A drooping posture can convey a sense of defeat and sadness. Keep shoulders slightly slouched, and avoid standing tall or with a straight back.
Facial expressions play a crucial role. A downturned mouth, furrowed brows, and a distant or vacant gaze can all indicate inner turmoil and heartache.
Men often avoid eye contact when they're feeling vulnerable. If you're experiencing heartbreak, you might find yourself looking down or away when speaking to others.
Restlessness can manifest in various forms, such as tapping fingers, bouncing legs, or constantly shifting positions. This indicates inner turmoil and an inability to find peace.
Movements may become slower and less purposeful when someone is experiencing emotional pain. This can include gestures like reaching for objects or adjusting clothing.
Men in heartbreak might withdraw from social interactions or participate less actively in conversations. They may seem physically present but emotionally distant.
Deep, heavy sighs are often involuntary reactions to emotional distress. They signify a release of tension and an underlying sense of sadness.
Heartbreak can drain one's energy. You may notice a decrease in enthusiasm, vitality, and overall liveliness in how you carry yourself and engage with others.
Crossing arms, hunching shoulders forward, or clasping hands in front of the body can create a barrier between oneself and others, reflecting emotional guardedness and pain.
Gestures may become less expressive and more restrained. Hand movements may be smaller in scale and less animated compared to usual.
hi all! I just thought I'd make my own list of various physical affection prompts and since no idea is ever original some of these are 100% on other peoples lists but im not using other lists as reference or copying anyone. this list is for my own use and other peoples use and there's no need to credit me (though it's always nice).
reblog to have your followers send you these as prompts !! or just use them for your own writing.
all of these are meant as sfw prompts but some may seem a bit more intimate.
tracing someones face
tucking hair behind their ear
forehead kisses
desperate hugs
crying into their neck/shoulder
reversed little spoon & big spoon (the one who is normally the big spoon is the little spoon and vice versa)
holding their hand under a table
kissing their hand
kissing their collarbone
sitting with legs in their lap
morning cuddles where they're both mostly asleep and they don't want to wake up yet but they want to cuddle
petting their hair
head pats
sitting on the floor in front of them while they sit on the couch and their arms touch their legs.
holding both of their hands
hugs from behind
gently touching their waist to move past them (dont do this to someone you're not dating! dont believe I have to say this.)
grabbing their wrist or hand and turning them around
playing with their hands when nervous
slow dancing
Too many beds
Accidentally kidnapping a mafia boss
Really nice guy who hates only you
Academic rivals except it’s two teachers who compete to have the best class
Divorce of convenience
Too much communication
True hate’s kiss (only kissing your enemy can break a curse)
Dating your enemy’s sibling
Lovers to enemies
Hate at first sight
Love triangle where the two love interests get together instead
Fake amnesia
Soulmates who are fated to kill each other
Strangers to enemies
Instead of fake dating, everyone is convinced that you aren’t actually dating
Too hot to cuddle
Love interest CEO is a himbo/bimbo who runs their company into the ground
Nursing home au
Handy Man
Small Talk
Just a Bite
Pair Up
Cut Above
Bright Idea
In the Office
Shine a Light
Star Attraction
It's a Crime
All Talk
Meeting Place
You're the Boss
Taking Shape
Be Lucky
Safe Haven
Mail Bag
Keep Fit
Laundry List
Fire Fight
adapted from <Writer's Craft> by Rayne Hall
Suspense
Show your characters gearing up, readying themselves.
The pace is slow, the suspense is high (use suspense techniques)
Provide information about terrain, numbers, equipment, weapons, weather.
May have dialogue as the opponents taunt each other, hurl accusations, or make one final effort to avoid the slaughter.
Don't start too early - we don't need to see the hero getting out of bed, taking a shower and having tea.
2. Start
Fighters get into fight stance: knees slightly bent, one leg forward, abdominal muscles tensing, body turned diagonally, weapons at the ready.
Each side will usually try to be the first to strike, as this will give them advantage.
The movements in this section need to be specific and technically correct.
3. Action
This section may be quick or prolonged. If prolonged, no blow-by-blow descriptions are needed.
Focus on the overall direction of the fight
Make use of the location to make characters jump, leap, duck, hide, fall, etc.
Mention sounds of weapons
4. Surprise
Something unexpected happens: building catches fire, a downpour, relief force arrives, staircase collapses, bullet smashes into the only lightbulb and everything goes dark, hero losses his weapon, etc.
Add excitement, raise the stakes.
5. Climax
Both sides are tired and wounded
The hero is close to giving up, but is revived with passion
Move to the terrain's most dangerous spot: narrow swining rope-bridge, a roof-edge, sinking ship, etc.
Don't rush the climax! Hold the tension
6. Aftermath
The fight is over: bes buddies lying dead, bandaging, reverberating pain, etc.
Use sense of sight and smell
The hero may experience nausea, shaking, tearfulness or get sexually horny
Fight scene length
Historical/adventure/fantasy: 700-1000w
Romance: 400-700w