I've Seen That On Ig :

Okay hear me out !

A modern AU (still with powers) where Charles and Erik are childhood friends and Charles falls in love with Erik but Erik doesn’t reciprocate because he thinks he’s straight.

BUT every time Charles has a date with another man, or when they are in a pub Erik gets jealous af and they fight about it. (A bit like Raven at the beginning of FC)

Charles doesn’t understand why his friend is behaving like that because he promised to never read his mind.

Then after days of fighting and maybe even silent treatment, Erik just pull Charles into a kiss and realize he is, in fact, not straight and ask him out 🫢🫢

Would people be interested in a fic like that ??

peak domestic spencer reid peak bf spencer reid peak spencer reid period i want him so bad hello are we kidding

Okay guys, I need to share my FAVORITE fanfiction of all time.

So, we all know that James McCavoy played Charles Xavier and Bill Denbrough (It). Well, imagine if the two characters were actually the same person ?

We go through the X-Men movies with Charles not remembering anything about Derry, and then, BAM he receives the call from Mike, telling him to come back to take care of Pennywise.

(And I love the fact that Charles is actually his middle name but he refuses to go by it)

Cherry on top ? It’s a Cherik fic with Moira being the best of friends (and a f*cking badass) 🤭

I’ve probably read it like 3 times since August and it is still my favorite fic ever !

Anyways, I don’t gatekeep, have fun !

x-men: first class, mutant road-trip

Oh my…

You know, when it comes to the four Cherik actors, the old men walked so the young men could run.

We all give McAvoy and Fassbender the love they deserve, but honestly we wouldn’t have any onscreen Cherik at all if those two old Shakespeare vets hadn’t laid such a strong foundation a whole decade prior in the original trilogy.

Remember that Stewart and McKellen had no beach divorce to work off of. First Class wasn’t even a thought in any writer’s head yet when the OG trilogy was filmed. And yet they understood the assignment from day 1 - the “exes who never got over each other” vibes are just pouring off of both of them in every scene, especially from their eyes, starting from the very first moment Stewart’s jaw drops and his breathing stops as he sees McKellen in the shadows of the Congress crowd, and McKellen then manages to make a threatening line like “don’t get in my way” sound so … gentle. Be it outside Congress or in the plastic prison or outside Jean’s house, you can feel the weight of their shared history bearing down on them, a weight so palpable it’s on the verge of crushing them both every time they so much as lock eyes.

And you can see echoes of the young men Charles and Erik used to be in their performances … you can fill in the gaps with First Class details thanks to their level of nuance.

Every time they call each other “old friend,” you can hear the underlying emotions they haven’t figured out how to express aloud, and the hidden knowledge that those two words only scratch the surface of what they really are to each other.

Within Stewart’s heartbroken look in all of his closeups in their first scene on the Congress walkway in X1, you can see the yearning of a man remembering the first time this other man walked away from him and wishing he knew how to convince him to stay now, like he did then.

Within McKellen randomly name-dropping Charles throughout the trilogy (like when Sabretooth reports the X-Men knew about Rogue and when he’s headed to Alcatraz), you can hear the obsession of a guy embittered by years of opposition but with a secret piece of his heart still living in that moment when he first heard a beautiful voice in his head pulling him back from the darkness.

Within Stewart’s whispered “what’s happened to you?” at the sight of a bruised eye, you can see the grief of a man remembering the sense of a wave of horror and trauma pouring off someone down in the water, and now seeing that same someone has been abused again, and just like then, he wasn’t there to stop it, to protect Erik from getting hurt.

Within their suppressed smiles in the prison scenes and their repartee outside young Jean’s house, you can tell these two banged 40 years ago. You can feel faint echoes of the two guys who once sat on a bed showing off their powers and saying stuff like “more tea, vicar?” and “you’ve never looked more beautiful, darling.” (I even noticed that at the end of X1, in the “I will always be there” exchange, the camera placement leaves their hands out of frame, so they’re obviously touching each other’s arms in that moment but we can’t see exactly where - it makes me imagine that Charles briefly touched Erik’s hand before being wheeled away and that’s why Erik sits frozen for a moment before toppling his king. Again, it’s those actors’ nuances that give birth to these implications.)

Within McKellen’s facial expression of pure anguish and his scream of “CHARLES!” at Jean’s house, you can hear the soul being ripped from the body of a man whose life was, long ago, forever changed by the words “there’s so much more to you than you know, not just pain and anger … there’s good too, I felt it…”

You know two actors are at the top of their game when they’re able to convey the exact history of their two characters long before any actual prequels imprint that history in canon.

I do wonder if Stewart and McKellen watched First Class before they filmed Days of Future Past - it’s impossible to tell because regardless, they once again gave it their all, especially in the Rogue Cut. They took a little sentence “in other words, a door” and a little piece of direction to smirk and nod, and somehow made it one of the most flirtatious/erotic moments of the series. And then of course at the end, they gave us the most heartbreaking moment of the series and one of the top 10 most heartbreaking moments in any comic-book movie ever, period. You know the one.

I’m just so grateful to them for what they started. It all started with them. They knew what they were doing.

This but it’s Erik going on a mission with the Brotherhood and Charles is pissed off at him for leaving that long again

"If I don't reply by tomorrow, then consider me dead." It's been two years since you got that message, and you haven't seen them since. Suddenly, your phone lights up: "Sorry, that took longer than I thought."

Can we just take a sec to appreciate Charles and Erik’s dynamic in the dark Sentinel future, especially the Rogue Cut … of course it’s at the end of the world when their relationship is at its absolute healthiest. They’ve really made it work, and they’re an old power couple. They’re always seen together, each goes where the other goes, joined at the hip. They’re totally in sync, working together perfectly, getting everything done. The helmet is nowhere to be found, and Erik lets Charles into his head during the rescue mission with complete and utter trust. Erik has stepped back from his need to lead and control and lets Charles call all the shots, supporting all of Charles’ ideas. He doesn’t even kill the men experimenting on Rogue, even though he has every reason to, because he knows Charles won’t like it. They’re both in their 90s and yet they both kick legit Sentinel ass together. Erik works in total harmony with the other X-Men, finally being a true team member. And they’re finally actually communicating, with Erik spending the timeline’s last moments giving Charles the emotional vulnerability and honesty that he used to fear so much and telling Charles pretty much everything Charles needed to hear - conveying his undying love, his genuine regret for their breakup, and his yearning for them to get a second chance at a life together.

Dad!Spencer 🥺💛

theyre going to go pick up mAMA *punching the air*