đ Imagine this. It is 3 am and Halloween is over. Costumes have been taken off and packed away in boxes, perhaps to be taken out again next year if they haven't been outgrown. Empty candy bowls sit on entryway tables. Toilet paper hangs strung across wilted lawns and barren tree branches. Sheep have removed their wolfâs clothing with relief. Masqueraders with masks removed, mermaids who have traded tails for sweatpants. A woman walks down the center of an empty suburban street, shaking from the cold. She peers around with wilde, curious eyes as if she's seeing the world for the first time. She is drenched in salt water, as if she had just crawled from the ocean. She wears an odd combination of tattered clothing - remnants of a fantastical gown and a comfortable sweatshirt - that doesn't quite make sense. There is something very odd about her. Nevertheless, she simply walks down the street. Finally, she reaches a house that looks like all the others. But it is not like the others. Because it is hers. There are figures in the window, anxiously awaiting her return home. With a warm smile cracking the shell-shocked exterior of her face, she ascends the porch stairs. There is a Jack-O-Lantern perched by the front door. There is a tealight candle at its center, the dancing glow casting shadows from deep within the carved, jagged-toothed smile. And as she watches, the flameđŻď¸ finallyđŻď¸flickersđŹď¸OUT đ
March 17 in Glendale, AZ â Mirrorball/Tim McGraw
March 18 in Glendale, AZ â State of Grace/This Is Me Trying
March 24 in Las Vegas, NV â Our Song/ Snow on the Beach
March 25 in Las Vegas, NVâ Cowboy Like Me w/ Marcus Mumford/White Horse
March 31 in Arlington, TX â Sad Beautiful Tragic/ Ours
April 1 in Arlington, TX â Death by a Thousand Cuts/Clean
April 2 in Arlington, TX â Jump Then Fall/The Lucky One
April 13 in Tampa, FL â Speak Now/Treacherous
April 14 in Tampa, FL â The Great War w/ Aaron on guitar/Youâre On Your Own Kid
April 15 in Tampa, FL â Mad Woman w/ Aaron on piano/Mean
April 21 in Houston, TX â Wonderland / Youâre Not Sorry
April 22 in Houston, TX â A Place In This World / Today Was A Fairytale
April 23 in Houston, TX â Begin Again / Cold As You
April 28 in Atlanta, GA â The Other Side of the Door / Coney Island
April 29 in Atlanta, GA â High Infidelity / Gorgeous
April 30 in Atlanta, GA â I Bet You Think About Me / How You Get The Girl
May 5 in Nashville, TNâ Sparks Fly/Teardrops On My Guitar
100% she is William Bowery
Can I (the fandom as a whole) ask you (Taylor) a question (what the fuck is going on)?
Taylor Swift releasing a book with Speak Now ?!
Speak Now was released 2010, which is the same year Chely Wright came out publicly. The ATW mv referenced a book release "13 years later"
She mentions July 9 in her Speak Now announcement
[source: reddit]
And at last the mystery is solved, she is singing about the football team's t-shirt
picture me fingers deep in your ex wife or whatever it was that taylor swift said
Thank you to that big-brained anon!!
The timeline for early Kaylor is clear but certain people donât seem to understand it:
Nov 13, 2023: they become close. They have met and interacted before this and there was most likely a mutual crush. They may have been texting before this as well.
Somewhere around Nov 20: they âhang outâ.
A few days later karlie says in an interview that they are soulmates. Karlie talks about Taylor in another interview a week or two later saying they hang out and they are just ânormal,â indicating sheâs had a bit of media training on how to talk about Taylor.
For most of December they may not have hung out at all, but maybe once or twice. They were very busy. The relationship remains undefined and this drives Taylor nuts. They probably both were seeing others during this time.
Jan 6: Taylor writes that dating is awful but sheâs now once again considering moving to NYC.
Jan 9: Taylor is in NYC house hunting. The 10th is Andreas bday, and we have evidence Karlie was present for a celebration.
~Jan 21: Taylor writes IKP in the middle of the night, with some urgency. Likely inspired by discussions with Karlie about how they can make a relationship work. They decide to go for it.
End of Jan: offer on Taybeca. A bit of back and forth beforeâŚ
Feb 4th: âŚoffer accepted
Feb 13: Taylor posts about real love.
Around Feb 20, I forget the exact dates but they are out there, she records Style and Clean. They were probably mostly written a bit before this, but this is when she got into the studio to record them. Everyone thinks style has to be about an on-again, off-again relationship that lasted years because most think itâs about Harry and she needed to make it seem like itâs about Harry. But âa while since I even heard from youâ could easily have meant a couple of weeks when she was clearly obsessed and playing mastermind and âwe go around and around each timeâ could have been the handful of times they hooked up without committing (and around and around fits nicely with other kaylor imagery). And, it all fits perfectly with âcat or mouse for a month or two or three.â Yes itâs possible Style is not about her, but it fits just fine, and Taylor has clearly made about her since.
Finally they worked with newly hired Tree to figure out how to go public as besties, and we get the Big Sur photos March 5 and 6th.
so well delineated, anon đ it paints a picture
sometimes i think people on the fence should ask themselves, whatâs stopping you from seeing how possible kaylor is? if the answer is that it would mean taylor wonât come out in the way youâd hoped or that sheâs not dating the way that youâd like or the person that youâd like, or it conflicts with your internet friendships or Take consistency well i dunno about everybody else but i think thatâs more of a you problem than a kaylor problem
(x)
Hey yâall, this is my first time posting here but I think I have some stuff to sayâŚ?
So I was just watching old Gaylor videos from really early on in Taylor Swiftâs career when I stumbled across a video of pictures of Tay with a voiceover of Chely Wright talking about being queer and in the public eye. The link is here:
Overall, her words really drove home, at least for me, the very real reality that people in the spotlight are struggling with in terms of their sexuality, and hiding relationships, and not being able to come out because they have so much to loose.
There are a few things that Chely says that really caught my attention. One of these was:
âItâs going to keep going until someone who has something to loose stands up and just says Iâm gay⌠we need a huge, huge star, at the top of their field, the very top, to stand up and say Iâm gay.â
She goes on to say:
âNate Berkus said it so beautifully on the Larry King show the other night when I was on with him. He said , âWhere are our heroes?â
Now, this second quote reminds me of the thoughts of other gaylor creators that Iâve seen on tumblr and tiktok (thank you to those creators youâre amazing keep up the amazingness) talking about how with Anti-Hero, Taylor is telling us that she canât be the queer icon that we need her to be.
I think that itâs possible that this theory ties into this interview with Chely Wright. I mean, Taylor and Chely have known connections, and itâs not a reach to imagine that Taylor has probably heard this interview, right.
So the idea is that Taylor is telling us that she isnât this hero. She canât be this person, this âhuge star at the top of their fieldâ that will say sheâs gay and be our hero. How she will keep baiting us, keep queer flagging and leading us on but never come out. This message really ties in well to the message of Anti-Hero, and I think the lyrics âIâll stare directly at the sun but never in the mirrorâ are extremely telling of that. Sheâs saying that sheâll give us cryptically messages, queer flagging, go the long and painful road, but she isnât going to face the reality of whatâs in-front of her and just come out.
I also think that the line âAll of my heroes die all aloneâ from The Archer may be related to this interview. Again with the use of the word âheroâ, I think Taylor might be referring to how many queer women from history have been closeted until their death. Take Emily Dickinson for example (We know that Taylor draws inspiration from her in her songwriting). Emily Dickinson was secretly in a relationship with her brotherâs wife. She was a sapphic woman and no one was aware until her death when all of her poems and letters were found. I think maybe Taylor is saying that sheâs hopeless in her own journey of coming out because of how historically, all of her âheroesâ never came out and were only discovered to be queer after their deaths.
In my opinion, this lyric also nicely describes how Taylor feels as a closeted queer woman. How she is queer but doesnât feel part of the community as she isnât out, âdie all aloneâ, sheâs worried that she will never have the opportunity to be a part of the queer community because she might not ever have the chance to come out (Iâll talk more on this topic in another post).
A very similar line to this (âAll of my heroes die all aloneâ) is found is âYou knew the hero died so whatâs the movie forâ. Now, I subscribe to the common Gaylor belief that Taylor was originally going to come out during Lover era but her plan was ruined by the Masters Heist, and this line, in my opinion, has failed coming out writen all over it. I believe this lyric reflects how Taylor was going to be the hero, she was going to be the big star that says âIâm gayâ, but then she didnât so âthe hero died.â
Now on the surface, âso whatâs the movie forâ could be interpreted as how Miss Americana may have originally been Taylorâs coming out, or contained scenes and things where Taylor was openly queer but then obviously they had to cut that stuff out. We know that there were things saying that Karlie Kloss was originally listed as part of the cast⌠but weâll never know now.
I think a deeper analysis of this lyric concedes to how Taylor is still queer flagging. Sheâs still giving us these signs. The lyric could also be in reference to how most of her fan base completely ignores and dismissed her queer flagging. She could be asking âwhy am I still doing this if no one is getting it and I canât come out.â
Now there are a heap more mentions of âheroesâ throughout Taylorâs discography, for example:
Long Live âyou held your head like a hero on a history book pageâ
My Tears Ricochet âAnd you were the hero flying around saving faceâ
Tolerate It âI greeted you with a battle heroâs welcomeâ
Now there are more than this but I think these are some of the more likely to be references to queer themes.
So yeah, thatâs my thoughts. Iâve been stewing on this for a long time and I heard Chely Wright say all that and everything just kind of fell into place in my mind. Thank you for coming to my TED talk tonight.
Just Queer Analysis of Taylor Swiftâs music and simping for Karlie Kloss
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