The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited

The tapestries made by the Aubusson manufacture based on the art of JRR Tolkien are currently exhibited at the Collège des Bernardins in Paris until May. @actual-bill-potts and I went there yesterday, they're so beautiful!!

The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited

The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited
The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited
The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited
The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited
The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited
The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited

These are all handmade tapestries, each is based on a Tolkien artwork (the Rivendell one has the facsimile on the right for scale).

Under the cut: group ID and bonus details

ID: 7 photos of the tapestries, which are each about 3m high, located in a 13th century monastery. The first is the map of middle earth, the others are illustrations Tolkien made of his books. The bonus photos below are details of the tapestries.

The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited
The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited
The Tapestries Made By The Aubusson Manufacture Based On The Art Of JRR Tolkien Are Currently Exhibited

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11 months ago

Susan did not see Peter in battle for years—arriving to his stand against Jadis almost too late, catching up while he picked himself up from the torn earth, on the other side of the conflict when the remnants of Jadis’ army tried their luck at the Cair. Sure, she knew he fought and killed, just as she did, just as Edmund and Lucy did—and oh, how Susan loathes that last part, but Lucy had been the one to find the first assassin in their halls and there was nothing to be done about it now. There was entirely too much death in their first year, Susan thinks, the fairytale shine of Narnia soon breaking apart and leaving a country and people in desperate need of rest and time behind. It took her days to get the blood out underneath her and Lucy’s fingernails, and she knew Peter had just as bad a time with Edmund next door. With a lump in her throat, Susan wondered often if this was to be the rest of their lives: washing themselves clean of battles that were forced upon them by a world far too big for their hands to hold. But even then, with the bloodied waters between them all, she never truly saw Peter in battle. A slain Maugrim who had about as much a part in his own death as Peter’s shaking sword did, a witch that Susan never saw die, assassins that ended up on the moth-eaten carpets she had found in old storage rooms; things that should give her pause but she simply couldn’t consider for long with all there was to do. They had killed to end up where they were, and Susan knew deep down that they would have to kill to stay, too. Now, standing with her bow held tight and a quiver empty of arrows, a sword at her side she has yet to finish learning how to swing, Susan finds herself in a pocket of tar-slow time. Here, she stands with a muddied hemline and their castle once more under siege—unknown foes, but foes all the same—and there, across the way, with his hair longer than Susan has ever known him to have, Peter lets out a roaring laugh. Rhindon is far out of sight, a glaive taking its place in Peter’s steady hands. Even from afar, Susan feels it in her bones when Peter’s swing launches an enemy’s torn body across the field. There are bodies, horror-frozen faces, the stench of blood and bile. The steps to the Cair will perhaps forever bear the stain of this assault. They have lost people they held dear. Susan has wept enough to fill an ocean. And Peter laughs. With storm-eyes, bloodied tongue, and bared teeth, her older brother wages joyous war.


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1 month ago

"Edmund, I've got a bad feeling" is such a funny line if you take it in context with the "the last time I didn't believe Lucy, I ended up looking pretty stupid" line from PC. Because Caspian and co are probably like... yeah bad feeling, it's Eustace, what good feelings could you have? but then Edmund's probably thinking something like... dear god, please don't let this be as dramatic as the last few times, we don't have enough men to fight another war rn.

3 months ago
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3 months ago

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2 months ago
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3 months ago
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1 year ago

To help spread the blessing

I cast spell of all writers will make amazing progress next year *throws glitter on you*


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2 months ago

My Narnia Text Posts

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4 months ago

hyperfixation please stay with me long enough to complete the project. hyperfixation do not fade. hyperfixation finish what you started for the love of god


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amonrawya - Amon Rawya
Amon Rawya

"Namárië! Nai hiruvalyë Valimar!" // "...seanchas anns a’ Ghàidhlig, s’ i a’ chainnt nas mìlse leinn; an cànan thug ar màthair dhuinn nuair a bha sinn òg nar cloinn’..."

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