RIP to Richard Williams. Easily one of the most important animators and filmmakers to ever live. On surface value, his work animating Roger Rabbit, creating the Pink Panther cartoon character, crafting his own film The Thief and the Cobbler, and writing the definitive animation textbook (The Animator’s Survival Kit) are legendary feats on their own, but between the lines there’s important history.
He personally hired the legends of Disney and Looney Tunes to teach him how to animate. He took their wisdom and techniques and anthologized it, and passed those lessons on to the next generation. It is no coincidence that animation reaches a second golden age in the 90s, and continues to be a powerful cultural force today. Without him, there’s none of that.
(note, the above clip was animated by the also-amazing Eduardo Quintana, based on a visual anecdote that appears in The Animator’s Survival Kit, based on Richard’s experience working with Milt Kahl.)
It doesn’t hurt that he was an amazing animator on his own too. He could draw any style, stylized or with perfect anatomy, any material, and with intricate layers of linear perspective that boggle the mind.
He’s the only person who could have lead the animation for Roger Rabbit, a film that juggles hundreds of unique characters from history existing in the physical world, interacting with actors, sets, props, lighting rigs, and moving cameras.
If I could share only one clip, the most effective one would be his character Zigzag from The Thief and the Cobbler (who inspired Jafar in Aladdin). He’s masterfully animated, but the dialogue also captures the power of Richard’s animation. His drawings were that of a magician, capturing everybody, both inside and outside the screen. Juggling stacks of animation pages like a deck of cards.
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(apologies for not updating in a while. Reading about Williams’s passing reminded me of years back when I wrote on this blog more often, and I felt it warranted a post. I’ll try to share more stuff soon!)
Animation techniques and effects from the classic era. For more vintage movie geekery, check out my Old Hollywood Special Effects, and my Early Color Film Processes posts! (And while you’re at it, take a look at my art blog, why don’t ya?)
Hi I just popped in to say hi
well hi ^^
creator of sacred pleasure ............. XD I ‘ll give it that! It has a nice ring to it!
Here I am with my toon fusions again. I tried to fuse Guy Am I, and Sam I Am from the Netflix adaptation of Dr Seuss' green eggs and ham don't know how to name the fusion but it looks like it's their first time fusing
Sam I Am and Guy Am I belong to Dr Seuss
the Netflix adaptation belongs to Warner Bros Animation
Divcey: demon of games, chances, probabilities and changes
probably a future antagonist for a future personnal project
@emiimagination Because I felt back into writing crazy and amazing stories back without asking me what if nobody likes it ^^
Now @gemcosmopaline and @eidenna I met them in rel life so their more my real life friends than online friends ^^
and of course the people of Deviantart, Twitter, Tumblr, Wattpad, Fanfiction, Instagram and Pinterest who followed me but don’t have too much contact with, I still thank you for following me and loving or appreciating my art it encourages me ^^
hey there, quite a few people have been getting this ask in their inbox and i just want to clarify that NONE of it is true. Saltystingray is one of my closest friends and i know for a fact that he would never spread false rumours about anyone.
this seems to be a pathetic attempt to ruin his reputation. do not believe a word of it. thank you.
a drawing that is also on my DA account it's the Legends of Oz version of the Scarecrow
I liked the movie but I will admit it could have been better if they had really finished it and didn't put the 1939's classic references in it