Hauve You Guys Seen Trey The Explainer

A tiny Hawaiian squid, Euprymna scolopes, has become a model for thinking about this process. The “bob-tailed squid” is known for its light organ, through which it mimics moonlight, hiding its shadow from predators. But juvenile squid do not develop this organ unless they come into contact with one particular species of bacteria, Vibrio fischeri. The squid are not born with these bacteria; they must encounter them in the seawater. Without them, the light organ never develops. But perhaps you think light organs are superfluous. Consider the parasitic wasp Asobara tabida. Females are completely unable to produce eggs without bacteria of the genus Wolbachia. Meanwhile, larvae of the Large Blue butterfly Maculinea arion are unable to survive without being taken in by an ant colony. Even we proudly independent humans are unable to digest our food without helpful bacteria, first gained as we slide out of the birth canal. Ninety percent of the cells in a human body are bacteria. We can’t do without them.

As biologist Scott Gilbert and his colleagues write, “Almost all development may be codevelopment. By codevelopment we refer to the ability of the cells of one species to assist the normal construction of the body of another species.” This insight changes the unit of evolution. Some biologists have begun to speak of the “hologenome theory of evolution,” referring to the complex of organisms and their symbionts as an evolutionary unit: the “holobiont.” They find, for example, that associations between particular bacteria and fruit flies influence fruit fly mating choice, thus shaping the road to the development of a new species. To add the importance of development, Gilbert and his colleagues use the term “symbiopoiesis,” the codevelopment of the holobiont. The term contrasts their findings with an earlier focus on life as internally self-organizing systems, self-formed through “autopoiesis.” “More and more,” they write, “symbiosis appears to be the ‘rule,’ not the exception… . Nature may be selecting ‘relationships’ rather than individuals or genomes.”

Anna Lowenhaupt Tsing, The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins

fuck your magic castle academy aristocratic bitch. im going to state-run magic polytechnic

nothing that stimulant medication and a coffee and an energy drink and a bump of coke and a good hard slap in the face and seven years in the harsh wilderness and a hug from a friend and a firm prostate milking and 250mg of MDMA crystals and a top of the line gaming PC and a tall glass of water and a distant memory of summer and piano lessons and four 20mg edibles and a sword that hungers for human blood and a well socialized tuxedo cat and a sushi dinner and a leather jacket and a power nap and a single beautiful rod of depleted uranium and regular estradiol injections and a typewritten sheet of paper bearing the solution to the hard problem of consciousness and nipple clamps and a lobotomy and a gun and another coffee can't fix

i don't really like when people say dungeon meshi is accidentally good autistic representation, because while i understand not wanting to make conclusions without explicit confirmation from the author, there's always the weird assumption that non-western authors somehow don't know about things like neurodivergency/queerness/etc. (on top of the assumptions that east asian authors are somehow more naive or oblivious to "western" social issues).

given that dungeon meshi started being published in 2014, it's not really a "work belonging to its times"—it's as contemporary as any other media we discuss on this site, which means it should be fair to assume it engages with contemporary topics (and at the very least, you shouldn't say that the representation is accidental with so much confidence)

but anyways, the chapter "perfect communication" in ryoko kui's "terrarium in a drawer" is some of the most straightforward autistic representation I've seen, and from now on I'm going to assume that laios's character writing is absolutely intentional in that regard:

“I learned that just beneath the surface there’s another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn’t find the proof. It was just a feeling. There is goodness in blue skies and flowers, but another force - a wild pain and decay - also accompanies everything.”

— David Lynch

she said the thing

captain's steward on an 18th century merchant ship fit

Gentle Giant, Knots

and from R.D. Laing’s Knots

reverb in an empty hall.

prints (all proceeds go towards aid for Gaza)