You know what character in the Outlander series was shafted in the television show?
Duncan Innes. That's who. And it makes me really mad to think about the fact that this incredibly shy, loyal, hard-working, slightly-bumbling, flawed man was literally written down to nothing but a plot device to add drama between Jocasta and Murtagh.
Practically nothing exists of his backstory from the books, and none of the characters feel for Duncan in the show the way they do in the books. He's not a former inmate of Ardsmuir so he doesn't have any of the backstory with Jamie, nor the mutual respect that forms so much of their friendship in the books. He's not with the Frasers at all in S3 (Voyager), so he gets no time at all to bond with Claire and tell her his past of being a fisherman caught up in Culloden, and any of his visits he pays them in Drums of Autumn (S4) is given to Murtagh instead. He simply appears in s5 as nothing more than drama that doesn't need to be there, and the series writers even admitted that in the show Jocasta marries not for love for Duncan but out of fear of being hurt by Murtagh. The major difference shows in the exchange between Jamie and Claire in the episode 'Better to Marry Than Burn':
Jamie: It should be Murtagh at Jocasta's side.
Claire: If Murtagh isn't here today, then it's his own choice.
While in the books, while I wouldnt say it's true love between Duncan and Jocasta, there is mutual respect and fondness, and it's made very clear that Jocasta does choose Duncan of her own free will to finally marry for her own satisfaction and not by the machinations of others. What's more, Jamie gives his full blessing to the match, pleased to hear that Duncan has proposed marriage at the end of Drums of Autumn:
'"I've no claim on any of my aunt's property, Duncan-- and wouldna take it when she offered. You'll be married at the Gathering? Tell her we'll come, then, and dance at the wedding."'
There are so many other examples I could find in the books to further my case but I currently don't have the time to read through books 5 and 6 again looking for specific passages. So just know that Duncan Innes in the show is a pale imitation of the Duncan in the books, and I sincerely hope that we'll see a bit more fleshing out of his character in the upcoming season 6. He's not perfect by any means in the books, but he feels so much more real than he does in the show. I love Murtagh to bits as a character, but I feel like his survival after Culloden in the show takes a lot away from situations that happen later in the story, and certain characters, and adds a lot of unnecessary drama to an already dramatic story. Duncan is an unfortunate casualty in that way.
How many times is this tv show going to make me cry, damn it?!?!?!
The thing that is so exciting about the Thirteenth Doctor is the fact that she’s starting off with a clean slate. She’s excitable and childish and so much lighter than any of the other Doctors since the start of the 2005 series, and that’s because she can be. Doctors Nine through Eleven had their childish sides, yes, but there was so much darkness there behind their eyes and actions. So much pain. He was the last of the Time Lords. Until halfway through Eleven’s journey he believed that he had committed the most atrocious act of murder. But when Gallifrey was saved there was hope. Hope for the next day. Hope for the time when maybe, just maybe, he wouldn’t be so alone anymore. Twelve started out colder and more aloof but by the end he’d thawed considerably and even told the Doctor he would become to ‘Work hard, run fast, and be kind’.
And she does, and she is. She doesn’t hold onto the burdens of the past. She’s not the murderer of her people. She’s not the last of the Time Lords. She’s lost her family, and there’s real sadness there when she talks about them to Yasmin and Ryan and Graham, but she’s learned how to build around the grief and carry them with her. There’s steel there in her when she’s facing evil, but that’s simply the Doctor shining through.
She’s just brilliant.
There's nothing I want to say, except that I love Martha Jones a lot.
This post fascinates me because I love psychology and a few months ago I labelled the Broadchurch characters as to what personality type they were, and when I looked back at the list I’d made, Alec was INTJ.
OFFICIAL TYPING by Charity / the mod.
Introverted Intuition (Ni): Alec is reluctant to draw conclusions on evidence until he has fully explored all the possibilities, but he does so internally without brainstorming with Ellie. He often says that he has “a feeling” about how things will turn out, but no evidence to support his hypothesis. Alec is so out of touch with “how things work” (lacking Si) that he fails at social niceties and customs, and sometimes over-compensates as a result (“I got you flowers… and chocolate… and wine; I didn’t know which to choose, so I got them all”). He is able to read people very well, in a short time, and gauge their abilities.
Extroverted Thinking (Te): He wants to finish the job and doesn’t mind who gets the credit. He demands facts, evidence, and “proof.” When confronted with a dead child, he immediately runs through all the usual procedures as well as makes due with the resources around him (including CCTV cameras). Alec demands a high work ethic from his employees and puts in the same hours himself. He has a frankness when dealing with people, and always points out the logic (or lack thereof) in their decisions. “I don’t care about anything but this case,” he says, inferring they can tell him anything that doesn’t have to do with the murder and it won’t wind up in his police report.
Introverted Feeling (Fi): No one knows he has a daughter; he does not open up about his marriage, his former cases, or his illness, instead preferring to deal with his guilt and pain on his own. Alec’s compassion is not often evident, but does run deep; his method in “protecting people” is to warn them not to talk to journalists and to threaten said journalists in order to get them to back off. He is rarely emotional in public and does not like to discuss his feelings.
Extroverted Sensing (Se): Even though he is very ill, Alec continues to work—pushing his body beyond its limits, into a total collapse. He is so eager for a physical human connection that he propositions a woman, who says no only because she’s “afraid [he will] collapse on top of me.” He has almost no connection to his own inner sensations, and as a result, overdoes it; he is also semi-reluctant to engage in his environment on a regular basis, down to his eating habits.
Honestly, one of the only things I have to complain about about Spielberg’s Lincoln is minuscule and people will probably roll their eyes but I’m a Civil War nerd, and it BUGS ME:
Ulysses S Grant’s uniform is entirely TOO CLEAN.
Just look at him. This is a commander who literally came from the battlefield, and all accounts remember him to be wearing a private’s borrowed jacket and splattered with mud. Does anything about that uniform/costume look remotely dirty?
(I mean, kudos to Lee’s clean crisp uniform. Historically he showed up looking like the commander he was, thinking he may become Grant’s prisoner.
Spoiler alert: he wasn’t.)
It’s a small detail, I know, but the more I learn about Grant, the more little missed details like this bothers me. Grant’s untidy, messy appearance showed just what sort of a soldier he truly was, and why he was, ultimately, the general who won the war: he didn’t care about personal appearances or advancements, he was there to get the job done.
That little detail aside, I truly loved Lincoln a lot, Daniel Day-Lewis is absolute PERFECTION playing our titular President, Sally Fields is fantastic as Mary Lincoln, Tommy Lee Jones was brilliant as always, and Jared Harris is my favorite Ulysses S Grant so far depicted in either television or film.
Mark calling Chloe the way he did at the end of episode 6 season 3 made me really angry as much as it broke my heart. Because if he had really succeeded in ending his own life the way he wanted, then his daughter would have had to live with that final conversation for the rest of her life. Chloe would have undoubtedly blamed herself if he really had died, wishing she’d gone to find him like she had wanted during their phone conversation.
“what are you reading?”
“its a…online book.”
‘The Book Thief’ tells the fictional story of a young girl growing up in Nazi Germany in 1939. When the story begins Liesel Meminger cannot read but by stealing an old copy of ‘A Gravedigger’s Handbook’ she convinces her foster father to teach her slowly how to read. Along the way Liesel begins to understand the awful and awesome power of words as a political world built on a dictator’s own words spells death and destruction for millions of people. The story itself is narrated by Death as he travels to and fro from place to place and the entire narrative is spun with a bleak, black sense of humor and sense of human understanding as Death spends his days living in the filth and destruction of wars and murders and, at rare moments, kindness and beauty even at the very end.
Jack: my name is Captain Jack Harkness, but you can call me...
Jack: *agressively takes off sunglasses*
Jack: ... anytime.