think of this, did this cook or what? interaction's been low lately and i've been feeling demotivated to write so uhm... also, if anyone wants me to write the difference between the romantic or platonic implications of masochist/sub batfam, just tell me and i will!

this is inspired by @on-leatheredwings post about masochist tim drake. she's literally the reason why i read the entire red robin comic run and was obsessed with him for like a long period of time because of her banger portrayal of him. and it's also inspired by @sleepingdiaryzzz's recent post, her writing is really immaculate and well thought out unlike mine LMAO and she's a tad bit underrated so you guys definitely should check her out! this post is also dedicated to @neerathebrightstar, thank u for being my coolest supporter ever.

jason headbutts you- not aggressively, but like a cat who’s requesting affection. youll just be laying in bed with him and he just bumps his head against yours.

“yeah, baby?” you hum, smiling at your dork of a boyfriend. “don’t make me say it.” he mutters against your cheek. “c’mon big guy, use your words.” jason rolls his eyes and pulls you close to him, kissing your nose. “can you play with my hair, please?” you tap your chin in mock thought, and he pokes your side. of course you give in, look at him. his eyes flutter shut when your hands finally comb through his hair, head resting against your chest. “can y’just read my mind next time?”

Me looking for yandere content the moment I step foot in any new fandom

🚨🚨Urgent appeal 🚨🚨

We are the targets of war

Save us from the killing and destruction machine, we are dying slowly here, where is humanity, where is mercy?

My name is Musa and I was unlucky enough to be born during the war in the Gaza Strip and I need treatment abroad. Help me to complete my treatment. 😭🙏💔

🚨please save me from death 🚨

https://gofund.me/11525cb3

Free them!!!

When will the third chapter of Yandere Batfam will be released? :D

I'm honestly not sure yet as I want my readers to be satisfied with the next chapter. I sometimes put myself in my readers shoes when I'm re-reading my work and often ask my self "is it enough?" , unfortunately I am not that satisfied with my work yet. I have also mentioned that I want the story to be as long as possible. It might take me more days but I will make sure yall are not gonna be disappointed🫶✨

Details of half return

The narrative starts with y/n going back to their old house, where they start with reminiscing about memories from their old home. They admire every mark they left in their home when they were a kid not knowing that was the last time they were gonna live and make memories there. It's also a perfect situation where you can relate to Adrianne Lenker's lyrics, specifically in which she says, “standing in the yard, dressed like a kid,” which indicates a moment of nostalgia. To me, this song is highly associated with missing the innocence, youth, childhood, or simply who you were in the past.

 If you're wondering why the reader goes to their old house, it's because it's a way of letting go for them. As they have said in the story that it was a way of letting go and mourning that version of them. Because you can never really let go if you're not mourning/did not mourn even the slightest.They saw it as a necessary step in the process of growing and becoming a new person.

In the old house scene, you can see the memory of the reader, where they see the life they want in the lives of others, making them yearn for that. The space between two windows, reader and their neighbor, indicates or symbolizes their current life (reader's window), while the other mirrors the life they long for (neighbor's window), like a window to their desired reality. So watching the Barbie movies/shows through their neighbor was them actually watching the life they wish for. 

Also, the puppy she found on a random day while she was alone. The puppy is a symbolic object of the reader. As you saw in the first scene where they both first met, it was said that the puppy was just crying for its mother and father, hoping, waiting. (That's eerily familiar, don't you think?) And! The reader named the puppy “Amara,” which, if I'm not mistaken, means forever loved, which she is. Amara was a mirror of y/n's soul. And y/n treated them the way they have always wanted to be treated. 

But Amara is not a mirror to the current reader's soul. Do you get it? Because Amara was the symbol of the past version of them, which means they were the beacon of youth Y/N once had. Amara staying and waiting within the walls of where they both grew up just connects to y/n’s journey of letting go. That is why when the reader saw her, whispered gently to her and reassured her that it was okay, that she could rest now. representing readers' way of saying goodbye to the old y/n and letting them rest. The scarred innocent of their younger self is now free from the heavy pain of the things they went through. 

The scene where the reader “made up” with their mother and the fact that their mother admitted she never hated them that much but couldn't confirm that she didn't entirely hate them is SO important. It was a moment where their mother finally acknowledged her faults and apologized bitterly but with sincerity. She was very honest in that scene, as she knew that was what you needed and wanted. No sugar-coated words, only the truth. Also the fact that they made up, but it was also going to be the last time they would see each other!! Because the reader cut them off on good terms, and that was the final step in making peace with everything that was part of their past. 

Also, if yall were wondering how the reader “moved on” with the Bat family, it was actually the first ever step they took in making peace with their past. As their way of doing it was just accepting. Accepting that they will never see them as family, and they will never be interested in them in any way. (Guess who got clowned.)

And Alfred, who was driven by his own selfish desires. Now we all know that it was Alfred who took care of the reader the moment they got to the manor, so naturally it would be Alfred who first spiraled into yanderism. I like the idea of Alfred; despite wanting what's best for the reader and what makes her happy, he is still a yandere. And that means he still has traits of a yandere, which is what made him come up with a heavily detailed plan. 

🏮🏮URGENT URGENT APPEAL 🏮🏮

🚨🚨URGENT APPEAL🚨🚨 my heart is aching on my sick brother

Can you please save my brother's life

Reblog my pin post🙏🙏

Donate if you can 🙏

My brother's life is on the line 😭

Gofundme link 🙏🚨🚨https://gofund.me/11774d84

!!!

Something something violence has always been the primary love language for Waynes, something something.

It breaks me that Bruce loves Jason so deeply, and Jason is so completely unaware of it. He comes to the conclusion that love is religion. You have to see to believe.

I’m just thinking about Jason watching evidence of how wrecked Bruce is after his death. He stalks Batman, always, tracks down every movement and breath. He waits for the perfect moment to shoot.

Your father only dies once, after all.

That moment, mysteriously, doesn’t come.

Jason’s never been scared of Bruce. Fear, to him, is darkness and cold and a bleach white face laughing at him. Fear of Bruce not being there at all. That’s fear.

I need a scene where Jason, — Red Hood, — watches Batman pin down a mugger.

He doesn’t know what that man says. Something about getting on him for not being there when Wayne’s boy got killed.

He’s never been scared of Bruce.

But when he punches that man, over and over and over, when his throat makes those horrible sounds of gasping effort, animal and feral, he’s afraid. Afraid Bruce won’t stop.

He’s about to jump in when another, smaller pair of feet runs up to the scene and Jesus Christ that’s a kid — A kid wearing Jason’s old uniform. Wrapping his arms around Batman’s and clinging.

The man on the ground is motionless. If he didn’t blink, Jason wouldn’t know there was a face anymore.

But that’s not the worst part.

The worst part is Bruce crying. Gasping, punched out noises, his hands drenched with red, squeezing the kid so close to him.

“My baby. Oh my baby.”

In your neglected reader au, how old is the reader meant to be? Like is she legally an adult or a bit younger, but still old enough to live alone?

They are 18/19! Old enough to live on their own.

Hello dears! I am asking you to support my campaign to help me reach my goal. I am in dire need of your support now to help me stay alive and safe. Gaza is a very dangerous place both in terms of living and lives. The family consists of 20 members, most of them are young children. I need your financial support to enable me to get the basic needs for my family until the Rafah crossing is reopened to transport my family to safety and peace. Please help a family stay alive through your small donations or through your shares to others. Thank you very much for standing by those in need. My campaign 90-ghoset has been documented

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