I Cannot Get Argenti(na) Out Of My Head He's Invading My Brain Like A Parasite, What Do You Mean He Owns

One can see if im brainrotting about something new if i have reblogged multiple things about it in the span of a few minutes

How this derpy guy pull 2 beauties is beyond me

Honkai: Star rail | Mr. Reca

i have seen some tiktok videos of ppl pointing out how calcharo is the only character who doesn’t stare forward AKA at us when opening the character screen so i have decided to drop something that i wanted to fervently talk about.

calcharo is an albino.

he isn’t the only character who has a white/grey hair. we have aalto, sanhua, lingyang and even scar. but they all have dark eyelashes, black if you look at their models closely. but calcharo doesn’t. he’s the only white/grey haired character who had white eyelashes which could mean he is an albino. so why did i bring out him not looking forward thing you ask? ocular albinism. i’m not a medical expert but i have an old OC who has it and i’ve decided to look into it a bit for my OC and i read from somewhere that ocular albinism can cause shakiness in pupils or eyes, hence calcharo not looking forward or constantly looking around. writers/artists, take what you will but it’s just a headcannon/theory of mine.

𝐅𝐲𝐨𝐝𝐨𝐫 𝐃𝐨𝐬𝐭𝐨𝐞𝐯𝐬𝐤𝐲 𝐚𝐧𝐝 𝐁𝐢𝐥𝐥 𝐂𝐢𝐩𝐡𝐞𝐫: 𝐭𝐡𝐞𝐲'𝐫𝐞 𝐛𝐨𝐭𝐡 𝐥𝐨𝐧𝐞𝐥𝐲 𝐚𝐧𝐝 𝐢𝐧 𝐝𝐞𝐧𝐢𝐚𝐥

Bill Cipher, “the Book of Bill”:

"... I don't need anyone, I NEVER HAVE, and I DON'T MISS ANY OF THEM! I'M FINE!".

Fyodor Dostoevsky, “Character card letter”:

“I'm always alone. And this is fine by me. Has been, and always will be”.

Yes, they're both “fine”. Only Bill screams into the void, and Fyodor becomes one.

So what do we have here? Two infinity-old almost-immortal demons, who destroy themselves just to prove they can be alone forever.

Spoiler alert: they can't. And they despise the vulnerability that's still left inside of them.

Well, at least Bill's in therapy. But he is also at the point of breaking. Fyodor is still holding on, I guess? But barely.

celebrating spooky month with a fun little werewolf x vampire au

they're dating in secret because why not

yeah i just wanted to draw ratio as that feral fella meme

I am so in fucking love with the stairway to heaven animation and the only ways I can express that is to either say I am bricked the FUCK up, or I give in to the uber instincts of my uber autism and write an essay on what I THINK are some of the references/inspirations used in the animation. I chose the essay because I need people to know why I am "bricked up."

I am fully willing to accept if I am wrong/reaching for some of these but even then, I think it's cool that I can still connect certain moments with things I enjoy. With that out of the way, behold my analysis/breakdown of Stairway to Heaven!

Spoilers below the cut not just for the animation, but also minor spoilers for Kane Pixel's backrooms series, Liminal Land, Skinamarink, and Mandela Catalogue. Also just a warning for the incoherent ramblings of a guy who's abnormal about analog/indie horror. Please please please please PLEASE go watch the animation if you haven't.

First, "subject 087" is in reference to SCP-087, the never ending staircase SCP. I actually didn't even catch that the first time until I scrolled down to the comments lmao. In my defense, when SCP was blowing up in the mid 2010s I wasn't really old enough to appreciate it or find the format interesting (and honestly it is still hard for me to really get into it, but that's more of a me thing. Conceptually a clinical approach to horror like with SCPs or in All Tomorrows is fascinating, but it can be a bit of a slog for me), so I only knew the main three's numbers. (173, 096, and 682).

"Motion detected" has been used in just about every analog horror series now, but Mandela Catalogue is probably the main series that popularized the trope when analog horror first started getting popular.

The backrooms is, obviously, the backrooms. You can probably assume it's Kane Pixels' backrooms because his version really blew up but it feels more like early days backrooms before we got all those monsters and almond water stuff. (Which btw it's so funny we got "almond water" from whoever the first person to say the air smells like almonds was. For reference, almonds smell like cyanide. OP was trying to say the air smells toxic, not that almonds are the safest thing to consume in the backrooms.)

This shot just reminded me of The Oldest View, ALSO from Kane Pixels. Tbh that's probably just me but I thought it was neat.

Next up, the door. Aside from the obvious 333 angel numbers which also appear very prominently in Mandela Catalogue (this series is going to pop up a lot, I'm sorry), but for some reason it reminded me of the Silent Hill 4 door. Again, that's just the tism probably.

Skinamarink ahh shot, was honestly expecting the door to just poof, disappear.

Next, the shot with all the houses. While KP's Backrooms do have that creepy neighbourhood, this exact shot and set up feels closer to H.O.M.E. from Liminal Land.

And then our most darling biblically accurate horror icon Columbina would make False Gabriel proud, and just... she is so fucking cool and creepy in this and I love her so much.

This whole sequence was for one absolutely horrifying and beautiful, but what caught MY attention were the settings and locations shown. These are standard creepy liminal spaces and analog horror gore censorship, yes, but they also reminded me of the locations Trevor Henderson uses in his art pieces, so suffice to say I think Columbina looks RIGHT AT HOME regardless of how you wanna look at these shots. And the animation on her face opening up into wings and eyes is just an absolute chef's kiss moment. Props to the animators, man.

This trope, the whole main character monologue overlaying the screen moment, very common in analog horror but for me, again popularized by its use in the Mandela Catalogue.

The smudged picture is a reference to one of the ending shots in Skinamarink, where it pans over the childhood photos only for their heads and faces to now be missing, which most agree is the movie's way of saying these kids were trapped her for so long they eventually just stopped existing/faded into nothingness.

And finally, the classic ending scene of KP's first Backrooms video.

I know for a fact there are probably other references to liminal spaces/analog horror that I either missed or they're like general concepts/tropes used in analog horror. I did almost mention the mill in petscop because of Columbina's "two in the mill, one taken, one left" because that phrasing felt really specific, but it doesn't quite fit the vibes of all the other references. Also her only being seen in the camera is a trope used in all manner of horror media. My first thought was the forest scene in VHS (2012) where the murderer could only be seen in the film static.

I just wanted to get the especially cool/unique moments out there. I didn't even touch on the storyline but that's because it seems pretty straightforward. I'm also aware not many people are gonna read my red string corkboard ramblings, which I'm fine with. I just needed to get this out of my system, but I do appreciate those who did take the time to indulge my ramblings!

That's all for now, back to whatever the hell I had planned for today.

vincent valentine🌹

Nah causr i expected lice, fleas, ticks for gods sake.

BUT A FUCKING ANT JUST FELL OUT OF MY HAIR??

The King, his Princess and her Knight