what’s this? a meme? in this drought??
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It’s 1969 and Apollo 11 astronauts Buzz Aldrin and Neil Armstrong are the first humans to land on the Moon. In now iconic footage, Aldrin and Armstrong carefully assemble and maneuver an American flag to place on the lunar surface. The fabric unfurls, staying suspended without any wind to animate the stars and stripes. The flagpole sways precariously as the crew work to anchor it in the Moon’s low gravity at just 1/6th that of Earth’s. How did this moment come about? On Flag Day, let’s dive behind-the-scenes of what led to getting the American flag on the Moon 50 years ago.
Image: Astronaut Buzz Aldrin poses for a photograph beside the deployed United States flag during the Apollo 11 mission.
Seeking to empower the nation, President John F. Kennedy gave us a grand charge. The human spaceflight program of the early 1960s was challenged to work on missions that sent humans to the surface of another world. Following President Kennedy’s death in 1963, President Richard Nixon stressed a more international perspective to the Apollo missions. To reconcile the need for global diplomacy with national interests, we appointed the Committee on Symbolic Activities for the First Lunar Landing.
Image: NASA Administrator Thomas Paine and President Richard Nixon are seen aboard the USS Hornet, Apollo 11’s splashdown recovery vessel.
The committee, and the U.S. at large, wanted to avoid violating the United Nations Outer Space Treaty, which prohibited any nation from taking possession of a celestial body. After some debate, they recommended that the flag only appear during the Apollo 11 spacewalk. A plaque would accompany it, explaining that the flag was meant to stand for peaceful exploration, not conquest.
Image: The plaque reads “Here men from the planet Earth first set foot upon the Moon July 1969 A.D. We came in peace for all of mankind.” Under the text are signatures by President Nixon, Buzz Aldrin, Neil Armstrong, and Michael Collins.
A team of engineers at Johnson Space Center had three months to resolve several issues regarding the flag’s assembly. First, was the Moon’s lack of atmosphere. The flag, quite literally, could not fly the way it does on Earth. To address this, a horizontal crossbar was added to support the flag’s weight and give the illusion of it waving.
Image: NASA technician David L. McCraw shows the flag next to a Lunar Module mockup.
Second was the flag’s assembly, which had to be as lightweight and compact as possible so as not to take up limited storage space. The completed package, which was attached to Lunar Module’s ladder, weighed just under ten pounds. It received an outer case made of steel, aluminum, and Thermoflex insulation and blanketing to shield the flag from the 2,000 degree Fahrenheit spike from the Eagle’s descent engine.
Image: Component pieces of the flag assembly.
The last issue was mobility. Bulky spacesuits significantly restricted the astronauts’ range of motion, and suit pressurization limited how much force they could apply. To accommodate these limits, the team included telescoping components to minimize the need to reach and maneuver the poles. A red painted ring on the flagpole indicated how far into the ground it should be driven. Hinges and catches would lock into place once the pieces were fully extended.
Image: Diagram from the 1969 Apollo 11 press release illustrating astronaut spacesuit reach capabilities and ideal working height.
Fifty years after Apollo 11, the flag we planted on the lunar surface has likely faded but its presence looms large in United States history as a symbol of American progress and innovation.
Image: A close-up view of the U.S. flag deployed on the Moon at the Taurus-by the crew of Apollo 17, the most recent lunar landing mission.
The story doesn’t stop here. Anne Platoff’s article “Where No Flag Has Gone Before” sheds more light on the context and technical process of putting the United States flag on the Moon. You can also check out Johnson Space Center’s recent feature story that details its presence in later missions. Happy Flag Day! Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com.
Lana’s songs that depict the Seven Deadly Sins
Envy
Jealous Girl
Serial Killer
Kinda Outta Luck
Sad Girl
Roses
She’s Not Me
The Other Woman
Gluttony
Lolita
Big Bad Wolf
Betty Boop Boop
Cherry
Summer Wine
Delicious
Young and Beautiful
Greed
National Anthem
Off To The Races
Money Power Glory
Fucked My Way Up To The Top
Other Woman
Go Go Dancer
Hundred Dollar Bill
Lust
Be My Daddy
Hot Hot Hot
Behind Closed Doors
Cola
Paradise
Burning Desire
Push Me Down
Pride
Junky Pride
Delicious
Disco
Summer of Sam
Smarty
You’re Gonna Love Me
Playground
Sloth
Television Heaven
Music To Watch Boys
Boarding School
This Is What Makes Us Girls
Last Girl On Earth
Dark Paradise
Tomorrow Never Came
Wrath
Noir
Is This Happiness
Tired Of Singing The Blues
Ultraviolence
In My Feelings
Your Girl
Honeymoon
unmade playlist
The gluttony ones are literally just ones that mention food
I like reqursts
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2021 really said yes to books with:
sports sapphics,
time traveling wlw,
murderous sapphics + dorian gray
bi women dating soft boys,
fake dating desi lesbians,
great gatsby retellings with queer asian girls,
f/f slavic enemies to lovers,
gay women + peter pan retellings,
grumpy/sunshine + lesbians of color,
bisexual con artists & trauma recovery,
queer tsoa inspired fantsay set in china
(plus some more I found in the reblogs!)
Clothes I'd really like to wear but I'm broke and don't know how to sew:
Thanks for your attention
In a screenplay, the action/description sets the scene, describes the setting, introduces characters, and set the stage for your story.
Example: excerpt from the unproduced draft of Seven (1992)
Format: -Action appears after the scene heading. It is left aligned, single spaced, and mixed case. -It is written in present tense, active voice, and in as few words as possible. -Action should be no longer than 4-5 lines at a time. -When introducing a speaking character for the first time, put the name in all caps. -Capitalize specific sounds in the action. (Radio, door slam, shouting, etc.)
Content: -The action describes what can be seen on screen. Do not describe thoughts or what happened off screen unless it can be shown. (For example:You can’t say a character arrives home after a lunch out with friends. You need to show it via visuals, action, or dialogue. The character could be holding leftover food from a restaurant or tell another character about the lunch.) -You can use the action to describe a new setting or character. -Describe what is important in a scene, nothing more. Call attention to important details that give the setting or characters personality. For example:
“THOMAS (34), stands in the middle of the pristine, unfurnished foyer in muddy jeans and a tattered shirt.”
“Gabby (8) sinks into her seat in the back of the classroom. All eyes are on her bright purple Mohawk.”
-You can get fancy by having the action transition to another scene. You could say, for example:
“Suddenly, Maya bolts from behind her desk and runs out into:
INT. DRISKILL HOTEL HALLWAY - DAY”
-Avoid putting dialogue in the action. You can put generalizations about crowds (such as “Rosa pushes her way past a jeering crowd”) but specific dialogue should not be in the action. -Do NOT write camera angles or shots unless absolutely necessary! It’s the directors’ and cinematographers’ jobs to visually interpret the script.
*Note: There are definitely screenwriters (especially famous ones) out there that break these content “rules.” But they can afford to break the rules. When starting out, you should follow the rules until you can prove to people you know your stuff.
LGBTQ+ Movies of 2016: Part 1
First Girl I Loved
Seventeen-year-old Anne just fell in love with Sasha, the most popular girl at her LA public high school. But when Anne tells her best friend Clifton - who has always harbored a secret crush - he does his best to get in the way.
Heartstone (Hjartasteinn)
A remote fishing village in Iceland. Teenage boys Thor and Christian experience a turbulent summer as one tries to win the heart of a girl while the other discovers new feelings toward his best friend. When summer ends and the harsh nature of Iceland takes back its rights, it’s time to leave the playground and face adulthood.
Teenage Kicks
Seventeen year old Miklós Varga’s plans to escape his migrant family and run away with his best friend Dan are crushed by the accidental death of his older brother Tomi. Only Mik knows the events that led to this tragedy, and he is suddenly forced to navigate his guilt and explosive sexuality to find the man he can become.
The Handmaiden (Ah-ga-ssi)
1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.
Being 17 (Quand on a 17 ans)
Damien lives with his mother Marianne, a doctor, while his father is on a tour of duty abroad. He is bullied by Thomas, whose mother is ill. The boys find themselves living together when Marianne invites Thomas to come and stay with them.
Don’t Call Me Son (Mãe Só Há Uma)
After discovering the truth about being stolen by the woman he thought was his mother as a child, Pierre (AKA Felipe) must deal with the consequences of his mother’s actions and must try to cope with his biological family.
I Love Her
A young street musician girl must conquer her own fears and ghosts from the past, including the social influences of Ukraine, where she has grown up, in order to admit her feelings for a beautiful deaf-mute girl.
Moonlight
A timeless story of human connection and self-discovery, Moonlight chronicles the life of a young black man from childhood to adulthood as he struggles to find his place in the world while growing up in a rough neighborhood of Miami.
Part 2 | Part 3 | Part 4 | Part 5