I’m Just Supposed To Go On With My Life? When John Winston Ono Lennon Yearned So Much To Be With Paul

i’m just supposed to go on with my life? when John Winston Ono Lennon yearned so much to be with Paul McCartney again that he wrote the line “Now and then / I want you to return to me,”… And Sir James Paul McCartney after 43 years of mourning his partner, a person that knew him better that anyone, change this line to: “Now and then / I want you to be there for me”. In a sort of long distance conversation separated by time. Showing how John wanted Paul to return to him and Paul now only wishes for John to be here with him, by his side, now and during those past 43 years. This also explains why Paul decided to leave out the 2nd verse - the demo is from John’s perspective, the single is from Paul’s.

It is known that Paul and John communicated through songs, even during their beatles days, but mainly during their solo careers. This song feels like the one last conversation. John’s plea to Paul to come back to him is finally answered by 40+ years of grief and love for the man that was his partner since they were teenagers.

More Posts from Antiboba and Others

11 months ago
Old Collage For Måneskin Bc Im Perpetually In Love

Old collage for Måneskin bc im perpetually in love


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11 months ago

I need Sutekh's hitchhiking to be a meme btw. I need this "Its a Hybrid!"-ified. Every sad moment, every dramatic moment, every stupid moment, and he's there hanging out.

Someone just died but oh! Theres Sutekh in the Corner! Bad Wolf Bay and Sutekh's just peering at them. The TARDIS is dying in the parallel world and he's just vibing.

Multi-doctor episode? There's multiple Sutekhs all growling at eachother like poorly socialised lapdogs at a dogpark

Everytime the TARDIS has been compromised? every time its been flung about? You just have to remember there's a dog clinging onto it for dear life

11 months ago

I’m watching that documentary “Before Stonewall” about gay history pre-1969, and uncovered something which I think is interesting.

The documentary includes a brief clip of a 1954 televised newscast about the rise of homosexuality. The host of the program interviewed psychologists, a police officer, and one “known homosexual”. The “known homosexual” is 22 years old. He identifies himself as Curtis White, which is a pseudonym; his name is actually Dale Olson.

So I tracked down the newscast. According to what I can find, Dale Olson may have been the first gay man to appear openly on television and defend his sexual orientation. He explains that there’s nothing wrong with him mentally and he’s never been arrested. When asked whether he’d take a cure if it existed, he says no. When asked whether his family knows he’s gay, he says that they didn’t up until tonight, but he guesses they’re going to find out, and he’ll probably be fired from his job as well. So of course the host is like …why are you doing this interview then? and Dale Olson, cool as cucumber pie, says “I think that this way I can be a little useful to someone besides myself.”

1954. 22 years old. Balls of pure titanium.

Despite the pseudonym, Dale’s boss did indeed recognize him from the TV program, and he was promptly fired the next day. He wrote into ONE magazine six months later to reassure readers that he had gotten a new job at a higher salary.

Curious about what became of him, I looked into his life a little further. It turns out that he ultimately became a very successful publicity agent. He promoted the Rocky movies and Superman. Not only that, but get this: Dale represented Rock Hudson, and he was the person who convinced him to disclose that he had AIDS! He wrote the statement Rock read. And as we know, Rock Hudson’s disclosure had a very significant effect on the national conversation about AIDS in the U.S.

It appears that no one has made the connection between Dale Olson the publicity agent instrumental in the AIDS debate and Dale Olson the 22-year-old first openly gay man on TV. So I thought I’d make it. For Pride month, an unsung gay hero.

11 months ago

Okay Okay Okay Thoughts:

(If you don't want spoilers look away now)

I actually really like that Ruby's mother is ordinary. Other people have said it better than me, but I love the way rtd writes companions who are at the end of the day completely ordinary, but become extraordinary because they choose to help people. (Clara and Amy are great, but the whole 'girl who waited' and 'impossible girl' thing can get old pretty quick)

THAT BEING SAID making a character be so freaking close to Lucie Miller and then making it not Lucie Miller is just mean HOw Dare- (I say, having never listened to her audio stories. its the Principle of the thing)

Still not over the 13 year old with a machine gun what the hell Kate

Sarah Jane and Four, I cry

mixed feelings about the episode as a whole, not entirely sure the build up payed off

love love LOVE the memory Tardis

Mel with Sixie's coat and Seven's vest I am Sobbing

Donna is going to kill the Doctor when she finds out Rose died (granted the whole world died but still)

RTD wrote a companion exit that wasn't tragic??? In this economy???

You cant hype susan up that much and then not show her you just cant rtd she better be in series fifteen I SWEAR-

Mel Bush is amazing. Send Tweet.

Okay back to Ruby girl I love you and the ending was sweet but everytime she calls Louis or whatever her 'real mum' I want to punch something CARLA SUNDAY IS THE GREATEST WOMAN ON THIS PLANET

honestly despite being the big season finale it felt kinda slow to me, I think its definitely the weakest episode of the whole season, (which, granted, this season has been incredible and every episode has been an 8/10 at least, this just didn't feel as good as the rest of it)

Millie Gibson and Ncuti Gatwa killed it with the acting

FOR THE THOUSANDTH TIME WHO THE FUCK IS MRS FLOOD

Hey rtd did you give kate lethbridge stewart a boyfriend??? During pride month??? come here I just want to talk

I feel like there's gonna be a lot of negativity around this episode, and I don't want to add to it, because despite its issues I think it was overall a decent episode, its just that it was just a decent episode coming off an incredible season with a lot of hype it didn't fully live up to. mid-season it would have been fine, in some ways it just didn't stick the landing (but in others it did).

Idk despite my issues with it I did enjoy it overall. Ncuti is amazing and I can't wait for the next series :)

11 months ago

Sunny's Age and Lemony's Lies: An Investigation into the Great Hiatus

So, more and more my theory of the Great Hiatus seems to make more sense. Recalling, I defend the idea that the Masked Ball where Lemony was arrested happened many years after the main events described in TE. The Ball happened between the publication of the book TWW and TMM in the asoue universe. An important concept is that the books were originally published over many years.

Although TBB began to be written during the main events of asoue, TBB and TRR were only published at least 2 years after the main events described in asoue. TWW was published sometime shortly after TRR. But TMM was published many years after the publication of TWW. These years of hiatus, is what I call the Great Hiatus. Some events in the asoue universe that happened during the Great Hiatus were the Masked Ball, one of Lemony's false deaths, one of Lemony's escapes abroad, the closing of Prufrock-Prep, and evidently the sending of the original TMM to the editor.During the Masked Ball, Lemony tried to tell a supposed Beatrice something about Count Olaf.

According to this chronology, the only thing that would be relevant for a supposed Beatrice to know was the fact that "Count Olaf is Dead." Olaf died on a desert island. Olaf's death was not known to the general public, but it was known to Lemony, as evidently Lemony was on the island.

But the right question is: why would Lemony think it important that this information should reach a supposed Beatrice? That's because the reason that would lead a supposed Beatrice not to expose herself to the public was the fact that, in theory, Beatrice believed that as long as her death was accepted as true, at least one of her children would be kept alive by Count Olaf so he could recover the inheritance when the surviving child turned 18. If Beatrice showed herself alive, the inheritance would not be any of her children's but Beatrice's herself. So none of the children would have a reason to be kept alive by Count Olaf. Therefore she, in theory, needed to be regarded as dead. And that's why Lemony emphasizes so much that Beatrice is dead, even though he believes she may be alive. He tries not to alarm her and reinforce her pretense.

I want to make clear that all this is valid both in the case where Beatrice survived the fire and in the case where she died in the fire. Because it doesn't matter the truth, what matters is what Lemony believes to be true, and what he decides to do with his beliefs: reveal them or distort them for a greater good he believes to be a greater good. Lemony believes that lying is sometimes good and necessary. Even if he were right to say that Beatrice was dead, when he wrote that, he believed she was alive. So, he lied when he said she was dead. And all this can be seen by analyzing Sunny's age.

How old was Sunny when she arrived on the island? I can say more than 1 year, because of her behavior and the events mentioned in the story. Lemony claims he spent 14 years trying to talk about Count Olaf with Beatrice. But we have a limit for this subject to be relevant. When Sunny turned 18, if she was still in Olaf's clutches, he would find a way to cash the money and kill Sunny afterward. So, it wouldn't make sense for Beatrice to hide from Olaf anymore. If after discovering Olaf was dead, Lemony still tried to pass this information on to Beatrice, it's because he believed Beatrice believed Olaf had killed Klaus and Violet and preserved Sunny to cash the money. (It is interesting that Olaf tried to do exactly that at the end of TCC). Considering that Sunny spent 1 year on the island and Lemony didn't get there during that time, we can conclude that Sunny was at least 2 years old when she left the island, with the most likely being that she was 3 or 4 years old when she left the island. If Lemony got to the island during the year that followed and then found out that Olaf was dead (and also found the Baudelaires' notes), we can conclude that he spent the next 14 years trying to pass this information on to Beatrice, according to his own words, until the day of the Masked Ball.

This means that in the meantime he published 3 books, purposefully lying to the general public by saying that Beatrice was dead, when he believed she was alive.

That's why he couldn't complete the sentence for the general public. "Count Olaf is dead" would reveal that he believed Beatrice was alive.

It is interesting to note however, that evidence points to Beatrice in fact dying in her house fire, and that the woman Lemony thought was Beatrice was actually an imposter. Apparently that's what R meant to Lemony in the letter recorded in LSTUA chapter 2. "That girl was flammable." "Analyze these photos." "Impostors nearby in disguise". "Beatrice is far from reclaiming lost property." These hidden messages seem to be trying to tell Lemony, "Beatrice really is dead." And R only had to pass this message on to Lemony because he believed Beatrice was alive. This belief of Lemony's also explains why he was so alarmed when studying the city's underground, because he investigated possible survivors of fires hidden in fountains.

This deepens our understanding of the concept of unreliable narrators. Lemony Snicket becomes one of the most unique examples I've come across. He embodies the following notion: "One can tell an untruth without lying, simply by being mistaken. And one can tell the truth while lying, also by being mistaken." This intricate interplay of perceptions and realities adds another layer of complexity and intrigue to the narrative.

10 months ago
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS
COMPANIONS

COMPANIONS

aaaaaah looking at them all together is so satisfying!! and i’m so proud of actually finishing this🥰

11 months ago
First Meeting.

First meeting.

(You guys should really watch Dead Boy Detectives on Netflix. It's really good (and really queer))

11 months ago

sorry for being a hater i want to be a lover but everything pisses me off

7 months ago

man I love clara oswald. just consistently a weird little freak incapable of being normal about her relationships. has a bunch of versions of her just dying all over the place. first time she ever gets seriously properly mad onscreen, it's at someone implying she doesn't want to fuck old men. collects immortal situationships like pokemon. idolises robin hood. has the best wardrobe of any new who companion. made out with jane austen. pathological liar and unhinged adrenaline junkie who is literally out there in victorian london having the worst day of her life while daydreaming about people fucking none of you were ready for my girl

11 months ago
Old SPN Collage Made B4 The Whole Series Finale Disaster

Old SPN collage made b4 the whole series finale disaster


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antiboba - 🎺womp womp
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Liberté Egalité Bisexualité

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