Cotl Ocs Are So Cringy. So Anyway This Is My Cotl Oc Canna. She’s A Bat And I Love Her.

Hey happy autism month. Yep. April is that month. Fun reminder to not use the puzzle piece, blue and don’t be dicks to people with autism.

Help an inspiring business owner?

Hello, for a little under a year now, I’ve started my own business. I sell hand made art dolls, by reusing old plushies and teddy bears, and giving them a new face and a new style. Here are a few examples of my work :

The idea behind it is to give unloved toys a new life, a new style, and eventually a new owner. It’s also meant to represent the process of growing up: you change, you affirm yourself, you maybe lose people you used to be close to but in return you might make life lasting bonds

Thing is, I’m still a student, in a line of studies that doesn’t allow me to pick up a consistent job on the side. This means I don’t have the money to keep up my business, and can’t have access to state help either due to a complicated financial situation.

What I’m asking for is for support. If you reblog this post, take a look at my Etsy page (down below) and leave a heart, or visit my Instagram page (Instagram is my main account for my business, and with the recent update, a small art account like mine is getting basically no traction) and engage, it would mean the world to me and maybe even save my dream.

Share, reblog, comment- any kind of engagement would already mean so much to me.

Thank you in advance for helping out a struggling artist, please help me achieve my dream when no one around me believes in it

Links :

- https://www.etsy.com/shop/Necromending

- https://instagram.com/necromending?igshid=OGQ5ZDc2ODk2ZA==

What does “The Spectrum” mean? Do some people have “more Autism” than others?

I covered these topics in a comic to help explain the extremely individual and incomparable nature of the autism spectrum!

Instagram // Twitter

alien covenant (behind the scenes)

alien covenant

alien covenant (behind the scenes)

alien covenant

alien covenant (behind the scenes)

alien covenant

alien covenant (behind the scenes)

alien covenant

alien covenant (behind the scenes)

alien covenant (behind the scenes)

watch him do a dance on your little screens

burst from your chest with a gory splatter

of all the little puppets theres no one badder

new evolution of the apex predator

a baby strong enough to kill the average redditor

hes a killer more advanced than you or i

but if you put the music on he's a pretty fungi

hip hop or electronica

oboe or a harmonica

he might seem evil but give him a chance

you know all the little fella wants to do is dance

raised by the evil michael fassbender 2

and theres only one thing that he wants to do:

travel the world and bring joy to the masses

now everybody get up and shake your asses

alien covenant

alien covenant (behind the scenes)

alien covenant

alien covenant (behind the scenes)

alien covenant

alien covenant (behind the scenes)

alien covenant

alien covenant (behind the scenes)

I love reading your analyzing of Coyle. I wondered if you had any thoughts on his sexuality? (I mean I have a damn spread sheet myself, but you're so much better at words and really great at psychoanalyzing lol). I've described him as being "the straightest gay man I've ever seen" to a few people now and eventually the "get" it.

(CW: discussions of canon typical sexual and racial violence, slavery, internalized homophobia, domestic violence and femicide. One of the linked videos also discusses fascism using disturbing transphobic rhetoric as an example.)

Thank you for your kind words, it’s really nice to know my ramblings are resonating with someone! Discussion should be allowed to emerge naturally, but I think much of the debate that arose from the revelation of Coyle’s character was removed from the context of the oppressed groups being commented on by the text. I say that mainly in reference to people of color, since the KKK represents a cultural trauma which is inextricably attached to blackness, but the statement applies to queer people as well. That very Klan was almost extinguished in the 1870s until it was revitalized half a century later by a film, of all things: media is obviously important. There’s much more that can be, and to an extent needs to be, said about this story beyond rehashing “it is/is not okay to hornypost about this” ad nauseam.

So let’s get this out of the way: I think Coyle was deliberately being written as queer. The ethics of incorporating LGBT characters in a setting so obsessed with the grotesque are questionable (you can read more perspectives on that here and here,) but I think there was intention behind the decision to depict him this way, whether it's "good representation" or not.

One of his defining traits is that he habitually deploys lewd, effeminate language to intimidate and dehumanize his victims: “alluring piglet,” “honey,” “beautiful/sexy b*tch,” “darling,” “sweet, ripe young things" and the like. You could argue that is solely a degradation tactic rather than a direct indicator of his sexual preference, and he does seem to do it primarily to scare you. But a big part of the horror in Kill the Snitch is that Coyle is very unembarrassed about how much pleasure he gets out of subjecting you to that degradation. (“You lick my boot, maybe I let you up.”) The innuendo he taunts the Reagents with is unaffected by their gender presentation, and The Snitch is a fixed character presented as a cis man who Coyle treats with just as much aggressive leeriness. From there, it's difficult to interpret him as straight. 

And since Coyle is one of the main villains of the game, I think I would be remiss if I argued that his bi/pansexuality is a thematically insignificant byproduct of his broader characterization as a sadist. That conclusion certainly presents itself: even if his queerness is loudly implied, it isn’t commented on directly by the text the way other aspects of his character are, like racism and uxoricide. The closest we get to a clear, unmistakable identification of his sexuality comes in the form of his aforementioned attitude towards The Snitch. 

While the Reagents are interchangeable grunts, The Oogie Boogie Man Snitch is Coyle's own prisoner, and as such we witness him compound the usual routine of sexualized cruelty with repeated assertions of possession, calling him things like “toy” “mine” and “property” to emphasize a sense of ownership. He comes completely undone when the Reagents electrocute him to death, exploding into thwarted, miserable rage like a kid watching their sandcastle get kicked to shit (“No! FUCKING NO! He was mine!”) and throwing out all of his beliefs at once as this jumbled, fascistic mess; “anarchist pinko fucks” this and “country’s going to shit” that.

Perhaps the most telling line about their dynamic is this one: “Jesus Christ you look like my second wife, you know that? Spittin' image. Woman got me 'bout as hot as Missouri asphalt.” The only time we see how Coyle interacts with people on an even playing field is in the files, when it’s mentioned that he killed two of his fellow soldiers when serving in the army & brutalized a murkoff agent interviewing him. The social dominance he has over people like The Snitch and his wives seems to be the only way he’s capable of conducting interpersonal relationships on a vaguely emotional level. Otherization, fuckability, and the need for corrective shame/subordination are all intertwined in Coyle's head, muddling together to form his notion of natural hierarchy: one which is incoherent, self-serving, and more about appearances than anything else. (“I know what you did. I just need to hear you say it.”)

And the importance placed on appearances isn’t just something that Leland happens to believe. In the era when this game takes place, the electric chair was at peak popularity as a form of “humane” capital punishment: in reality, it was a callous technological repackaging of the methods of execution which came before it, namely the (distinctly racialized) hanging/lynching. These methods were designed to reinforce social hierarchy by staging voyeuristic displays of dehumanization, and were levied with particular barbarism against people of color. There’s a catalog of horror stories I could insert here about white supremacy and the electric chair, but that’s another post entirely. What I want to establish is that:

A. It's easy to interpret The Snitch’s execution (and the Reagent’s forced participation in it) as a symbolic enforcement of Murkoff’s construction of social dominance, akin to capital punishment or lynching/state sponsored terrorism. B. Men like Coyle were categorically responsible for orchestrating executions like the one in the game, and the fact that he gets so angry and addled about it even though he’s ostensibly a follower of their doctrine speaks to the nature of his ideology. 

Though a lot of real world topics get touched on by Coyle's dialogue, it certainly isn’t 100% down-to-earth social critique. Many of his lines invite you to laugh at him (“It's hurtful when you disrespect the badge. I have feelings, too”/”Ain't you slicker'n a can of mashed assholes”) and his crimes themselves are, at times, overblown and ridiculous. He's a caricature of institutional violence and injustice, not a straight faced example of it. No, the realistic part of Coyle’s storyline is how the power structures of 1950s America both protected him from consequences and deliberately encouraged him to degenerate. I’ve alluded to this before: it’s one of my favorite things about Trials.

He was sent to military school because of his violent tendencies and joined the marines to avoid investigation after killing his first wife, but once he had the Police Department to shield him his behavior escalated in severity so much so that it attracted the attention of an even worse organization. The process was Military School → Ku Klux Klan → Marines → Police Department → Murkoff. This facet of the story was always there, but the newly released comic really hammers in the point, that Coyle - infantile, nonsensical, vulgarly abusive and utterly unworthy of authority - was never a barely tolerated outlier or a well kept secret within the systems he budded up from. The files directly attach his klan involvement to police work even as he's described as a “good cop:” because there were no good cops in Blackwell, because good cops aren’t real. US Law Enforcement can be traced back to early southern slave patrols, they've had a handshake agreement with the Klan for decades, and you need look no further than the recent Minneapolis Police Department exposé to see how they operate in the modern world - and this game is set sixty years before 2023. Horrifying, yeah?

Understanding cops themselves to be fundamentally immoral and unjust, by the time we meet him in the game, Coyle isn’t even a competent cop in terms of his willingness to enact unjust aims. Yes he is brutal, yes he is racist, yes he clings to the childish, cowardly belief in immutable superiority found in actual modern fascists - but the ouroboros of psychosexual issues driving him to behave the way he does take precedence over his purported devotion to any belief system, to such a degree that he isn’t even acting in explicit defense of an institution anymore. That job, to defend the current institution, is what the Reagents are being trained for: the same ones he deems subhuman and, most tellingly, “perverted.”

One thing that makes Coyle’s whole presence in Kill The Snitch  so surreal and disorienting is how manufactured and aimless his job as The Snitch’s defender really is. The man play acts an interrogation of someone who will never see trial, referencing vice squads, courts and elections that are nowhere to be found in the Sinyala facility - even though a different line of his mentions how they “don’t favor courts in these parts.” So, he’s directly contradicting himself. When the Snitch dies, he goes “NO! NO! I'll never... God DAMNIT,” not even finishing his own sentence about what it is he apparently needed The Snitch for.

The man obviously thinks otherwise, but he’s a make-believe cop, a test dummy for trainees to be pitted against ala shencomix’s professional hater. Though nowhere near as disenfranchised, Coyle is a puppet in Murkoff’s trials as much as the Reagents are, all his nasty, grandiose rhetoric ultimately amounting to hot air: and unlike the Reagents, this does not end with him being reborn. He lacks the overarching purpose of eventual service to a greater cause that they have.

And therein lies the self-destroying prophecy inherent to his understanding of reality. You can argue that Coyle is aware (subconsciously or otherwise) that there exists the potential for him to be otherized, and by extension subordinated, for an immutable part of himself which is directly attached to his sexuality and masculinity. I’d be surprised if he wasn't, considering how loudly the prejudices of the culture he arose from are relayed to the audience. The fear that comes from that knowledge gives birth to an obsession with categorism, shame, and “justice:” which he rationalizes as an immutable aspect of reality by connecting it with the natural phenomenon of lightning. (“I used to stand in a storm and watch the lightning strike the plains and I would think, "well there you go." That's justice. Sometimes the finger of God reaches down and touches you. But you never know which finger it is you're gonna get.”)

This leads to violence which he is constantly rewarded for: and because it’s the only viable outlet he has for exercising those very issues which he was trying to avoid confronting in the first place… he overindulges. Loses all interest in presenting the rhetoric coherently, in favor of chasing the immediate release that cruelty provides with ever-increasing vigor. (Funny how he calls the Reagents “dope addicted” too. Mr. Sony VPL strikes again!)

But in the end, Coyle is worthless. He’s a tool, designed to be overcome. It's a similarly symbolic, utilitarian role to that of The Snitch, which potentially feeds into his perverse sense of protectiveness over him, but the people who are coming out the other end of this with a job to do in the real world are the Reagents. People he looks down on, people he terrorizes, people he’s so desperate to bend to his will. He’s like... white chauvinism revealed as senseless, small and disgusting, condemned to chase its own tail & buckle under its own weight no matter how hard it shakes it's fist at the sky. 

And in a series so fixated on delusion and the disintegration of the self, the nugget of reality within that was thrilling to see on screen. 10/10, would cringe at again.

I think something’s wrong with my undertale

if you like and dont reblog i will block you

funnier in my head

Ive seen people draw nightmarionne as death, and thats a pretty cool concept so i made some doodles

the other night my friends and i played around with phasmophobia’s local in game chat

featuring pepsiman

This sounds exactly like my friend

I know Coyle is a shrimpy boy but he’s still like a good 5-6 inches taller than me and that works for me😏

I just know he could yeet me across the room and break my back 🥐

I would pull out all the tricks in the book for him: Gluck Gluck 3000, kegal squeezes, throwing it back, etc. He wouldn’t even know what hit him.

I just know this man would have a cock the size of a subway footlong and eat pussy like his life depends on it.

I even love his crispy side, he’s PERFECT AND BEAUTIFUL. He has such a way with words😳🥵 I want to carry his child; a little baby Coyle 🧎🏻‍♀️‍➡️I’m just being insane now.

I’m sure homie would be the type to just nut in you and I’m all about it. I want to be leaking his cum like a damn snail all day 😮‍💨

I’ve never had a crush on a fictional character before so this is a new experience for me. Liking someone I can’t just have. So in a way it’s kind of heartbreaking? Sounds stupid but MY HEART AND PUSSY ACHE FOR HIM.

Rip Leland, you would have loved bubblegum flavored vapes 😘

Thank you for attending another one of my Ted Talks :)