Preview:

THEIR HAIR! STUDIO BONES I LOVE YOU!

I need a four hour loop of the intro of hot gum (she version) thank you please sofia

Rando NPC: Todoroki Touya is slowly marching towards death.

Meanwhile, Touya: *Apparently regrew his tear ducts and can cry real tears now, a sign of regeneration*

Also Touya: *heart speeds up as he grapples with his emotions*

Rando NPC: His heart can't take the strain!

my favorite tropes in mha fanfics is when nedzu tells the teachers that he wants to personally teach izuku

and then everyone is like “no no no nononononono-“

(+ bonus point if one of them [usually aizawa] used to be nedzu’s personal student)

Shinso is Aizawa son change my mind!

A Dream and no traumas...

MY BABY

Why I'll Never Forgive Endeavor

tw: abuse, domestic violence, dehumanization, and everything you expect to come with talking about the todorokis

Endeavor was right in calling Shouto a masterpiece, because that's all he ever was to him. Just a canvas to imprint whatever beliefs he had onto. Shouto was never made to be a person. He was made to be an object, an immovable force, something Endeavor can sculpt to his desire.

We see this through Shouto's demeanor. His inability to show emotions the way others do to that extreme of a level is usually a trauma response. He's purposefully blank, lest he face the wrath of Endeavor noticing the stain on his perfect painting.

Dabi even mentions this.

Endeavor wasn't the only one who saw Shouto as a means to an end. Dabi did too. He calls Shouto a puppet and trophy son throughout the series genuinely does not seem to consider that he has feelings at all. He wants to break him, because Shouto was given the life he was promised, but he can't see past what Endeavor told him to be like class 1a did.

Dabi's plotline was never about reconciling with Shouto, it was about destroying everything Endeavor thought made him great.

Endeavor controlled every moment of Shouto's life from the day he was born. Training, probably diet, every single second of every day was planned to expect max power and effort. He wanted a machine that he could show off, like fucking Tony Stark or some shit.

This is why when Midoriya says "it's your power," it's so impactful. He essentially told Shouto "you don't have to be what he made you to be." He was finally given permission to choose, something no one in his life (not even his mother) gave him. When you're a kid like that, you don't have the perspective that you can change. Midoriya believed that he could, so Shouto did.

Shouto wanted his father to see him as valuable outside of what he could do for him. But he never gets that. That is why the ending is so important for Shouto.

Shouto's arc is, at a base level, finding purpose outside of what his father expected.

You know who was given the freedom to do that from the get go?

Touya.

Let's get into the meat of the issue. Endeavor genuinely cared about Touya. He gave him permission to be great. He told him that there is more to his life than being Endeavor's 'mini me' and that Endeavor would support him in what he'd pursue.

He didn't do this with Fuyumi or Natsuo, but I think at this point he would've been willing to care about them if they offered something he thought was valuable. Because at the end of the day, even if Touya wasn't going to be a hero, Endeavor believed he'd still do great things. That he would bring honor to their name.

Endeavor only started caring about how he treated his family once he saw what it did to Dabi. His wife's mental breakdown didn't do it. The disfiguration of his youngest didn't do it. Breaking his child down until all he was was just another puddle of vomit on the floor at the age of five didn't do it. Not even the death of his beloved child did it.

But seeing how he ruined Touya's potential did.

Endeavor's change only came from the knowledge that he was his own ruin. His apologies come from a place of selfishness and it destroyed his family.

The thing that both Shouto and Dabi had in common is that they both just wanted to be enough for Endeavor. And at the end of the day, and the manga, I truly don't think that was ever achieved.

And that is why I can never forgive Endeavor.

Run and Go Au Todosiblings!!!

The park flashback/scene where Tenko plays with Mikkun and Tomo-chan in Chapter 418 first takes place in early afternoon, as evidenced by the clock reading almost 2:00 PM.

The art in the scene confirms this: clear bright skies, and the shadows under the children are short.

However, the time in the scene changes after Mikkun and Tomo-chan tells Tenko he should be All Might (the moment Tenko decides he wants to be a Hero, as he tells his mom in Chapter 235). Suddenly it's evening: the clock shows 6:13 PM, and the sky darkening because it's nearing sunset.

When Shigaraki/Tenko thinks of the League, he and the League (and Deku) all have long shadows, the kind you see when the sun is low in the sky.

＊

The context:

Sunset is the time to go home. Children who have been playing outside, in playgrounds, at the park, are supposed to go home, to get back in time for dinner, back to their families.

In Japan, many cities and towns have a bell/chime/song that plays from public loudspeakers at around 5:00 PM. It's a daily test of an emergency broadcast system, but it has also come to be seen as the evening bell, a 'go home' signal, especially for children, telling them to go home before it gets dark.

In manga and anime, all these elements have become common imagery and symbolism, associated with each other: red-orangey colors, sunset, long shadows, the chime, children saying goodbye to their playmates for the day, the idea of home and return.

(from Mushishi)

＊

Putting it all together:

When the park scene first shows up, it's Tenko memory of playing with Mikkun and Tomo-chan, likely exactly how it had occurred in real life: it's early afternoon, the sun is shining bright, their shadows are short, they're at the park, they're playing Heroes, and when the kids tell Tenko that he should be All Might, Tenko is overjoyed.

But this isn't the scene 15-16 years ago; this is a memory. Tenko is also Shigaraki here. He has just had his core pried open by Deku, and given relief. The Crying Child has been symbolically saved, but the past, the massacre, the Walk still all happened.

So it's suddenly 6:13 PM, it's sunset now, because it's way past proper time (5:00 PM) to go home - because Shigaraki/Tenko can't go home to the Shimura house. It's too late. It's been long over.

Shigaraki/Tenko then looks away from Mikkun and Tomo-chan, to the side, and say, 'Nah' to their suggestion, because besides it being late, he also no longer wants to be All Might. He's deciding he's a Villain, he still holds malice and he still destroys.

So, the scene changes again to contains the League now, all six of them (plus Deku). They exist in this sunset time, hence their long shadows. They exist with current Shigaraki/Tenko, they exist in the now - and arguably, the League would be the home he would return to at sunset.

-

Up to interpretation, of course, but the sunset/going home context is real.

Japanese tweets about it (translated):

[When Tenko got the words he wanted, his eyes lit up, but it was past time to go home so I'm guessing that means "it's too late."]

[It is just heartening that the League members are the place where Tomura would return to when it was "time to go home." I'm sobbing]

[In the scene where Tenko is at the park, the clock is already past 6:00 PM, the time when good kids go home, so if he had met Deku a little earlier, Deku might have been able to stop him, but this seems to show that they're past that stage now, which is good.]