Evangeline Lilly As TAURIEL THE HOBBIT: THE DESOLATION OF SMAUG

We’re all feeling this, right, it’s not just me? SHE-HULK: ATTORNEY AT LAW (2022) — 01x08 “Ribbit and Rip It”

he's so

"they're my favourite character" except it's in the sense that if I think about them for more than five seconds, I'll start crying about them

having a freeze response to stress is so funny in the context of normal adult stressors. millions of years of evolution are trying to tell me that the email will not find me if i stay very still and do nothing

My tumblr notes when mutuales clock in to like my posts

EXAMS ARE ALMOST OVER I CAN DRAW AGAIN

Anyways first thing off the backburner, I had an idea for a concept where Kokushibo uses wisteria incense to call Yoriichi on the other side of the Sanzu river to complain about work. Yori basically shows up in the smoke let off by the incense and hangs around for as long as the resin lasts. They're basically just facetiming while the actual plot happens in the background.

Some bonus sketch notes:

His arms are not connected! As yūrei typically don't have legs, and since Yoriichi's corpse got cut into 4, the only present pieces are his upper torso and two arms. His kimono has full sleeves, but his arms have extra

His hair is out, both to better match billowing smoke from the incense, and because yūrei keep it loose

Kokushibo can call Yoriichi on the road with a kiseru pipe, but he usually only calls him when he's alone and free for the night. Yoriichi is visible like this so he doesn't want unwanted visitors seeing him

Smoke is what makes Yoriichi visible, kind of like how beams of light become more defined in dusty spaces. Sometimes he'll hang out after talking and take a look around at things. Koku can take him around for tours if they're whispering

[commission] a heart to heart with sensei

“Forever. And ever and always.”-Keyleth/Vax

Campaign 1 Episode 115: The Chapter Closes

Campaign 3 Episode 51: The Apogee Solstice

Bonus Marisha:

we NEED to talk about the way they're looking at each other

-They both bear such striking looks of victory. Ten years they've been separated, facing loss and loneliness and a persisting sense of something hollow without the other by their side.

-"I want Rhaenyra," Daemon told his brother, without fear of consequence. "I'll take her as she is," as if he'd want her any other way, "and wed her in the tradition of our house." He didn't care for the ceremony or pomp of Westeros. He didn't want to be wed in the light of the Seven, which undoubtedly felt like a falsehood. "I'll take her as she is." The weight of that admission cannot be overstated.

-From birth, Rhaenyra had tried to live up to the expectations and perceptions of others. For the good of the realm, for the benefit of her father, attempting to stay as true to herself as could while maneuvering a court that was rarely, if ever on her side.

-Daemon was the first to see her as she was, to encourage all that others had chastised, and to celebrate in her truth. "You abandoned me," she tells him, because it's true. He abandoned her to the wolves of King's Landing, of her father's court, without a true defender.

-But she was a child. And perhaps he had truly thought she would be better off without his influence.

-Nothing could be further from the truth.

-In this moment, in the wedding of their choosing, they both share looks not only of victory, but of admiration, love, pride, and above all, a primal possessiveness.

-After so many years of wanting, he is hers. She has taken her fate into her own hands and claimed the Rogue Prince as her husband and consort. The man who always loved her as she was. Who continues to love her as she is.

-He looks at her with a promise. She is his to protect. To defend. His little princess has grown into a fearsome dragon, one who takes what she wants. Never again will he allow anyone to attempt to dampen that fire. Never again will he abandon her.

-He is hers. She is his. And together they will take what is theirs, with fire and blood.