fighting wishcraft with wishcraft
of course i was worried sick!! thank change you're okay!
( a heartfelt reunion between nille and bonnie post-game )
What kind of brushes would you recommend to use when trying to mimic isat's artstyle?
Oooh! Oooh!!
I'd love to answer this one, cause it actually took me a while to get it down!!
The program I use (Medi Bang Paint Pro) is pretty limited in terms of brush functions. If you use something like Clip Studio, I'm sure you can find a brush that suits your needs.
However, through trial and error, I ended up making my own.
The main key is anti-aliasing.
1. NO PEN PRESSURE SENSITIVITY, TURN THAT SHIT OFF, The ISAT artstyle majorly uses round flat brushes (and maybe changes the size for detail accordingly.) 2. The sprites in game experience some corruption (if it's from program corruption or intentional choice on the dev's part is up for debate) 3. There in minor inconsistencies in the style and shapes. You're not gonna get Isa's face shape right, Sif's eye is probably gonna look off, Odile's hair is gonna be too poofy- that's okay. And even if your brush of colors aren't perfect that's okay. 4. The main important thing for ISAT's artstyle is the vibes, and there is no formula to that. Just try to find your own place within those vibes. My last comic, I actually halfway through just stopped trying to imitate the artstyle, as much as I was just trying to express myself within that style's minor guidelines. 5. I also HEAVILY RECOMMEND looking at Tawny's guide on expressions, it's super helpful for GETTING those said vibes
LMAO
had a dream I was a little kid. William Afton wanted to kill me and he was dragging Vanessa with him (she REALLY didn't wanna participate in it). He wasn't wearing the suit for some reason, which meant it was basically angry Matthew Lillard chasing me around the streets as if I had thrown a rock at his car window.
And uhhh I distinctly remember having to climb someone's roof so he couldn't reach me lol
(you dreamt you were
What is this? I'm not dead? What a miracle!
I had this idea beamed in my brain by some I'm-about-to-fall-asleep force and I went "WHERES MA PENCIL?!"
Anyways, enjoy the maybe platonic maybe not (up to viewers interpretation) loopdile.
Full under cut
Anyways I'll go to sleep now bye
Crab off! --gives your Loop a mouth-- because in this family not eating Bonnie's food is a crime.
So, remember this comic I did the other day? At first it was just gonna be a random Odile looping au comic, but then I said "what if the family DOES interact with Loop in the fic I'm writing?" And this happened.
A little explanation (cause I don't know when will I finish this fic so I may as well tell the story in comics or something):
We apply the 'teams' here (beauty alliance and opposite sides of the age spectrum alliance). That means (since act 4) Mirabelle knows Isabeau is looping, Isabeau knows Mirabelle is looping; Odile knows Bonnie is looping and Bonnie knows Odile is looping; but no one knows EVERYONE is looping (I will assume this makes sense).
Why hasn't Loop say anything about this to the other family members? Because.
Why hadn't they told Siffrin that the rest of the party is looping? Because Siffrin knows already but he's in negation, to put it simple (and because something something they know Siffrin would mcblinding lose it and they don't want that)
I'm also gonna add the little fact that Loop's mask only works with Siffrin, and it slips a bit TOO often with the rest of the family.
Are you seeing the possible drama??? Do you see my vision???
Anyways, full and alt text under cut, I'm going to sleep or finish that hollow knight skin, whatever comes first BYE
Alt text:
First page:
- First panel shows Bonnie bringing Loop a plate of dumplings. Loops is sitting at the favor tree (they're wearing Odile's coat from the previous comic)
Bonnie: "Star head!"
Loop: "don't call me that kid."
Bonnie: "I bring you. Dumplings."
- Second panel shows Loop with a sad expression holding one of the dumplings
Loop: "Aww Bon-bon...
thank you but... I don't think I can eat anything at all" (whispering: "I don't have a mouth")
A text pointing at Loop says "trying not to burst into tears"
- Thirth panel shows Bonnie holding the plate of dumplings
Bonnie: "Yes you can!"
Loop: "wha-? No I'm pretty sure I-"
Bonnie: (interrupts) "You just have to ask for it!"
"To the universe or something"
"Is what the king said!"
- Forth panel:
Bonnie: "If Frin can ask for a country you can ask to eat!"
- Fifth panel:
Loop: -sigh- "Alright"
"I'll try"
- Sixth panel shows Loop somehow having a mouth under the light of their face and eating the dumpling.
- Seventh panel is Loop's surprised reaction.
Second page:
-First panel is both Loop and Bonnie surprised
Loop (thinking): "you can eat."
-Second panel:
Bonnie: "So? How is it?"
Loop (thinking): "you can eat!!! You can taste!!!"
A text pointing at Loop says "trying REALLY hard not to cry"
Thirth panel:
Bonnie: "uh... Loop?"
Loop: "thank you snack leader for this delicious meal"
A text pointing at Loop says "failure"
-Forth panel is Loop and Bonnie sitting at the favor three. Loop is cleaning their tears and Bonnie is sitting next to them about to fall asleep.
Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)
With all those warnings out of the way-
Initial Concepts:
I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.
The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.
So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.
KILL KILL KILL:
I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.
In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???
Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---
Family Quest:
I still think Odile is the one to call out to him (same with sus quest).
The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!
Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.
In this moment they love you. In this moment they all love you. In this moment---
Death Screen:
He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)
Act 5 Tarot Card:
NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE
Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE
If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.
However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.
Act 5 Mirror:
And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.
The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.
I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.
I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.
I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!
yes i WILL come up with more stupid ways for Loop to get revealed. I will never stop and that's a promise
I draw sometimes in this weird cartoon style that makes my art look like I actually know what i'm doing ✌️ She/Her spanish and english
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