So I have a request 👉👈 How would Darla and Mc's first kiss would be (Take your time doing this, I can wait patiently😊)
Written by @an-awkward-ghost
The last thing you had ever imagined was to do magical training with Darla, of all people
She had been growing on you lately. Both of you had tried to be less snappy, and Darla was actually fun to be around when she wasn’t firing off insults as if she were a machine gun. She was fiercely protective and surprisingly patient once you got on her good side. She had taken the whole fairytale world in stride, slightly shocked and skeptical at first but rolling with it afterwards.
You hadn’t planned for her to discover it, honestly. She had been at the wrong place at the wrong time, and it had only been thanks to Lucas’ quick thinking that everyone had made it out alive. Who knew the Pied Piper of Hamelin would be such a bad guy? You had been hoping he would be different from the story, like Ezra, but he turned out to be even worse.
And now, here you are, practicing for the plan Nora and Arin had hashed out an hour ago, trying and failing to learn to play something to counter the Pied Piper’s own brainwashing melody.
For that matter — who knew Darla was so good with the flute? As the only one who knew how to play it, but also the only one without magic, she had taken it upon herself to teach the rest. Everyone had already left for the day, so it was only you and her now.
You, too stubborn to leave without at least accomplishing one note right, and her, too passionate about her task to deny you an extra lesson.
It could be going better, though…
“Do you even have air in your lungs, Beth? I swear I can’t hear a thing—”
“I am blowing!”
“Remember that it’s like you’re smiling. A little smile. You’re good with that, right? We don’t want an ‘o’ shape unless we need a low pitch.”
Darla’s eyes are fixed on your lips, analyzing the shape. It’s distracting. You know she only does it in the professional sense, but at some point over the lessons, you’d found that your breath stuttered every time she did it, smile widening more than intended for blowing out the flute, cheeks darkening.
“Let’s take a short break,” the brown-haired girl finally announces, turning away, and the tension in your chest you hadn’t acknowledged until now instantly disappears.
I’m a mess, you think, frustration creeping into the lukewarm feeling you get every time Darla looks at you.
“Sorry.”
“No problem, Beth, I know how learning an instrument can be.”
“But isn’t flute supposed to be easy?”
She shrugs. It’s a calm little thing, just a slight, elegant movement of her shoulders. Once again, you’re in awe of how patient she is. You would have stormed off a while ago.
“Any skill has its ups and downs, even the ones that are supposed to be easy. And hey, even that varies from person to person. Don’t feel down about it. I’m sure you’ll have it down by the end of the week.”
“Great advice as always, Darla.”
She smirks that smirk you used to hate, coated with confidence and typical Popular Girl Satisfaction™. “You know it.” And then her expression softens as she turns to look at her flute, twirling it slightly with a reverence that has you mesmerized. “I can’t wait to see you all work magic with these, or the look the Pied Piper’s gonna get.”
“It’s difficult. I don’t know how to explain it... Um. Well, it’s like the music keeps bouncing off any spell I try to combine it with. Like they aren’t compatible or something.”
“Nora explained that to me. That’s why she’s going to enchant the flutes instead, right? Once she gets the necessary materials?”
“Yeah… it’ll make things easier, too. We usually use incantations — they are way easier than just trying to image the spell. Hey, maybe that’s why it keeps bouncing off? But then again, I can’t exactly say the spell when I’m blowing…”
Darla frowns, looking up from the flute. “Who knows? All of this is too complicated for me. I’d rather stick to what I know… speaking of which, let’s try one more time. You’re going to hit the note, I’m sure of it.”
“Uh…”
The instrument feels heavy on your hands. You rise it towards your lips, clumsily placing your fingers the way Darla had instructed you before, but pause just before blowing, noticing the way Darla’s eyes focus on your lips as if magnetized.
“I…”
“C’mon, Beth.”
Shouldn’t her focus be on your hands…? She must know how much she’s distracting you, doesn’t she?
“It’s just… well…”
Her eyes flick upwards to your eyes, curious. “Yes?”
She has to know. There’s no way she can be this oblivious, right?
Your mouth opens and then closes, at a loss for words. The seconds tick by in the background like a restless pulse, and you lose whatever bravado you had managed to gather.
“Maybe I should just call it a day.”
Darla looks a bit surprised at that. There’s a pause as she looks at you, her expression impassive for all of two seconds before a soft, amused smile breaks through, eyes as alluring as a dark bottle of wine. The change is so instant it leaves you stunned; she’d been slightly distant throughout the lessons, more concentrated on the technique than friendly banter, but now she had seemingly abandoned that.
“Is something distracting you, Elizabeth?” She asks, voice soft and composed, and a shiver runs down your spine at the sound. The fact that she doesn’t use your nickname and how it makes her every word so much more intense means she’s probably aware of the effect she has on you…
And the realization sets the butterflies in your stomach alight.
“Well?”
There’s no sense in beating around the bush. Darla may be patient once one manages to get into her good side, but you know her well enough to know she appreciates direct answers more than anything else.
“You.”
She hums, leaning slightly forward, hand coming up to grasp your chin. Her hold is delicate, but firm.
“We can’t have that. You need to concentrate if we want to have any chance against the Pied Piper.” She slides the flute out of your grasp, leaving it on a table nearby without sparing it so much as a glance. Her eyes are locked on yours.
“T-this may be counterproductive…”
She stops.
“Don’t you want this?”
“I do!” You blurt out, fast. Too fast. Darla chuckles lowly, not pulling away but not advancing either. “What about you?”
The blush that spreads over her cheeks is answer enough.
“You really were using the lessons as an excuse to stare at my lips, huh?”
“N-no!” She grows still, all the suave energy she was exuding before fading like a dream. “Well, just a little bit, but mouth shape is important to play the flute—”
“A-ha! So you were!”
“Wha—hey! Didn’t you just hear what I just—?”
“That’s not important right now.”
She actually frowns, not truly offended but still irked you dismiss her just like that, but you don’t give her a chance to actually voice her thoughts. You tilt your head upwards, feeling the way her breath stutters, and lean forward.
Slow, so she’ll back away if she wants, but she doesn’t even hesitate.
Kissing Darla is like kissing an inferno—she’s intense, pushing you back until you hit the wall, her hand on your hair cushioning the impact. She kisses you as if you were to disappear from her hands in a puff of smoke, as if you were a receding tide and the setting sun, and she only had this second to capture the shape of your lips, to capture your existence in her mind. It’s almost dizzying, but you surrender to it completely anyway, your arms snaking around her waist and pulling her closer.
The only reason you even pull away is because your lungs demand air. Darla blinks, probably expecting a longer kiss.
“Too much?”
“I just… give me a second…”
She smiles against your lips when you pull her down a second time after you catch your breath, and this time it’s sweeter, gentler, more like a soft petal.
When you finally part, she sighs and melts against you.
“Will you try to focus more, now?” She whispers.
You give her an incredulous look. “After that? No way.”
“C’mon, Beth. You need to save the world.” She laughs, and you roll your eyes.
“Maybe I will stop getting so distracted if I had more time to get used to this. More demonstrations would help, certainly.”
“Certainly.”
You are, officially, on cloud nine.
Thanks for the tag! Let’s see here…
A Beginner's Guide to Destroying the Moon – Foster the People
N ever Really Over – Katy Perry
A Ghost - Travis
W olf in Sheep’s Clothing – Set if Off
K ill the lights – Set if Off
W ant to be close – Persona 3 OST
A little more - Skillet
R asputin – Boney M
D amage - Red
G inko’s theme – Persona 2 OST
H ell to your doorstep – The Count of Monte Cristo Musical
O rewell, beneath the cracks – Octopath Traveler OST
S how Stoppin’ Number – Team Starkid
T he Gate of Finis – Octopath Traveler OST I guess I’m just tagging anyone who sees this and wants to do it :)
song tag game
thank you @rainbowscas for the tag 😘✨
rules: for every letter of your url, put the name of a song you like that starts with that letter
L - Lord I Just Can’t Keep From Crying - Colin Stetson I - I Will - Mitski Z - Zero - Smashing Pumpkins S - Solider, Poet, King - The Oh Hellos T - That Unwanted Animal - The Amazing Devil I - Icky Thump - The White Stripes E - Every Man Has A Molly - Say Anything L - Little Numbers - BOY
tagging anyone who sees this and says hm i wanna do that.
Welp, here we go.
A – A Star of Hope Rises in the Blue Sky, Touhou HSiFS OST
N – No More What Ifs, Persona 5 Royal OST
A – An Accent Beyond, Portal 2 OST
W – Wired for Worthless by Citizen Soldier
K – Kill the Lights by Set if Off
W – Wolf in Sheep’s Clothing by Set it Off
A – Acquainted by The Weekend
R – Rivers in the Desert, Persona 5 OST
D – Dream On by Aerosmith
G – Gata bajo la lluvia by Rocío Durcal
H – House of Memories by Panic! At the Disco
O – Out of Time by The Weekend
S – Soul Phrase, Persona 3 Portable OST
T – Toxic by Bridney Spears
Anyone who sees this can join in! :)
spell out your name or url with songs !!
P - Prom Queen (Beach Bunny)
I - I’ll Make Cereal (Cavetown)
G - girls (girl in red)
E - Empty Bed (Cavetown)
O - Oh Ana (Mother Mother)
N - No Surprised (Radiohead)
tagging: @angerycat @ast3ria-blue @swiftieannah @melancholy-melomaniac @melancholypessimism @whyybesocial @i-have-no-idea-111 @the-literary-anything-blog @underappreciatedtomato @livelaughlovebillzo @charlie-is-missing @chronic-stressed @v4nillaskies @nonsensical-space-ghost @alm0std34d and any other mutuals or people who want to join in !!
The fan hearts is back and they accept fanfiction now! Finally!!
Elizabeth, Patron Saint of Lovestruck
I am a(n):
⚪ Male
⚪ Female
🔘 Writer
Looking for
⚪ Boyfriend
⚪ Girlfriend
🔘 An incredibly specific word that I can't remember
This is beautiful
My art style be like: ⬅️⬆️➡️⬇️ .
Portal is one of the first games I really loved so I decided to honor it a bit, hopefully.✨
"Don't put numbers into your stories." Jeezus.
I was midway through my answer when I realized this would be a good opportunity for a quick guide.
Honestly, I think the OP was probably a bit of a tongue-in-cheek, hyperbolic rant from a writer who had a frustrating review or critique. The problem is, a lot of people seem to be taking it as genuine/good advice, and that really concerns me.
Obviously, it's fine to be vague about dates, ages, distances, or anything else if that's what you want to do. But don't leave numbers out because you're not willing to do the work to keep your story's details straight. Doing the work to figure that stuff out and keep it straight is part of your job as a serious writer.
Look, I get it... when you're excited about a story idea, you just want to go wild and start writing. But if your story uses real world people, events, locations, items, or other elements--or heavily relies on them as inspiration--you need to sit down and do some research.
This doesn't mean you have to choose exact dates for your story if you don't want to. But if your story is loosely set in the 1880s (or inspired by an 1880s setting,) you'd better have a good idea of what did and did not exist in the 1880s so you can be sure you're not using a 1914 fashion trend or 1700s slang.
And, doing research doesn't mean you have to research every single element of your story before you start writing. You can stop and research as you go. In the middle of my writing session tonight, I spent 15 minutes researching what kind of pine tree would grow near the coast in my WIP's inspiration setting. And even though that location will never be named in my story, I care about my writing enough to take the time to make sure my details are accurate.
WQA’s Guide to Internet Research Researching an Historical Topic Writing About Difficult to Research Topics
Whether or not you choose to be specific about dates in your story, I strongly advocate the use of a story timeline, even if you're not usually a "planner." Having a detailed story timeline (that includes important back story events) helps ensure that you don't mix up dates, lose track of how much time has passed between events, or create overlapping events.
There are loads of different ways you can create a timeline, and no way is better than any other. You can jot important dates and events down on post-its, use an app, draw out a timeline on a piece of paper, create something in Word... whatever you want to do is great! Here are some different timeline styles I've used. Some of these are timelines from actual WIPs.
Standard Line Timeline
Calendar Timeline (You can print these out at Time and Date...)
Basic Scene List & Timeline
Complex Scene List & Timeline (This one is based on Save the Cat!)
Color-Coded Timeline
And, if you're like me and you have trouble keeping character ages straight throughout important back story events, I give you...
The Color-Coded Character Age Chart
And, honestly, that's how you keep numbers and number-related details straight in your story. Research and timelines. It's just that simple!
So, don't be afraid to include numbers or number-related details in your story if you want them there. :)
•••••••••••••••••••••••••••••••••
Have a writing question? My inbox is always open!
Visit my FAQ
See my Master List of Top Posts
Go to ko-fi.com/wqa to buy me coffee or see my commissions!