Doctor Who Is A Great Fandom To Be In On Tumblr Because You'll See Spoilers Everywhere But Not A Single

i think what i wanna see in s2 of Dead Boy Detectives, more than anything, is Edwin being confident. now don’t get me wrong, we all know he struts, shows off and KNOWS he’s intelligent. but towards the end of s2 we’ve seen him come to terms with his sexuality and who he is. in s2, i hope he can be confident in that too. i honestly wanna see him walk into a queer bar (on a case or the others dragged him there) and i wanna see him unintentionally bag all the guys, but know what he’s doing. obviously i also wanna see the looks on charles’ and crystal’s faces but like anyways.

I swear it's always "I love you so much!" but never

"I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world's cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to divide fractions, and no matter how difficult is it to memorize the periodic table. I will love you no matter what your locker combination was, or how you decide to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform.

I will love you if I never see you again, and I will love you if I see you next Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if abandon your baticeering and I will love you if you retire from the theatre to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and and as the horseradish loves the miyagi, as the tempura loves the the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer.

I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written.

I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm wale loves the flavor of naval uniforms.

I will love you as a child loves to overhear the conversations of their parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safe keeping.

I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanism. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery, and as a crow loves murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence, and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a falling shingle off a house.

I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp, and as a blimp loves to chase after it.

I will love you as a dagger loves a certain person's back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home.

I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as a noise of a glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping out into the world.

I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest policeman. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes that S. is not worthy of his love and N. realizes he is not worthy of V. I will love you until the bird hates the nest and the worm hates the apple, and until the apple hates the tree and the tree hates the nest, although honestly, I cannot imagine that last occurrence no matter how hard I try.

I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and that long, slender spoon, between our lips and fingers respectively. I will love you as the chances of us running into each other slip from slim to zero, and until your face is fogged by a distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don't see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me, happens to you as I am discovering this. I will love you if you don't marry me. I will love you if you marry someone else—your co-star perhaps, or Y., or even Q. or anyone Z. through A., even R. although sadly I think it will be quite some time before two woman can be allowed to marry—and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned.

That Beatrice, is how I will love you even as the world goes on its wicked way. Always. Continuously. With increasing apprehension, and decreasing hope."

something I like about lisa swallows is that she is so believably 18 years old. she misses her mom and her old school. she insults her sister behind her back but doesn't hesitate to protect her. she sings along to songs she doesn't completely remember the words to. she's awkward and self-absorbed and kind of pretentious. she's impulsive and idealistic and a hopeless romantic. I love her

Okay Okay Okay Thoughts:

(If you don't want spoilers look away now)

I actually really like that Ruby's mother is ordinary. Other people have said it better than me, but I love the way rtd writes companions who are at the end of the day completely ordinary, but become extraordinary because they choose to help people. (Clara and Amy are great, but the whole 'girl who waited' and 'impossible girl' thing can get old pretty quick)

THAT BEING SAID making a character be so freaking close to Lucie Miller and then making it not Lucie Miller is just mean HOw Dare- (I say, having never listened to her audio stories. its the Principle of the thing)

Still not over the 13 year old with a machine gun what the hell Kate

Sarah Jane and Four, I cry

mixed feelings about the episode as a whole, not entirely sure the build up payed off

love love LOVE the memory Tardis

Mel with Sixie's coat and Seven's vest I am Sobbing

Donna is going to kill the Doctor when she finds out Rose died (granted the whole world died but still)

RTD wrote a companion exit that wasn't tragic??? In this economy???

You cant hype susan up that much and then not show her you just cant rtd she better be in series fifteen I SWEAR-

Mel Bush is amazing. Send Tweet.

Okay back to Ruby girl I love you and the ending was sweet but everytime she calls Louis or whatever her 'real mum' I want to punch something CARLA SUNDAY IS THE GREATEST WOMAN ON THIS PLANET

honestly despite being the big season finale it felt kinda slow to me, I think its definitely the weakest episode of the whole season, (which, granted, this season has been incredible and every episode has been an 8/10 at least, this just didn't feel as good as the rest of it)

Millie Gibson and Ncuti Gatwa killed it with the acting

FOR THE THOUSANDTH TIME WHO THE FUCK IS MRS FLOOD

Hey rtd did you give kate lethbridge stewart a boyfriend??? During pride month??? come here I just want to talk

I feel like there's gonna be a lot of negativity around this episode, and I don't want to add to it, because despite its issues I think it was overall a decent episode, its just that it was just a decent episode coming off an incredible season with a lot of hype it didn't fully live up to. mid-season it would have been fine, in some ways it just didn't stick the landing (but in others it did).

Idk despite my issues with it I did enjoy it overall. Ncuti is amazing and I can't wait for the next series :)

First meeting.

(You guys should really watch Dead Boy Detectives on Netflix. It's really good (and really queer))

Fourteenth doctor with longer hair! I've always thought this style would have looked great on him too 😊

and obviously you find yourself thinking oh i do wish i could get severed to do this one thing. would you actually maybe not. but you do wish you didn't have to undergo medical procedures you do wish you didn't have to do the things that give you anxiety you do wish you didn't have to do tedious tasks that barely even require you to be present for them. it's tempting. that's why the premise works. but the premise is also that somebody has to do it. somebody has to go to the dentist and somebody has to get on that plane and somebody has to write those thank you notes. just like somebody has to clean the house and somebody has to harvest the food you eat and somebody has to make the clothes you wear. you can't eliminate inconvenience you can only delegate it. you can't eliminate suffering you can only delegate it. and always the easiest way to live with this is to see that somebody as less than. less than you less than people. and if that somebody has to wear your body to do it well maybe it's not all that different. they're not a person. you are. it's capitalism all the way down baby

AND THAT'S A WRAP ON WWDITS FILMING...[wails loudly]

I hope these actors know how much they have done for me, specifically. And how many times I have drawn their dumb faces dkjfhk.

Please consider donating to Medical Aid for Palestine! It's what Kayvan would want. :) 🍉🍉🍉🍉🍉🍉

(ID in alt and under cut)

ID: 1. Waist up of Guillermo and Harvey Guillén on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Harvey!' Harvey's skin is slightly tanner than Guillermo's, his hair is sun-bleached and curling freely over his forehead, and he is wearing a blue knit crop top and denim overalls. He is hugging Guillermo from behind with his chin on his shoulder, grinning up at the viewer. Guillermo, wearing a white shirt and brown patterned cardigan, is cupping Harvey's hands with his own over his chest and looking at him with a fond smile, cheeks pressed together.

2. Waist up of Nandor and Kayvan Novak on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Kayvan!' Kayvan's skin is a rich brown against Nandor's vampire pallor and his half-up hair and slightly longer beard are graying; he is wearing a dangly gold earring in his left ear and is wearing a lime green button up tee with a red watermelon pattern. He has picked Nandor up in a hug with his arms wrapped around his waist. Nandor, wearing a long brown kaftan under a orange diamond-patterned coat with short furred sleeves, has his right hand braced on Kayvan's shoulder and the other wrapped around his back. They are both grinning widely and looking at the viewer.

3. Waist up of Nadja, Nadja doll, and Natasia Demetriou on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Natasia!' Natasia is lightly tanned and has chest wavy length hair with bangs, dark brown at the roots with honey brown and blonde highlights throughout. She is wearing a periwinkle skirt and bandeau top with an outer layer of translucent chiffon in the same color, along with poofy off-shoulder chiffon sleeves, several rings, and a thin chain necklace with her name on it. Nadja and Dolly are matching in dark blue v neck gowns with a gold pattern and front buttons, their hair half up in twin horns. Nadja is grinning at the viewer, fangs out, and leaning heavily into Natasia's side, pressing their shoulders together. Dolly sits on their shared shoulder space, perched directly between their heads with her arms around them, smiling up at the viewer. Nadja's right arm is up under Dolly to support her legs. Natasia's right arm is bent upward like one might do to support a perching bird and her left is palming Dolly's knees to keep her in place. She is smiling over at the Nadjas, half bent over from their weight leaning on her.

4. Waist up of Laszlo and Matt Berry on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Matt!' Matt is pale (but clearly more alive than Laszlo), with wavy shoulder length hair streaked with gray and a graying beard that has been allowed to grow a bit further past his chin. He is wearing a plain white tee shirt, denim jacket, and silver chain necklace. Laszlo is wearing a red button up dashingly open at the collar under a dark blue waistcoat and lighter blue jacket with a darker damask pattern. They are standing mirrored, back-to-back with their arms crossed and shoulders pressed together, looking back over their shoulders at each other. Matt smiles at his character lazily while Laszlo offers him a mildly salacious smirk.

5. Waist up of Colin Robinson and Mark Proksch on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Mark!' Mark is standing facing the viewer with squared shoulders, wearing a blue and white plaid shirt with a chest pocket, only the top button undone. Were it not for the color and a slight shape change to his glasses, you wouldn't be able to tell him from his character. Colin is standing directly behind and to the right of him, wearing a brown v neck sweater over a beige collar and dull red tie. His head is tipped back and his mouth is open in a wide grin, eyes glowing bright blue behind his glasses. Mark glances at him from the corner of his eye with a slightly amused smirk.

6. Waist up of the Guide and Kristen Schaal on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Kristen!' Kristen is pale in a human way with chin length curly brown hair and is wearing a loose empire waist black tank top under a translucent yellow chiffon top with a frilled neckline and elbow length balloon sleeves. The Guide is smiling open-mouthed at Kristen and wearing her usual black square cap, jacket, skirt, and gloves. They are back to back, elbows linked together to keep each other close, with Kristen leaning backward into the Guide so she stoops forward slightly. Kristen's far hand flashes a peace sign as she grins over at the Guide, tongue between her teeth. /end ID

daniel molloy character of all time once again: like imagine you’re a 20-something drug addict and a terrible journalist on account of being 20-something and a drug addict and you randomly meet a vampire at a gay bar and you think wow I might get drugs, gay sex and a story out of this and instead what you get is psychologically and physically tortured by his husband and your memories of it all erased and then 50 years later you’re DYING and those vampires show up in your life again to ask you to write the story of their happy marriage and your memory might be fucked but ON GOD you WILL ruin that marriage if it’s the last thing you do. and then not only do you succeed and walk out of it alive, but also with a bestseller, millions in your bank account AND immortality AND the knowledge that your annoying human ass was somehow the one thing that made that 500+ year old predator so mad that he broke his lifetime vow to never turn anyone. AND, on top of that, you’re out of the CLOSET.

HOW UA SHOULD HAVE ENDED

Hard cut to Klaus talking to the girl on the bicycle

Klaus: “Did we save the world or screw it up again?”

Bicycle God: “You were never the problem”

She holds up an action figure of Reginald and crushes it in her bare hands. Marigold lights emerge from it. Golden light envelops everything

Hard cut to Klaus waking up in bed. He is wearing pajamas covered in marigolds.Street noise can be heard from outside.

(From offscreen) “You okay, Hon?”

Klaus looks over and Dave is cooking breakfast in their flat

Klaus: “Yeah, just had a weird dream.”

Looks out the window and sees an empty lot where the Hargreeves mansion should be.

Klaus: “Wasn’t there a building there?”

(Naïve Melody by the Talking Heads begins to play over a montage)

Diego and Lila Are wrangling their kids into the camper van. One of the kids gives Lila a picture of her family in a field of bunch of orange flowers (marigolds)

Luther is stripping and the obsessed lady in the crowd is Sloan. He has a marigold in his mouth. He takes it out and gives it to her.

Viktor is playing the violin with Harlon. Sissy is setting the table. She sets a bouquet of marigold into a center vase.

Allison is gardening while Clare and Ray play in the yard. She is planting Marigolds.

Five is teaching at some university. An older woman comes in. “Dolores” he says as she kisses him. He has a Marigold in the lapel of his suit jacket.

Jennifer serves Ben at the dinner. Closeup on her pouring coffee. He has a Durango flower tattoo that says “Jennifer” and she had a marigold tattoo that says “Ben”

Cut back to Klaus staring out the Window

Dave: No, been an empty lot as long as I can remember

Klaus, smiles: Yeah, I don’t know why I thought that

Camera Zooms out from the window as music continues

Reginald, voiceover: And that is how our unlikely heroes manage to create one timeline where everything was fine.

BTS footage plays with the final credits