Hello hello! I love your blog and its really helping me get back into writing after an uncomfortably long burnout break. My question is how would you write a character slowly going insane because of their circumstances and the things they are forced to endure to go through them? Thank you so much in advance?
Hi, I'm so glad you've been finding it helpful! I went over some of this in a bit more detail in my previous post answering a similar question (how to write a character slowly going insane from their world going out of their control), but it won't hurt to address it again.
When writing a character who is slowly going insane due to external factors and challenges, it's important to start by introducing your character at a point where they're relatively stable mentally, showing their personality, goals, and relationships to give a general idea of how their life normally was before the deterioration of their mental stability. This will allow the readers to see for themselves what changes and shifts occurred, as well as their consequences.
Identify the key events or circumstances that will gradually wear down your character's sanity—whether it be external factors (intense stress, a traumatic experience, isolation, facing a series of challenges they aren't equipped or prepared to handle), internal, or both. In any case, it's important to have a clear reason in place.
As the character starts to feel more and more pressure and stress, the initial signs of distress will start to show, both in their thoughts and behaviour. Using internal monologue or stream-of-consciousness narration to show their mental state. It may start with the character questioning themselves and behaving irrationally, then change to risky or self-destructive behaviour as their perceptions become increasingly distorted.
Thanks for asking! Happy writing ❤
Anger is a powerful emotion that can add depth and intensity to your character's personality. If you're facing issues realistically expressing your characters' rage, here are some quick tips to help you get the ball rolling. Whether your character is seething with quiet rage or exploding in a fit of fury, these tips will help you convey their emotions vividly to your readers.
This is blog one in my writing different emotions series. Go check it out to explore more emotions!
Furrowed Brows: Describe the deep lines between their eyebrows, signaling frustration or intensity.
Tightened Jaw: Mention their clenched jaw, indicating suppressed anger or tension.
Narrowed Eyes: Highlight how their eyes narrow, showing suspicion, irritation, or anger.
Raised Upper Lip: Note the slight curl of the lip, suggesting disdain or contempt.
Flared Nostrils: Describe how their nostrils flare, indicating heightened emotions like anger or aggression.
Crossed Arms: Show their defensive stance, portraying resistance or defiance.
Pointing Finger: Describe them pointing accusatively, conveying aggression or assertion.
Fist Clenching: Mention their clenched fists, symbolizing anger or readiness for confrontation.
Hand Gestures: Detail specific hand movements like chopping motions, indicating frustration or emphasis.
Aggressive Posturing: Describe them leaning forward, invading personal space to intimidate or assert dominance.
Tense Shoulders: Highlight their raised or tense shoulders, indicating stress or readiness for conflict.
Upright Stance: Describe their rigid posture, showing control or a desire to appear strong.
Stiff Movements: Mention their jerky or abrupt movements, reflecting agitation or impatience.
Intense Stares: Describe their intense or prolonged gaze, signaling confrontation or challenge.
Avoiding Eye Contact: Note how they avoid eye contact, suggesting discomfort or a desire to disengage.
Glaring: Mention how they glare at others, conveying hostility or disapproval.
Raised or strained tone with variations in pitch reflects heightened emotions.
Short, clipped sentences or abrupt pauses convey controlled anger.
Use of profanity or harsh language intensifies verbal expressions of anger.
Volume increase, from whispers to shouts, mirrors escalating anger levels.
Monotonous or sarcastic tone adds layers to angry dialogue.
Interruptions or talking over others signify impatience and frustration.
Aggressive verbal cues like "I can't believe..." or "How dare you..." express anger explicitly.
Physical Reactions: Detail physical responses like increased heart rate, sweating, or trembling, showing emotional arousal.
Defensive Maneuvers: Describe how they react defensively if someone tries to touch or talk to them, such as stepping back or raising a hand to ward off contact.
Aggressive Handling: Show them slamming objects, throwing things, or gripping items tightly, reflecting anger or aggression.
Use of Props: Mention how they use objects to emphasize their emotions, like slamming a door or clenching a pen.
Verbs:
Roared with fury, expressing unbridled anger.
Snapped in frustration, indicating sudden irritation.
Shouted angrily, releasing pent-up emotions.
Glared fiercely, showing intense displeasure.
Slammed objects in rage, symbolizing anger's physical manifestation.
Grunted in annoyance, displaying impatience.
Raged vehemently, portraying uncontrolled anger.
Adjectives:
Furious and incensed, conveying intense anger.
Seething with rage, bubbling beneath the surface.
Livid and fuming, exhibiting visible anger.
Agitated and irritated, showing growing impatience.
Enraged and wrathful, expressing extreme anger.
Vexed and irate, indicating annoyance.
Infuriated and incandescent, highlighting explosive anger.
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!
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may or may not be based on my life lmaooo | tag me if you use any :)
"You never text first."
"Don't you wanna be something more than whatever...this is?"
"When are you going to be serious about this?"
"You say you want to talk to me, but you never call back."
"It feels like I'm the only one fighting for whatever we have."
"Why should I hold onto this?"
"You say you love me, but you said that to [insert pronoun] last week."
"Figure out what you want first before you come running back to me."
"You can't just come back to me whenever you get bored."
"I don't wanna be the second option anymore."
"Why do I have to beg just to see you?"
"It's like you don't wanna be with me."
"I'm not just something to pass the time with."
"Why does it feel like I'm wasting my time waiting for you?"
also if anyone treats you like this leave them right fucking now (a kind suggestion from someone who means well 😭)
Over the years I’ve created some twitter threads on writing and history and I’ve decided it’s a good time to start compiling and sharing them on this Tumblr. I’m going to tag them “writing”.
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Here’s what I’ve learned about writing subplot romance. (People who write genre romance probably already know this stuff. It’s those of us who are mainly leavening romantic subplots into fantasy novels that need this info).
1. Romance = fundamentally character-driven. All internal conflict & internal growth. (Can these two trust each other? Will their character flaws drive them apart?) The more study you put into creating characters and building character arcs, the better your romantic writing.
A romance arc is not the SAME as a character arc, but it 100% NEEDS solid character work undergirding it.
2. Romance needs two ingredients: a compelling reason for the characters to be TOGETHER, & a compelling reason for them to be APART. This forms the conflict in the romance so do not skimp on either.
Eg, a common mistake in male-penned stories: female lead has no compelling reason to want male lead. “He’s a good-looking warrior dedicated to winning her throne!” Yeah nah, she’s literally surrounded by good-looking warriors dedicated to winning her throne, why’s he different?
3. Romance needs chemistry = a believable spark of attraction. Something that blew my mind when I realised it: romantic chemistry =/= sexual chemistry. Sexual chemistry (purely physical attraction) is simply PART of romantic chemistry.
Romantic chemistry is a good deal broader. (Read/watch some good romances to see how chemistry is built by different storytellers. One fave of mine is the Romola Garai EMMA. Peerless friends-to-lovers chemistry. Watch the actors’ body language; the way they gravitate to each other; the way their faces light up)
Chemistry tip A: if the driver behind sexual chemistry is lust, the driver behind romantic chemistry is trust. Protag needs/wants someone to trust. It’s the way you play with trust/distrust that will create romantic tension.
eg: love interest holds protag’s hand. With sexual chemistry, protag simply feels a jolt at the contact. With romantic chemistry, protag feels comforted and trustful - then betrayed when it turns out LI is tracking her pulse to see if she’s lying to him (see: MISS SHARP 😇)
Chemistry tip B: if protag is falling for someone, that person should occupy their mind. LI should be mentioned/thought of each scene, even when absent. When present: LI consistently provokes unaccustomed emotion - either positive or negative, depending.
Chemistry tip C: make the characters their best/most lovable/most iconic selves when with each other. Quirkiness, smarts, hilarity. Make these the most fun character scenes in the book & the audience will ship them. Passionately.
4. Build romantic chemistry/attraction through escalating moments of trust and tension. If aiming for happily-ever-after(HEA)/for-now(HFN), then the overall arc is towards greater trust, but you need those moments of tension to give the big payoff scenes appropriate catharsis.
OTOH, if you’re writing a tragic/backstabby romance, you need the trust/comfort moments in order to sell the big tragedy/betrayal.
5. Trust, comfort, & happiness are POWERFUL. This is what genre romance thrives upon. Even in dark/spiky stories, the most surprising thing in the story can be the moment when the LI DOESN’T betray the protag. That too can be wildly cathartic. Use it.
6. Just as character-driven skills help you with romance, so if you master romantic writing, you’ll be better able to write ALL types of relationship - platonic, friendly, hostile.
OK that’s all so far. Two book recs: ROMANCING THE BEAT by Gwen Hayes & THE HEROINE’S JOURNEY by Gail Carriger teach you the rules/expectations of genre romance so you’ll know what the rules are for a happy romance subplot & how to break them for a tragic version.
call me by your name and I'll call you by mine