Saw Someone Getting Mad At People In The Fandom For Being Too Pervy... Like. This Is The Pervert™️

by @StarkLike34

Hotchreid Snippet

I figure since this fic is taking so much longer than i thought it would i may as well post a snippet (that happens to be my favorite scene so far)

Summary: a drunken conversation in a shared cab after a long night

Words: 1.5k

Spencer spots a cab approaching them towards the end of the block, waving his arm until the driver pulls to a stop in front of them. Hotch opens the door for him, always a gentleman, and Spencer slips into the cab as he gives the directions to the driver.

It's only after he’s finished giving his address that he realizes Hotch is still hovering by the open door, shifting awkwardly from one foot to the other.

“Are you coming?” Spencer asks with a furrowed brow. Hotch scratches at the back of his neck, lingering.

“I could always catch another one…” he trails off uncertainly, and it clicks for Spencer right then that he never answered Hotch’s earlier question.

He’s still waiting for permission.

“Hotch, it's cold and it’s raining and I can hear my duvet crying for me. Get in the cab.”

Hotch doesn’t try to argue with the finality in Spencer’s demand, climbing in next to him and closing the door with a heavy thunk.

The ride is quiet at first. Spencer leans his head back against the seat and closes his eyes, listening to the sounds of the raindrops hitting the roof, the wheels hissing as they pass through water pooled on the street below, the wind whipping around the car. It’s peaceful, just enough noise to not be overwhelming but to fill the silence as Spencer adjusts to being away from the overly loud music in the bar.

His limbs feel heavy, his bone marrow interlaced with lead and steel and his legs anchored to the floor like he couldn’t move them if he tried. He can feel the exhaustion of the last case creeping up on him, slowly enveloping him and draining him of his last vestiges of energy.

To avoid falling asleep in the car he opens his eyes and rolls his head to the side, taking in Hotch’s stiff form.

He’s been a little strange all night, rapidly oscillating between relaxed and anxious. He goes from cracking jokes in that dry humor of his- almost flirtatious at times, but Spencer doesn’t allow himself to entertain the thought- to sitting pin straight like he’s got a titanium rod in his spine for seemingly no reason at all.

Spencer thinks that maybe this is just what alcohol does to him; he doesn’t know if he’s ever seen Hotch drink quite as much as he had tonight, at least not since he and Haley were together and she’d come along with them on their nights out.

And it’s not like he’s belligerent by any stretch of imagination- he handles his liquor leagues better than Spencer himself- but Spencer’s rarely even seen him tipsy, let alone genuinely drunk. Then again, it’s nigh impossible to resist the all powerful Penelope Garcia when she really sets her mind to something.

Maybe it throws him off kilter, makes him nervous to have less command over his words and his movements. It would certainly make sense. Hotch’s entire life requires him to be alert at all times, always one step ahead, always the leader, always in control. It follows that having that stripped from him, even of his own will, would make him a little jittery.

Spencer can relate, in a way. But he’s always found a little more peace in letting go, smothering his ever racing thoughts til they disappear completely, allowing his overstuffed skull to empty for once.

That yearning for tranquility is why he has to be so careful with his intake, why it's so rare that he affords himself the refuge. That sort of numbing could lead down a dark, winding path faster than he could even realize he’s lost.

A part of him that he doesn't want to acknowledge wonders if Hotch feels that same solicitous temptation, if that’s what’s fueling his unease.

Whatever it is, Spencer doesn’t like seeing him like this. The tension lining his shoulders, the way he’s clenching his jaw as he looks straight forward at the partition, his hands tightly folded in his lap and his brow low, severe. Like a cadet standing at attention.

The passing streetlamps cast animated highlights across his face like a movie projector, the yellow lamplight that kisses his profile cutting the cool blue dark of the cab. Soft against the harsh angles of his features, his furrowed brow, his pursed lips. Illuminating his eyes for just a second, just long enough to catch the worried glint hidden by those thick eyelashes. A portrait against the scene of raindrops hitting the window beside him.

In a spur of confidence more fueled by liquor than logic Spencer reaches out to the other side of the backseat, his movements slow and intentional like he’s walking up on an injured stray. He lays his hand gently over Hotch’s, holding steady when he flinches under the touch.

Spencer can feel Hotch’s eyes on him now but he doesn’t look up from his task, slowly wiggling his fingers between Hotch’s joined hands until the older man catches on and reluctantly releases his hold.

Spencer takes Hotch’s hand in his own and brings it across the space between them to rest over his knees, cradled in both of his hands like something precious. Because the touch, the silent buzz in the air between them, the manufactured intimacy of their own little world behind the partition is precious to Spencer, and right now he wants Hotch to feel that, even if he knows it’s probably a bad idea.

Hotch doesn’t object, silently watching Spencer’s movements with a wary tilt of his head.

“You have an accent,” Spencer murmurs as he stretches Hotch’s fingers out one by one, rubbing his thumbs up each digit methodically with a consistent pressure.

Hotch’s hands are big and wide, long thick fingers and hair tracing down the backs of them. His fingers aren’t much longer than Spencer’s but they make his hands look petite in comparison, his cold, thin and boney where Hotch’s are warm and strong.

“So do you,” Hotch’s voice comes out so soft it’s almost inaudible over the mechanics of the car.

Spencer smiles softly at the deflection, Hotch’s natural instinct to turn the attention away from himself at all times, uncomfortable with the scrutiny, the idea of being known.

“You have a southern accent,” Spencer specifies, because for once he wants to dig deeper, to push Hotch out of his comfort zone, his safety bubble of isolation.

He massages Hotch’s hand now, firmly pressing his thumbs deep into the meat of his palm. Hotch twitches and his hand tenses for just a moment, and Spencer tenderly brushes his thumb across the expanse of Hotch’s palm as an apology before he continues working at the knots under the surface.

“Virginia born and raised,” Hotch offers an attempt at lighthearted banter but it falls flat, his low baritone laced with apprehension, strained.

“Grow out of it?” Spencer prods, turning Hotch’s hand in his lap to trace over his knuckles, the outline of intricate veins beneath thin skin, the bones below them.

He can see Hotch shake his head out of the corner of his eye, can hear the fabric of his shirt and jacket rustling at the movement, but he doesn’t respond right away.

“No, I uhm…” he clears his throat, shifting in his seat uncomfortably, “I had it trained out of me, in law school. Learned pretty quickly that no one takes a prosecutor with a southern twang seriously.”

Spencer nods as he explores the planes of Hotch’s hand, thinking about a twenty something Hotch doing his best to fit in, to prove himself. Thinking about Hotch now, almost thirty years later, carrying those lessons with him.

“Do you always change parts of yourself to manage other’s perceptions?” The question trips past his lips before he can think better of it.

Hotch tenses, his hand clenching and unclenching in Spencer’s hold like he wants to pull away from the conversation, from Spencer.

His hand stays in place.

“Doesn’t everyone?” He asks quietly, and something about his tone makes Spencer look up for the first time since he started this bizarre interrogation.

Hotch is looking at him like he truly wants an answer, like he wants reassurance that he’s not the only one with something to hide, an audience to perform for. Like he’s pleading to know if he’s the only one putting on a show.

Spencer almost doesn’t want to break it to him.

“No,” he says, looking back to the hand in his lap and lacing their fingers together for a selfish moment, a breath, “not everyone.”

A rigid silence follows, charged with something combative, a bristling sort of energy that Spencer can feel jolting between their joined hands, static shocks biting his fingertips like little strikes of lightning. Hotch stiffens like he wants to argue, and Spencer waits patiently for the debate.

It never comes.

Spencer looks to his side only to see that odd look in Hotch’s eyes again, like he’s searching Spencer for something he’s not even sure of himself.

And then he nods, subtly at first and then firmer, like he’s trying to convince himself as much as Spencer. He turns away to look out the window, raindrops casting long shadows down his cheeks and below his eyes as they race to the bottom of the glass, and Spencer feels it in his chest when the moment breaks.

Hotch never pulls his hand away. Spencer draws shapes across his knuckles.

THOMAS GIBSON as AARON “HOTCH” HOTCHNER 

CRIMINAL MINDS | 1.16 “THE TRIBE”

THE PASSENGER dir. Carter Smith

“DON’T PROFILE ME AARON!” — CM 1.16 THE TRIBE

in Japan, today(May 5th) is Children's day🎏

❤️‍🔥Just two beings kissed by fire❤️‍🔥

I am literally obsessed with this scene, and with them. I feel that it is an important moment that represents a lesson for both the characters involved and the reader.

In the books, Sansa teaches Sandor a lesson with her song. Violence is not the way. Things are not taken by force. Even people like him, whose life is full of resentment and anger, have a chance to redeem themselves.

In the TV show, it is Sandor who teaches Sansa a lesson. Looks are deceiving. She is afraid of him because of how he looks and is unable to look at him but he tells her, in his own way, that she will encounter people in life much worse than him and that she will have to look at them. In that moment, Sansa understands what he meant and sees through his horrible burned mask. That's why she says: "You won't hurt me".

Both versions seem like a poem to me and I needed to make a fanart of it. I love this scene, and I love the interactions they both have. I hope that at least in the books they’ll have a worthwhile reunion and that they can thank each other, or if GRRM allows it, something more. It would be such a beautiful thing to read that she sings to him again, actually wanting to sing a song for him. Of course, that’s if Sandor is really alive.

nightmares

Hannibal Whump | Part 2 | Chin scar