Subtitle: Everything I’ve Learned So Far.

Subtitle: Everything I’ve Learned So Far.

Subtitle: Everything I’ve learned so far.

*more added on bottom of list*

made for a friend but I figure I’ll post it if it’ll help anyone ^-^

Probably will add to this every now and then if anything new comes up.

All links marked as “❤”

Most link to written tutorials but some are videos. Scroll over links to see if it’s a video in case there’s a reason why you can’t watch them.

Also posted on Deviantart 

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❧ Super helpful tutorials made by other people:

The shrimp method (How to draw anything) ❤ 

Colour turtle ❤ 

Background composition ❤ 

Colour theory ❤ 

Perspective trix for the needy & lazy ❤ 

Step by step digital painting ❤ 

Action line ❤ 

Perspective tutorial ❤ 

All of these video tutorials ❤ 

All of these resources ❤ 

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❧ Human anatomy basics:

Hair ❤ 

Hair types ❤ 

Head ❤ 

Face ❤ 

Eye and eyebrow ❤ 

Ear ❤ 

Nose ❤ 

Mouth ❤ 

Chin ❤ 

Neck ❤ 

Shoulder ❤ 

Forearm ❤ 

Arm ❤ 

Hand ❤ 

Finger ❤ 

Back ❤ 

Breasts ❤ 

Chest ❤ 

Hips ❤ 

Butt ❤ 

Vagina ❤ 

Penis ❤ 

Legs ❤ 

Knees ❤ 

Feet ❤ 

Skeleton ❤ 

Body type ❤ 

Weight gain + loss ❤ 

Age ❤ 

Skin ❤ 

Average female face ❤ 

Average male face ❤ 

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❧ Quotes:

– 

The greater danger for most of us lies not in setting our aim too high and falling short; but in setting our aim too low, and achieving our mark. -Michelangelo

“If you don’t know what colour to use, use black” -Pablo Picasso

“The aim of art is to represent not the outward appearance of things, but their inward significance.” -Aristotle

“The purpose of art is washing the dust of daily life off our souls.” -Pablo Picasso

“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.”  -Neil Gaiman

“No one’s better than me. I’m not better than anyone. ” -Carlos Santana

“Learn the rules like a pro, so you can break them like an artist.” -Pablo Picasso

“If you hear a voice within you say ‘you cannot paint,’ then by all means paint, and that voice will be silenced.” -Vincent Van Gogh

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❧ Advice:

Loose grip = better for your hand & better precision while drawing.

If your hand hurts after a short amount of time drawing your grip is too tight.

Colour is a very personal thing. It has a lot to do with the way you see colours and the way you feel about those colours. So as much as things like colour theory are important, you’re the one choosing the colours,  you’re in control.

People who say things like “a poor workman blames his tools” really need to stop. Your tools make a big difference, there is no denying that. Anyone who’s ever tried Roseart crayons knows using them it’s like hammering in a nail with your bare hands, there are easier ways of doing things.

Of course this doesn’t mean you’ll draw better with more expensive tools but it does mean that if you don’t like using a particular pen/brush/software/etc there’s no use continuing to use it. It’s distracting, makes you feel worse about your art and you’ll be more likely to just not draw anything at all.

Experiment that’s all. Just keep experimenting with things until you find out what you like. (guess that can also be life advice)

You can always improve. This doesn’t mean you’ll never be good, it only means you can get better even if you’re an expert.

Okay let me use this quote as a start off point “The enemy of art is the absence of limitations.” -Orson Welles. This might sound counter-intuitive but it’s very true. Your brain can only handle a few things at once, if you’re told to draw anything you want you’ll most likely draw something like a cat or dog or a house, things that are very normal to you, things that you’ve probably drawn a hundred times before because when you’re faced with too many options you’ll most likely pick the simplest and most familiar things to you.

Give yourself limitations when you’re drawing. Before you draw start with a theme or palette (etc) to let your mind relax and boost your creativity. (of course you don’t have to do this every time you draw, just when you want to draw but have no ideas.)

Write down/sketch your ideas as soon as you get them because chances are you won’t remember them. Not that you can’t change your mind about it later, it’s just good to know they’re there and you haven’t forgotten anything.

If you feel like there’s something not quite right about your drawing, take a break. Come back to it the next day even. If you focus on something too long it messes with your judgement.

You don’t have to show anyone what you’ve drawn. It’s your business what you draw so draw anything you want. 

Chances are you’ll come across people who have no idea about anything to do with art but still tell you how to do it/ what you’re doing wrong. These people aren’t worth listening too. Ignore their advice.

There’s no problem with learning from tutorials, absolutely none. It’s just one of the ways people learn. It’s the same with art classes or anything similar. If you learn from it then keep doing it, but if you’re not then don’t.

The best tip I can offer about tutorials is if you don’t like the art style of the person who made the tutorial there’s no reason to learn their techniques. Study artists who have art styles you like and figure out what it is you like about them. (their use of colours, emotion conveyed, etc)

And honestly if you’re a good artist and you’ve never used tutorials or been to art classes, good for you, but it’s nothing to be smug about and no one is a lesser artist for using them. 

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❧ Referencing:

I made a mini tutorial on how to reference here ❤ 

Here’s one on how to use them another way ❤ 

Also see 'Tracing vs referencing' ❤ 

also these are a couple great sites for references

Humans ❤ 

Animals ❤ 

Plants ❤ 

Objects + architecture ❤ 

Everything all together ❤  

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❧ Things that are really good to focus on and practice in your drawing:

-Light & shade ❤ 

-Wind ❤ 

-Reflection ❤ 

-Perspective ❤ 

-Movement ❤ 

-Composition ❤ 

-Emotion ❤ 

-Mood ❤

-Values ❤ 

-Texture ❤  

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❧ Warm ups and practice

If you don’t know about gesture drawing here’s a tutorial ❤ 

If you do, this site is good for it ❤  

Draw shapes, draw lines, draw random squiggles, whatever helps you warm up.

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❧ Possible reasons for artblock and remedies: 

-Stress. Sometimes there are certain times when stress is for whatever reason unavoidable. It’s a difficult thing to deal with and there can be a lot of different reasons why you’re stressed. Take breaks, try yoga or something that’s more of a workout like boxing if it helps, meditation, anything that helps you feel better is a good start. Try writing down everything that’s making you stressed so you can get more of a perspective on why you’re stressed and deal with the smaller problems first. Things like cleaning your room/house or fixing something that’s been bothering you can help a lot. There’s also this helpful list if you wants some more ideas ❤ 

-Depression. *groans* don’t get me started. Depression is a big deal and I have no idea what the best way to help it is. Maybe time. Maybe feeling useful. Maybe leaving your current life situation. Depression makes the simplest things difficult so the main thing to remember is to put your health before your art. Art will wait for you and be there when you’re ready, it always does.

There’s also this masterpost on depression if you’d like to have a look ❤ 

-Feeling inadequate. This might sound like a strange thing to say… It’s kind of a good thing. You are wanting to improve and that’s great. It’s safe to say everyone experiences this multiple times in their life at some point but what you need to keep reminding yourself is, if you know you love doing something then you’re on the right track so stick to it. 

-Feeling Un-motivated. Make an inspiration folder and go on a picture finding search to fill it with anything that makes you want to draw. Learning something new always helps for this as well so read/watch tutorials or someone drawing/painting. 

-Not having ideas. Surprisingly easy fix most of the time. Use a random generator like this ❤ or start some kind of art challenge to get you started.

-Boredom. (or being bored with the way you draw) Try using a different medium like sculpting or pixel art, anything you don’t normally do. Surprisingly changing your image can help as well so getting a new hairstyle/colour, anything like that can work.

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❧ Selling art:

Don’t under charge for your work. It doesn’t matter how much you love to draw, you shouldn’t have to under charge for your work. You’re not only charging for the piece its self but for your skills as an artist and for the time and effort you put into it. 

“So how much do i charge?” This question is one of the more difficult ones to answer. It can depend on the demand and the time it takes for you to make, etc. So this is just a basic list of things to ask yourself before you decide how much you should be charging.

-'How much time do I spend making it?’

-'How much am I willing to work for?’

-'How much do other artists charge?’ (not always relevant but something to consider)

-'What kind of customers will i get?' 

-'What is the customer going to use my art for?’ (if it’s for a personal thing it’s no problem but if it’s commercial and they’re going to use it on multiple occasions profiting from it, either charge more or work something out where they have to pay you each time it’s used)

Don’t worry if you realise you’ve been undercharging for your work because it’s part of the process of finding out what’s right for you.

If someone challenges you on your prices or says you’re charging too much remember this

“If you like what I do, this is what I charge. If you don’t want to pay it, you don’t have to buy it.”

Visual examples work better than descriptions. Show what you’re willing to draw and what kinds of commissions you offer with the prices listed. It can be laid out however you like. Here’s an example ❤ 

Additional payments. Something to consider is are you going to charge more per added character or for a detailed background anything else that requires more work than your set price.

Make a check-list for commissioners to fill out. Not always necessary but can be a good thing to have. Things like “character:  background:  outfit:  ” anything that you would usually ask them.

Some people might ask you to copy or trace something. I have absolutely no idea why people want something that’s traced but don’t do it. I promise you won’t like working with the client and you won’t be proud of your work at all.

Explain when you expect to receive payment. Either before you start, after you show them sketches or when the whole project is completed. In this case just do whatever feels right to you. But keep tabs on who hasn’t played because there are some people that think they can get away with not paying. (just something to be aware of)

There will be people who try to get things for free. Ignore people who say things like “I wish could have something like this but i don’t have money :( ” please, please, please don’t respond to these people with anything other than something along the lines of “Thank you, maybe next time :)” because the only reason they’re saying that is because they want it cheep or free. These people aren’t your customers, don’t worry about supplying to them.

Also along those lines, if someone asks you to do work for them for free and “maybe they’ll hire/pay you” if they like your work is bullshit. They’re conning you. What they do once they get your designs is tell you they’ve decided not to hire/pay you when they’ve actually stolen your design and get their designers to finish/alter it. DON’T TRUST THESE PEOPLE.

Have a paypal or something similar set up. This is completely necessary unless you’re working with someone face to face.

You can decide whether or not to work with someone. If whoever is commissioning you is making you feel uncomfortable or asking too much or is trying to make you do anything you don’t want to, you don’t have to work with them. It’s entirely your choice. 

Little bit more commission advice by someone else ❤

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❧ More stuff added by others: added by fruitncreme - What is talent? ❤ 

- Anatomy, Manga to realistic and perspective ❤ 

- Poses ❤ 

- Anatomy and proportions ❤ 

- Folds and wrinkles ❤ 

- Tips and tricks ❤ 

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❀ Hope this helped ❀

Feel free to add to this list if you have any other advice or tutorials you think would be helpful

More Posts from Aro-in-danyl and Others

2 years ago

Don't skip out on the bullying batman statement. Danny deserves to spook some bats

dp x dc prompt #58

danny and a couple rogues, maybe his friends from amity, or just by himself starts up a haunted house in gotham. the reviews are stellar and you can hear the screams from across town.

everything goes smoothly until the joker tries to escape through his building.

the bats get spooked, danny bullies batman, and the joker comes out at the end babbling nonsense about the ghost king trying to eat his soul.

3 years ago

Tom Riddle & His Name

Alright this one’s going to get disturbing very quickly. WARNING: Pureblood inbreeding shenanigans. 

This isn’t going to be another post explaining why Tom hated his name because it’s a muggle name or because it’s common. I think that’s part of it, but I haven’t seen anyway address this angle:

Tom hated his name because of his mother. 

Alright, so at some point someone in Hogwarts likely tried to slip Tom a love potion. Let’s say, in his Seventh year. It doesn’t work, Dumbledore finds out and mentions this one study about how those conceived under a love potion are immune to its effects...and also incapable of love. (I think that last part is bs but that’s a different post). 

In his last year at Hogwarts, Tom is already aware that his mother was a witch and his father was the muggle. He’s already pinned the blame on his father for leaving, and placed his mother into the role of victim. He saw his father as having the power, and his mother as being weak. His father, the strong Slytherin-like Muggle who conned the weak witch Merope into sleeping with him. 

But this changes things. 

All of a sudden his mother is the one in the role of the abuser, and his father in the role of victim. It’s his Slytherin, Pureblood Mother who forced his oblivious Muggle Father into marrying her. 

She kidnapped and raped Tom’s father, and then when he escaped, and Tom was born, she named her son after her victim. 

And what were her first, and last, words for her son? She hoped, “that her son would turn out to look like his father.” 

Alright here’s where shit gets real.

What were the Gaunt’s known for again? Rampant and extreme inbreeding and incest. Cousins marrying cousins, sisters marrying brothers, etc. 

So mothers marrying sons? I do not find that hard to believe for this family.

When you replace “father” with “victim” the ickiness really shines through. So here’s Merope giving her child the name of her victim (and her father, who abused her, now those implications I like even less, if that’s possible) and the first thing she does is express a wish that he’ll look like her victim. What the Fuck.

So here’s the very real possibility that Merope could be thinking about grooming her small child into becoming her replacement Tom Riddle 2.0 husband, or at the very least a Tom Riddle that was dependent on her, had no other choice but to love her, and could not run away because there was nowhere to run. 

Tom probably pieced this together, promptly threw up, and very aggressively doubled down on his new chosen name.  

 TL:DR

canon Merope Gaunt would not have been a good mother, no matter what Dumbledore believed, and Tom dodged a bullet on that front. 


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2 months ago

Heimerdinger had to 'die' in the other dimension because if he came back with Ekko he would've derailed the entire arc with one sentence.

Heimerdinger, to Jayce: My boy...I'm afraid we have to go put my former assistant out of his misery. For the greater good.

Jayce [was about to go kill Viktor]: He's my partner. And I'm afraid I can't let you do that.

Heimerdinger: That's not up to you, my boy, but for what it's worth, I'm sorry it had to come to this.

Jayce: me too.

And then Heimerdinger gets the Salo special.

---

Basically, like what happens when parents tell their kids to clean their room RIGHT when they're about to do it themselves, Jayce loses all motivation to kill Viktor when Heimerdinger says it's the only option.


Tags
7 months ago

Homewrecker Alastor AU where Lucifer thinks Alastor is involved with his wife, Lilith thinks he's involved with her husband, and both of them are terrified by the hold he has over Charlie. Meanwhile Charlie thinks she has 3 parents now 🥰

1 year ago

Jason Todd, Son of Sally Jackson

Jason Todd is Sally Jackson’s Biological Child.

Jason has already become Red Hood but hasn’t revealed his identity to Bruce and the Batfam yet. Sally hasn’t married Gabriel Ugliano yet. Percy is 6 years old.

After reuniting, Sally & Jason bond over their violent sense of justice/self-defense and Sally learns combat from Jason to protect both her sons with deadly force.

After learning Jason’s identity as Red Hood and his reasoning behind becoming a Drug Lord, she becomes Jason’s business partner that co-leads his gang under the codename ‘Queen’.

Queen & Red Hood become extremely well-known protectors of children and abused single parents, opening many parent & children shelters funded by their gang.

Percy is the mob’s baby brother, ‘Guppy,’ because of growing up the son and brother of Gotham’s most successful crime lords. They always made sure he hid his identity with a hoodie and gas mask to disguise his voice with the bonus of protecting him from Scarecrow & Poison Ivy’s attacks.

After receiving Medusa’s head from Percy, Sally makes a new “statue” every month or so. She contacts abused single parents, kills them with the parent’s consent, and gives 3/4 of the money she makes to the parent. This “charity sculpting” is allegedly as a favor to her fellow “grieving” single parents. Weirdly enough, she still ends up killing Gabriel Ugliano, despite never marrying him.

Inspired by miagirl3’s “Avoiding the Secrets” on Ao3

3 years ago

Enemies-to-lovers, but instead of featuring a villain redemption arc, the heroic one is getting progressively more corrupt, unhinged and fucked up, and the one who was originally the clear-cut villain out of the two is just like "well mark me down as scared and horny"

2 years ago

“I do not know how some people are brave enough to follow their own path in a world set out to destroy them” is such a raw line you’d think it was a pride thing but it’s actually lemony snicket talking about a guy that eats butterflies to hide them from the government

2 years ago

Hey, you once mentioned something about Tom Riddle being a little suicidal. Your new post reminded of that and I wonder why you think that. It’s the complete opposite of what the books want you to think.

Alright, it’s time, let’s do this.

My standard disclaimer whenever we venture into the dark pit that is my thoughts on Tom Riddle: I’m going to say a lot of controversial stuff that fandom generally doesn’t agree with, I will say so much of this shit that I simply do not have time to explain it all, I expect 99% of you to disagree with me and the other 1% to be so horrifyingly offended that I dare to contemplate a world in which Tom isn’t always an overly competent psychopath that they leave me notes telling me to take this trash out of their character tags.

We good? Alright.

So, when I say a little suicidal, I mean that he is suicidal.

Not on the level that he’s going to kill himself tomorrow, or even has plans to kill himself, but in that he makes very strange decisions for someone who desperately wants to live.

And yes, I realize I speak blasphemy given that Tom Riddle’s entire m.o. is supposed to be his crippling fear of death.

Oh man, this one’s going to be so long.

So, my reasoning comes down to a few things:

The location of the horcruxes and the nature of their protections.

The events of Deathly Hallows and Tom’s final actions in the novel

The nature of horcruxes and what it means to not only be able to create one but what it does to you (caveat that I am going to headcanon hard here and speak utter blasphemy)

So, let’s start in order this time, because I think the first two are actually far easier for me to explain.

The Location and Nature of the Horcrux Protections and the Trouble with Backdoors in Security

So, first, the horcruxes are all conveniently located in Great Britain. Not even just in Great Britain, all in places that Albus Dumbledore and later Harry Potter can track down with relative ease, all fairly close to each other.

Now, part of this is undoubtedly attributable to Tom’s overly romantic nature. 

Yes, Tom Riddle is a giant romantic, though not necessarily in the traditional sense everyone thinks of. The film “Patton” and its treatment of Patton comes to mind. Tom Riddle is a man enamored by a sense of greatness, of being remembered in this world rather than fading into oblivion, by the significance of places and times in history not only of the world but of himself. He creates an entire, grand, persona for himself because to live an ordinary life for him is to be worthy of nothing.

So, given that, of course Tom places the horcruxes in sentimental locations that have personal meaning to him.

However, it also makes them perilously easy to find and collect.

By itself, this wouldn’t spark my notice.

The ability to destroy horcruxes are not easy to come by. There’s only one basilisk and it’s by chance/Lucius fucking up that Harry gains access to the necessary basilisk venom. Using Fyendfire is an incredibly dangerous thing to do and just as likely to blow up you and the next three towns over as it is to destroy a horcrux. And if there are other means of destroying a horcrux they’re just as hard to come by or just as dangerous.

It’s not quite throwing it into the fires of Mt. Doom from which it was forged but it’s pretty damn close.

So, really, without JKR’s convenient Deus Ex Machina giving both him and Dumbledore the means to actually destroy these things, Tom Riddle’s horcruxes are pretty damn safe no matter where we put them. As we see from the locket, which Regulus manages to collect but Kreacher cannot destroy even after several decades.

However, what does spark my notice, is that the horcruxes can be collected by someone other than Tom Riddle when it appears as if they were never intended to be. What do I mean by this?

From what we see, there’s no benefit to Tom if the original horcruxes are found by anyone. He doesn’t seek them out to restore his original body, they’re just anchor points that should be hidden at all costs. So, he’ll never need a Death Eater to go collect them for him should he be indisposed (indeed, to do so would require a tremendous amount of trust in people he has very little trust in). 

So, why hide them in such a way that others can access them? There are canon based options which would have prevented anyone else from reaching them. Given the existence of age lines, I imagine Tom Riddle could make some arbitrary barrier keyed only to himself. There are mokeskin pouches, such as the one Harry is given in the seventh book, which we know can only be accessed by whoever they’re keyed to. There’s the Fidelius Charm which, true requires a secret keeper which Tom would be very meh on, but options exist.

Tom Riddle could wipe the locations of his horcruxes off the face of the map. He chooses not to. Which leads me to believe that, at least on some unconscious level, he wants the horcruxes to be found.

Then we have the protections.

Specifically, I’m thinking of the locket here.

Yes, the protections are very formidable, but they’re also goddamn weird. 

Rather than make the horcrux simply inaccessible, kill all those intruding, instead the intruder has to go through a very “Saw” like puzzle in which they drown themselves in despair until they finally get the locket, at which point they likely suicide by zombie.

More, there’s no hint that there’s any other way to retrieve the locket. 

Backdoors in security are a very bad idea. What they do is weaken the security as a whole and, if you can take a short cut is, it means that someone who is clever enough and motivated enough can to. Dumbledore is both clever and motivated enough, and I imagine if there was a way to get the horcrux that involved not doing this ridiculous task he would have done it.

More, we’d be back to the land of Tom making sure only he can access the horcrux by requiring a password, keying it to his magical signature, or something so that no one else could get it.

Which means, that’s right, if Tom wants to get the locket he’s drinking the goddamn despair juice just like the rest of us.

What kind of a person would do any of this?

I’ve gone over this before, but I don’t think Tom Riddle’s crazy. Rather, in this case, I think he’s driven by an unbelievable amount of nihilist rage and is also quite depressed.

Tom goes to collect his horcrux, “Ah, it’s time to remember what a miserable life I’ve led and the sheer awfulness of my own existence. Good, I was starting to feel a little too happy. Let’s see if I get eaten by my undead, vengeful, victims today.” 

The Events of Deathly Hallows and Tom Riddle’s Death

I think Tom Riddle’s final death in the books was suicide.

Tom takes over the Wizarding World, finally, and it’s as miserable as ever.

He’s trapped in this sham, barely functional, probably very painful body. His Death Eaters are completely out of control and for all that he wanted society to burn it’s now burning and no one’s even learned anything from this. Children in Hogwarts are being routinely tortured and have now staged a rebellion in which he’s having to slaughter them (I have reasons to believe that this is not what Tom Riddle wanted, at all, but that’s best saved for another post), and then he learns his horcruxes have all been destroyed without him even noticing.

There’s so little left of him, he has accomplished nothing, and there’s Harry Potter back from the dead yet again, gloating at him that love conquers all and Tom Riddle will never understand.

And Harry’s right, Tom Riddle will never understand, the world is meaningless and flat to him now and he finally understand that there’s no point to it. I think Tom Riddle decides he’s done. He’s just done.

He enters in a duel with Harry Potter knowing the weird nature of their wands. Now, it can be assumed he used the Elder Wand, but we know they get locked in Priori Incatatum , and that makes no damn sense with the Elder Wand (well, wandlore in general is silly, but I’m working with what JKR gave me here). So I choose to take JKR at her somewhat established canon and say that, no matter what Harry thought, Voldemort was using his original wand.

He throws out the killing curse, despite having now witnessed Harry resurrecting twice to this thing, and within two seconds it rebounds and kills him.

Voldemort’s death is a lot like this scene from the recent, terrible, 2020 live action Mulan (10/10 do not recommend).  Now, we’re supposed to think that this scene is the witch saving Mulan’s life and thus showing her hope for the next generation. In actuality, the witch literally flies into an arrow she could have easily deflected from Mulan’s path. It’s a suicide that Mulan is too stupid to notice.

Tom chooses suicide in the most ridiculous, flamboyant, and easily written off manner one can and no one even notices. Instead Harry crows that he has personally defeated Voldemort, with the power of love no less, HUZZAH!

And the castle parties.

The Nature of Horcruxes

I almost don’t want to include this because it’s so... well, I’m really drifting far from canon and fandom now.

However, with horcruxes, there’s always an overriding question of why Tom is able to make so many when we don’t see anyone else with these things around (especially as it’s clear that murder doesn’t simply happen for those that now have horcruxes).

Usually, you have fic authors just sort of shrug and go, “Well, he’s that evil, I guess.” Sometimes you have them go, “No one else is crazy enough to keep going, and that’s why Voldemort’s cuckoo bananas.” 

One very good explanation I’ve seen is that it’s because most people, when they murder, feel remorse immediately. The soul split happens, but they’re haunted by the murder for the rest of their life, and thus the horcrux isn’t made. Voldemort, feeling nothing when he kills anyone, is thus able to make them even for when he’s only indirectly associated with the death in question.

However, to me that never really jived philosophically.

Mostly, I simply cannot imagine that tearing apart your very soul is an act of indifference. Here’s how I see it: to do something like that to yourself, you must care, you must care beyond all imagine and human endurance. Your soul literally cannot abide it and saws itself in half, purging what you cannot stand about yourself the most. 

The remorse part is, yes, remorse for the act and the victim but more to the point it is the ability to forgive and reaccept the worst part of yourself. That part of yourself that you purged and destroyed, which is nearly impossible to do and might very well destroy the fabric of who you are). 

In other words, while creating a horcrux is an abominable act of hatred, it is also one of profound self-hatred.

Tom Riddle loathes himself so much that he is able to do this over and over and over again. 

As Tom Riddle goes on he makes himself into less and less and less of himself until he probably doesn’t even know who he is anymore. He just knows, whatever is left of him, he loathes that too. 

And then, of course, he gives up, runs into the nearest flying arrow, and dies.

TL;DR: Tom Riddle’s is a miserable existence that ended in a miserable if unintentionally hilarious manner

1 year ago

So as a follow-up to my post about Marceline's super tragic and angsty prequel to the Elements Arc hidden in the episode ‘Ketchup’ yesterday, here’s a fun little ‘What-If?’ idea I’ve been thinking about for a while that could branch off from it:

If Marceline really did go all ‘feral, angry vampire girlfriend warpath’ on Patience both for what she did to Bonnie and also to find a way to help Bonnie, what if Marcy went a little… further?

So that when Finn, Jake and BMO later return to what was once the Candy Kingdom in Skyhooks, we see that Marceline, even ‘Marshmaline the Campfire Queen’, is conspicuously absent.

Then later, when Finn, Jake and Ice King are traveling through the new, desolate Ice Kingdom, they start hearing a soulful, sorrowful tune echoing through the otherwise silent wastes. A song sung by a very familiar voice…

And when the trio finally get inside the new Ice Palace, they find not Patience St. Pim, but rather Marceline the Ice Queen.

Basically, what if in her rage at Patience and desperation to find some way of helping Bonnie, Marcy actually devoured Patience’s soul, and thus inadvertently became the NEW Ice Elemental herself?

Now funny enough, I feel like this change wouldn’t actually have much of an effect on the Elements Arc itself. For one, I highly doubt that Marceline would be in any condition/willingness to actually help Finn and Jake. Remember that the effects of Ice Elemental contamination induce overwhelming ennui and depression.

So if that got dumped onto Marceline of all people? In the midst of her losing Bonnie to her own elemental corruption? Yeah, at this point I think our girl isn’t going to have the will to do more than stay cooped up in her new ice tower singing angsty, gay love songs for her lost candy girlfriend/soulmate with her new ice-fox backup choir. Now of course they would certainly be THE ANGSTIEST and GAYEST love songs you ever did hear, but still.

Like the big danger for Finn and Jake isn’t that Marceline tries to keep them there or is otherwise antagonistic, it’s that her music is so sorrowful/angsty it actually carries the depression-inducing elemental contamination that threatens to sap people’s will to go on and making them think of lost loves. Which could lead to some interesting character-moments for Finn: Like Marceline’s song first dredge up his old feelings for Bubblegum and Flame Princess, but Finn is actually able to push through the depression and yearnings because he’s moved on from those feelings and can recognize that the relationships they represented have either ended (Flame Princess) or never existed in the first place (Bubblegum). And when the songs make him think of Huntress Wizard, Finn is able to push through because he has a far more casual relationship with HW and doesn’t have the kind of deep yearnings for her that would easily paralyze him with depression.

Of course the most interesting part of this new version of Winter Light would be the potential meeting and conversation between this new Ice Marceline and Ice King/Simon. From Marceline potentially musing on how she now knows how Simon feels, to Ice King possibly having a weird, distorted heart-to-heart with Marceline where we see just a glimpse of Simon.

Following this, I don’t see this change having much of an effect on the rest of the arc, with perhaps one small but still noteworthy addition: When Finn, Jake and IK flee the new Ice Kingdom, Finn calls out to Marceline something to the effect of if she does miss PB so much, she should go see her. Then later during Hero Heart when Princess Bubblegum candifies Phoebe and the rest of her flame army, Marceline actually DOES show up in a dramatic and very impressive display of power, possibly with her own ice army. Finn at first thinks she’s here to help, but it turns out Marcy isn’t here to fight, but simply to see Bonnie. And when her followers also start getting transformed by PB, Marceline simply accepts the candification herself to become Marshmaline. Simply because now she CAN be with Bonnie.

You know, all to really dial up the ‘All is Lost’ vibe of that episode.

Now this means that Skyhooks II and the end of the arc play out the same as they did originally, with Finn and Ice King managing to hit the LSP-shaped elemental-reset button and undo everyone’s elemental corruption. I mean, maybe Bonnie and Marcy have a Big Damn Kiss a season early after they get de-candied, but I think it’s easy to imagine they probably already had a BDK off-screen in the original XD

Of course I think we can all agree that the real interesting angle to this change is the potential of Marceline being the new Ice Elemental on rest of the series. Admittedly, it is a bit hard to imagine the existing plot-points for the rest of the series being affected much by Marceline now having some ice powers. Aside from her Dark Cloud kaiju form she breaks out in Come Along With Me now likely being a Dark BLIZZARD form.

Instead, the really interesting potential of this change comes in how this might affect Marcy’s dynamic with Simon and how she might go about adapting to her new abilities. I think we can all agree it would be fun to see Marcy and Bonnie trying to figure out their new elemental powers together. Though consider this: If Bonnie was visited by the spirit/past-incarnation-memories of Chatsberry, what if Marceline ends up being visited by the spirt of Urgance Evergreen? You know, the being who made the Ice Crown?

Really makes you think where something like that could lead…

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aro-in-danyl - Sarcasm is my name. Sincerity is my game.
Sarcasm is my name. Sincerity is my game.

Send me asks about Headcanons. I'll talk your ears off.

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