George is so sweet to put so much effort into helping Ringo write his song and to not ask for any kind of writing credit. Do unto others as you would have them do unto you, right? But also, I’d do that for Ringo too if I were him. Ringo deserves it for everything he’s given to that band and the little credit he’s received.
“What am I playing, Richie?” “You’ll be on drooms.” If the Beatles know how to do one thing, it’s be cute.
John, stop talking about Paul’s strong arms, you're embarrassing yourself.
I do have to just include this here. From my Get Back book. I never heard, “was it sexually oriented?” on the nagra reels, but apparently that’s what Peter Jackson’s cleaned-up version gave him, and again, he was like, “hmm. Too gay.”
He’s known Heather for how long? Less than a year, right? But if somebody had showed me just this footage and told me he’d raised her from a newborn, I would not blink an eye. That kind of tired but fond interaction is exactly how a dad plays with his kid. And she’s climbing all over him and bossing him around like he’s never not been in her life. It’s beautiful.
And John, with his “are you going to eat them?” is the perfect sort of bad-example favorite uncle. The kind that would check her out of school when she’s older and go get her ears pierced when her dad had said she was too young.
Sorry, I promise I’m not just going to be thirsting over dad Paul this whole time. I have to just make one thing clear, and this is the only thing I’ll say on the subject and then I’m done. If a man is a 3 and a good dad, he’s a 10. Paul was already an 11, so I’m literally just done-for. Okay, I’ll shut up.
John and Paul doing their usual thing, only paying attention to each other. Talking about an Elvis gospel ending for Let it Be. George, smirking, stands up: and we’ll all kneel as you do it. If John had said it, Paul would be in stitches. But George said it, and he might as well have never opened his mouth for all the notice he gets. And it’s honestly heartbreaking, if you can take your eyes off of the insanity of John and Paul’s weird eye-contact, to watch George’s face go from excited at his own wit and hopeful for a laugh to just completely downcast. Twelve years of that. Twelve years.
Ringo, you’re an absolute saint. He’s being so sweet to Heather, even letting her mess with his symbols, and then Paul has the audacity to tell him to “keep it lighter.” Like. Paul. Do you think that maybe the fact that he’s got a five-year-old over there “helping” him might have anything to do with how the drums are coming out? Just a thought. Anyone else would at least have something to say about it. Ringo just sort of nods along but he looks SO tired.
TFW you’re inspiring the next generation of women to be loud and free and take up space.
“Dig it” is actually insane to me. I know I’m crazy, but remember those twin dreams they had about buried treasure when they first met? “If you want it, you can dig it up.” ???
When George and Paul just jump into harmonizing together when they’re talking about The Long and Winding Road arrangement? Their voices are like magic together. I wish they would’ve had George sing that part in the final thing, actually.
"On the subject of coloured landscapes, I was the last in the group to take LSD. John and George had urged me to do it so that I could be on the same level as them. I was very reluctant because I'm actually quite straitlaced, and I'd heard that if you took LSD you would never be the same again. I wasn't sure I wanted that. I wasn't sure that was such a terrific idea. So I was very resistant. In the end I did give in and take LSD one night with John. I was pretty lucky on the LSD front, in that it didn't screw things up too badly. There was a scary element to it, of course. The really scary element was that when you wanted it to stop, it wouldn't. You'd say, 'Okay, that's enough, party's over,' and it would say, 'No it isn't.' So you would have to go to bed seeing things." - Paul McCartney, The Lyrics, 2021
Hold up ,,, Mal called Paul his love in his diaries?
Yes. In his autobiography. He also analyzed their relationship in his diaries. For some context, here's a longer passage from Ken Womack's book, Living the Beatles Legend (Chapter 31).
As January 1970 came to close, Mal began drifting into an emotional slide that had been developing over the past several years. "Seem to be losing Paul," he wrote on January 27. "Really got a stick from him today. He let me down," and ominously added "Fixing a hole," "Pepper," and "directorship" to a growing list of disappointments. Apparently, the conversation had turned yet again to the issue of Mal's servile role in Paul's life, with the roadie believing that the association was bounded by friendship and love. "A servant serves," Mal wrote, "but he who serves is not always a servant," he added, echoing John's philosophy from December 1968. "Love is as sharp and piercing as a sword, "Mal reasoned, "but as the sword edge dulls — you sharpen it. So love's keenness needs honing — needs honesty." *
[...]
On February 11, Mal joined John and Yoko for a lip-synched performance of "Instant Karma!" on Top of the Pops, with the roadie, clad in beige suit and a light-green tie, playing the tambourine. By this juncture, Mal's long-standing relationship with Paul was in freefall. A few days earlier, he have been awakened by a 1 p.m. telephone call from the Beatle. It went "something like this," he wrote in his diary:
Mal: yeah? Paul: I've got time at EMI over the weekend. Would like you to pick up some gear from the house. Mal: Great, man. That's lovely. Session at EMI?! Paul: Yes, but I don't want anyone there to make me tea. I have the family – wife and kids there. Mal: [thinking to himself] Goes my poor head, "Why????" **
By the next week, Mal found himself behind the wheel of the Apple van, moving Paul's gear from EMI Studios to Morgan Studios, another Northwest London facility where Paul could work incognito. At one point, Neil cornered Mal about Paul's surreptitious recording sessions, demanding to know more. "Where's Paul?" he asked, to which Mal tersely replied, "Not telling you."
In other instances, Mal ordered a Mellotron for Paul, while keeping him fully stocked with plectrums and other gear. In late February, Paul asked Mal to move everything back to EMI, where he was set to record "Maybe I'm Amazed" in Studio 2. For Mal, everything came to a head at 7 Cavendish Ave., when "my long love, Paul, to whom I have devoted so many years of loyalty, turned around to me and said, I don't need you anymore, Mal." *** *, ** : Evans, "Diaries." [1963—1974.] 10 vols. Malcolm Frederick Evans Archives. Entries from Jan 27 & Feb 5, 1970.
***: Evans, Mal, 'Living the Beatles Legend: Or 200 Miles to Go.' Unpublished MS, 1976. Malcolm Frederick Evans Archives.
Spain July 1965
Marvel Super Special #4: The Beatles Story Part TWO by George Perez and Klaus Janson
there’s a lot of bullshit lennon/mccartney quotes out there, misattributed by biases in biographers or straight-up fabrications. but there’s also “if i was a girl”. there’s also “if he had been a woman”. there’s also “is this a self-portrait?” there’s “in bed.” there’s “maybe that would’ve satisfied it”. there’s “nothing to worry about”, and “life begins at 40”, and “it’s only me.” there’s “the emperor of eternity”. “he chose me.” “i’m still in love with you”. there’s “i can always deny that it was ever written about him.” so who cares
I did a little concert for somebody in Hollywood. Paul McCartney was there. I've never met him before, but I'm a fucking fan of The Beatles. I'm in the back smoking, and they're like, "Sir Paul would like to meet you." I'm like, "For real? Hold on," and I put that blunt out. Cuh walk in the room like, "Don't put that down."
Snoop Dogg on meeting Paul McCartney
Hold up ,,, Mal called Paul his love in his diaries?
Yes. In his autobiography. He also analyzed their relationship in his diaries. For some context, here's a longer passage from Ken Womack's book, Living the Beatles Legend (Chapter 31).
As January 1970 came to close, Mal began drifting into an emotional slide that had been developing over the past several years. "Seem to be losing Paul," he wrote on January 27. "Really got a stick from him today. He let me down," and ominously added "Fixing a hole," "Pepper," and "directorship" to a growing list of disappointments. Apparently, the conversation had turned yet again to the issue of Mal's servile role in Paul's life, with the roadie believing that the association was bounded by friendship and love. "A servant serves," Mal wrote, "but he who serves is not always a servant," he added, echoing John's philosophy from December 1968. "Love is as sharp and piercing as a sword, "Mal reasoned, "but as the sword edge dulls — you sharpen it. So love's keenness needs honing — needs honesty." *
[...]
On February 11, Mal joined John and Yoko for a lip-synched performance of "Instant Karma!" on Top of the Pops, with the roadie, clad in beige suit and a light-green tie, playing the tambourine. By this juncture, Mal's long-standing relationship with Paul was in freefall. A few days earlier, he have been awakened by a 1 p.m. telephone call from the Beatle. It went "something like this," he wrote in his diary:
Mal: yeah? Paul: I've got time at EMI over the weekend. Would like you to pick up some gear from the house. Mal: Great, man. That's lovely. Session at EMI?! Paul: Yes, but I don't want anyone there to make me tea. I have the family – wife and kids there. Mal: [thinking to himself] Goes my poor head, "Why????" **
By the next week, Mal found himself behind the wheel of the Apple van, moving Paul's gear from EMI Studios to Morgan Studios, another Northwest London facility where Paul could work incognito. At one point, Neil cornered Mal about Paul's surreptitious recording sessions, demanding to know more. "Where's Paul?" he asked, to which Mal tersely replied, "Not telling you."
In other instances, Mal ordered a Mellotron for Paul, while keeping him fully stocked with plectrums and other gear. In late February, Paul asked Mal to move everything back to EMI, where he was set to record "Maybe I'm Amazed" in Studio 2. For Mal, everything came to a head at 7 Cavendish Ave., when "my long love, Paul, to whom I have devoted so many years of loyalty, turned around to me and said, I don't need you anymore, Mal." *** *, ** : Evans, "Diaries." [1963—1974.] 10 vols. Malcolm Frederick Evans Archives. Entries from Jan 27 & Feb 5, 1970.
***: Evans, Mal, 'Living the Beatles Legend: Or 200 Miles to Go.' Unpublished MS, 1976. Malcolm Frederick Evans Archives.