Classicstober day 31: Hecate💫🔮🗡️🌛
St. Michael and the dragon
While this took me a whole lot of time to finish, I am very pleased with the end result, both compositionally and in regard to the colour scheme.
The idea for the ornate, white armour in particular came from an illustration of St. Michael in the book of hours of Henry IV of France, which looks like this:
Also, fun-fact: my hometown celebrates an annual little festival, which as its centre piece features a moving mechanical figure of St. Michael slaying the devil, the colour-scheme of which I also referenced for this painting.
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Close-ups:
Satan as the Fallen Angel
Painted by Sir Thomas Lawrence (1769-1830) in red, white, and black chalk, this creation of phenomenal artistic mastery is a part of a larger group of art pieces. The full collection consists of six different paintings depicting scenes and characters from Milton's Paradise Lost. One is currently at the Royal Academy of Arts, one at Louvre, one in Private Collection, and two are lost.
Satan in this depiction stands in his full humanised glory - imagery typical of the late 18th century Romanticism when the fallen angel lost his beastly, animalistic appearance in art. His features here remind one more of David or Apollo Belvedere in his majestic, heavenly beauty caught right before the fall.
Linked in arms, dance with me. Wine was spilt, not for three. More for two, two linked in hand. Hand-in-hand, watch them go. Laughter like grapes, complex like vines. They dance to their own design. Around the fire, through the woods. Calm mundane moments, love not misunderstood. Hand-in-hand, linked in embrace.
{ for Dionysus and Ariadne }
PARMIGIANINO Diana and Actaeon (Details) 1523-24 Fresco Rocca Sanvitale, Fontanellato