There is nothing so beautiful as a spring rain when all the wood gets darker and all the greens get greener.
when artist consistently draws the same pattern of things for a long time like... Puppies or something.. and then gets interested in skeletons and starts consistently drawing skeletons....
Thats when a lot of people start to really be mean or show entitlement it's clear they view artists as "art dispenser" and not and actual person with a consciousness that flows like a river. It's like they think the art machine is broken and it used to give me puppy art but it's broken now and I get skeleton art so someone should fix it ?
People go through phases of things they like sometimes people really are into something for years and then they're into something else for years and then they go back to the old thing for a week and then they do something else again
Artists aren't brands they aren't corporations you aren't consuming them ... They're human people and they're trying to connect or get thoughts out or any number of reasons to create and share things and a lot of artists aren't even interested in making money off it..
favourite disney animated movies — 1/5
ATLANTIS: THE LOST EMPIRE (2001)
(1) (2) (3)
Since we keep getting "live action" CGI remakes of already perfectly adequate animated movies, and because people need to understand that animation is a medium and not a genre, I have prepared this primer about the importance of Visual Language for Conveying Information.
Can you tell what the personalities of these two mice are?
Can you tell now?
Which of these two tigers feels safer to be around?
Which of these three dogs is the funniest one?
If you can answer these questions, then you already have experience with the idea of visual language and stylistic choices being used to impart narrative meaning. If you can understand why these choices were made to impart meaning, then you can understand why animation is a medium for telling stories that has its own inherent value, and is not merely a "placeholder" for the eventual implementation of photorealistic presentation (aka "Live Action" CGI). Animation does not need to be "corrected" or "legitimized" by remaking it into the most representational simulation of observable reality.
*This does not minimize the crisis at hand, but is aimed at easing any anxieties.
With every social media selling our data to AI companies now, there is very little way to avoid being scraped. The sad thing is many of us still NEED social media to advertise ourselves and get seen by clients. I can't help but feeling that we as artists are not at risk of losing our livelihoods, here is why:
Just because your data is available does not mean that AI companies will/want to use it. Your work may never end up being scraped at all.
The possibility of someone who uses AI art prompts can replace you (if your work is scraped) is very unlikely. Art Directors and clients HAVE to work with people, the person using AI art cannot back up what a machine made. Their final product for a client will never be substantial since AI prompts cannot be consistent with use and edits requested will be impossible.
AI creators will NEVER be able to make a move unless us artists make a move first. They will always be behind in the industry.
AI creators lack the fundamental skills of art and therefore cannot detect when something looks off in a composition. Many professional artists like me get hired repeatedly for a reason! WE as artists know what we're doing.
The art community is close-knit and can fund itself. Look at furry commissions, Patreon, art conventions, Hollywood. Real art will always be able to make money and find an audience because it's how we communicate as a species.
AI creators lack the passion and ambition to make a career out of AI prompts. Not that they couldn't start drawing at any time, but these tend to be the people who don't enjoy creating art to begin with.
There is no story or personal experience that can be shared about AI prompts so paying customers will lose interest quickly.
Art is needed to help advance society along, history says so. To do that, companies will need to hire artists (music, architecture, photography, design, etc). The best way for us artists to keep fighting for our voice to be heard right now is staying visible. Do not hide or give in! That is what they want. Continue posting online and/or in person and sharing your art with the world. It takes a community and we need you!
I think the moral of this story is that I can do all things through Christ who strengthens me but especially when I also have a banger of a playlist on my side
I'm obsessed with the way different architectural styles reflect different aspects of God.
Like, gothic? The spires and the stained glass and the pointed arches? The gargoyles on the outside of churches, signifying that the demons can't enter into a sacred space? It's grand, almost foreboding. It sings in the piercing, ethereal song of the dryads of old, "He is not safe, but He is good."
And then there is romanesque, and it is God as fortress, God as bulwark. Round arches, heavy stones. Sturdy, safety, support. It sings in low Gregorian chant, "God is my strong tower, my refuge."
And then there is Baroque. And your breath stalls in your throat, and your heart does something strange because, oh—oh this must be what heaven looks like. It's dazzling, marvelous, almost a dream. And its song is not in words because there are no words to express it except "Sanctus, sanctus, sanctus." But its chorus is celestial all the same. It is God as Divine Beauty, the source from which all beauty flows.
Beautiful Restoration of a G1 Bowtie by Canadianmlpcustoms on instagram
I love when restorations lean into 80s aesthetics. Adoration
Jupiter in false-color ultraviolet ©
💙Christian💙24✨Digital/Traditional Artist✨🎵Music Creator🎶☁️Professional Daydreamer🫧NO politics allowed | NO hostile/rude behavior | NO AI. Human artists/art only!🪐Current Hyperfixation💫~Fields of Mistria~
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