I'm Pretty Sure I Forgot To Mention It Elsewhere, But Veric And The Noor Family As Well Are Intended

witcher: the last wish starters

❝ oh, what’s the point of explaining? you wouldn’t understand anyway. ❞ ❝ don’t grin like an idiot. there’s nothing funny about it. ❞ ❝ you’re losing your reflexes. ❞ ❝ they say the wisdom of ages is to be found in fairy tales. ❞ ❝ this sword can always be drawn again, faster than you can imagine. ❞ ❝ if i’m to choose between one evil and another, then i prefer not to choose at all. ❞ ❝ i don’t have anywhere else to run. i don’t know where i could hide. ❞ ❝ i’ll fill your evenings with tales of ever more astounding events from the past few years. ❞ ❝ i killed to avoid being killed myself. ❞ ❝ the world is changing. something’s coming to an end. ❞ ❝ are you really not frightened of me? ❞ ❝ talking and regretting won’t get you anywhere. ❞ ❝ don’t come back. never come back. ❞ ❝ how much of the rumours about you are true? ❞ ❝ people like to invent monsters and monstrosities. then they seem less monstrous themselves. ❞ ❝ it’s got nothing to do with you and that’s that. ❞ ❝ you need more than words to frighten me. ❞ ❝ what’s going on here? can’t i leave you alone for a minute? ❞ ❝ there’s something not quite right with you. i can sense that. ❞ ❝ am i supposed to give you advice and teach you how to live? am i your mother or something? ❞ ❝ evil is evil. lesser, greater, middling, it’s all the same. ❞ ❝ i’m not surrounded by any vortex or fate. ❞ ❝ i was beginning to worry. you didn’t regain consciousness for so long. ❞ ❝ the forest isn’t the safest of places at night. ugly things are heard and seen. ❞ ❝ there’s a grain of truth in every fairy tale. ❞ ❝ yes, i deceived you. i’ll deceive anyone if i have to, why should you be special? ❞ ❝ you’ve made your choice. are you sure it’s the right one? ❞ ❝ for some time now i’ve had hideous dreams. ❞ ❝ virtue is rarer today than a rock dragon. ❞ ❝ i haven’t got anything sharp on me. have a look for yourself. ❞ ❝ the day will come when people will learn, and get the better of you. ❞ ❝ it would be great if the cruelty of rulers could be explained away by mutations or curses. ❞ ❝ and to think that there are people who don’t believe in destiny. ❞ ❝ if you think i feel sorry for them, then you’re wrong. ❞ ❝ you’re talking nonsense while making wise and meaningful faces. ❞ ❝ i’ll confide in you, if you like. ❞ ❝ look at you — ethics, codes of practice, morality. who are you to talk? ❞ ❝ now, that, should really be of damn little concern to you. ❞ ❝ you look as if you are already a corpse. ❞ ❝ there’s no shame in fear. ❞ ❝ what do you desire? immortality? riches? fame? power? ❞ ❝ you underestimate my strength. ❞ ❝ do you want to burden your conscience with blood and death? ❞ ❝ now it’s as quiet as a grave. ❞ ❝ i know that, deep down, you like me. ❞ ❝ don’t leave yet. stay. a few more days. ❞ ❝ don’t do unto others what you would not have them do to you. ❞ ❝ i know my fate whirls about me like water. it’s hard on my heels, following my tracks. ❞ ❝ i’d prefer you not to make any sudden movements. ❞ ❝ help me up, please. ❞ ❝ i’ve never run away from anyone and i’m not about to change my ways. ❞ ❝ it’s my problem. my life and my punishment. ❞ ❝ the fact that you’ve arrived here exactly at this time can’t be a coincidence. it’s fate. ❞ ❝ slaughter and bloodshed can be avoided. ❞ ❝ you’ve got the devil in your eyes too. ❞ ❝ nobody’s ever called me that. say it again. ❞ ❝ humanity. that’s what you want. that’s what you dream of. ❞ ❝ what’s it to you what happens to me? ❞ ❝ you do realise that a sword alone will not defeat destiny? ❞ ❝ no, nothing’s wrong. i’m fine. quite fine. ❞ ❝ stories, well, i’ve heard them too. half are either made up or exaggerated. ❞ ❝ i could go where you’re going. i could keep you company. ❞ ❝ mistakes? of course i’ve made them. ❞ ❝ enough of this, we should go. it’s already dusk. ❞ ❝ maybe it’s customary, wherever you come from, to threaten people with swords? ❞ ❝ if it goes badly, i will defend my life. ❞ ❝ go on, thrust the sword into me. ❞ ❝ has loneliness got the better of you after all? ❞ ❝ everything can be dealt with. it’s only a question of price. ❞ ❝ you know my principle: duty then pleasure. ❞ ❝ i’ve never killed people for money, regardless whether it’s for a good or bad cause. and i never will. ❞ ❝ love and blood. they both possess a mighty power. ❞ ❝ i’ve got some medicine. we both need it. ❞ ❝ you’re embittered, hungry for revenge and conscious of your own powerlessness. ❞ ❝ what’s happening to you? i don’t recognise you. ❞ ❝ do you take me for a fool? ❞ ❝ i always get what i want. ❞ ❝ i manage because i have to. because i’ve no other way out. ❞ ❝ you can’t stand in the way of my happiness. ❞ ❝ to hell with destiny, oaths and irony. ❞ ❝ they hunted me like a wild animal as long as they could. until i became the hunter. ❞ ❝ i understand your hesitation, but i need an answer now. ❞ ❝ there are offers you can’t refuse, that the consequences are so terrible, and this is one of them. ❞ ❝ true evil is something you can barely imagine, even if you believe nothing can still surprise you. ❞ ❝ i’ve seen too much to laugh at things like that. ❞ ❝ maybe i’ve not had enough to drink. ❞ ❝ you may kiss my hand. ❞ ❝ don’t pull that face. it doesn’t suit either your good looks or your complexion. ❞ ❝ if i want something, i don’t dream of it. i act. ❞ ❝ are you in pain? what’s the matter? ❞ ❝ i prefer to look after others. it turns out better in the long run. ❞ ❝ you haven’t got enough strength left. ❞ ❝ bravery isn’t going to be of much use to you. ❞ ❝ it doesn’t rhyme. all decent predictions rhyme. ❞ ❝ listen. you’re starting to get on my nerves. ❞ ❝ don’t do this. i want to help you. ❞ ❝ you’re a very interesting dinner companion. ❞ ❝ i’ll avoid that place like the plague. i’ll never go back there. ❞ ❝ you’ll soon see what i’m capable of. ❞ ❝ i do like you, although i don’t know why myself. ❞ ❝ it’s got nothing to do with me. i’m just asking out of curiosity. ❞ ❝ have you never heard of a sense of responsibility and plain honesty? ❞ ❝ you’re going there because you have to, aren’t you? ❞ ❝ we are what we are, you and i. ❞ ❝ did you see…did you see that? ❞

Veric’s situational husband might be making an appearance on tumblr and if he does Veric is gonna become the most annoying motherfucker in the world

as always feel free to change pronouns/alter to fit etc!

“ i’m not running away from things, i am running to them, before they flare and fade forever. ”

“ you are seared onto my heart. ”

“ i’m running to you, before you fade from me. ”

“ that’s the trouble with hope. it’s hard to resist. ”

“ never be cruel, never be cowardly. ”

“ wait, he’s your arch-enemy now? i’ll scratch his eye out. ”

“ we’re all stories in the end. ”

“ don’t play games with me. don’t ever, ever think you’re capable of that. ”

“ who said you’re not important? ”

“ all of time and space, i’ve never met anyone who wasn’t important before. ”

“ everybody is important to somebody, somewhere. ”

“ hold tight and pretend it’s a plan. ”

“ the way i see it, every life is a pile of good things and bad things. the good things don’t always soften the bad things, but vice versa, the bad things don’t always spoil the good things and make them unimportant. ”

“ have the guts to do what’s right, even when everyone else just runs away. ”

“ some people live more in twenty years than others do in eighty. it’s not the time that matters, it’s the person. ”

“ you know the thing you need most of all? you need a hand to hold. ”

“ good men don’t need rules. today is not a good day to find out why i have so many. ”

“ one may tolerate a world of demons for the sake of an angel. ”

“ if we’re going to die, let’s die looking like a peruvian folk band. ”

“ it isn’t rocket science, it’s just quantum physics. ”

“ courage isn’t just a matter of not being frightened, you know. it’s being afraid and doing what you have to do anyway. ”

“ there’s something that doesn’t make sense… let’s go and poke it with a stick. ”

Tentative thoughts of a low-activity canon muse... one I actually haven’t ever written before 🤔

As someone who had my art taken for graphics and icons back in the ye olde days of Soul Eater, people who use the works of artists without obtaining permission will go to a special kind of hell

@therelentless​ : “ i wouldn’t do that if i were you. ” | x

          𝐓𝚮𝚬𝐑𝚬 𝐖𝚬𝐑𝚬 𝐅𝚬𝐖 𝐓𝚮𝚰𝚴𝐆𝐒 𝐓𝚮𝚨𝐓 could give Veric deliberate pause, but he faltered then—not because he had been caught in the act, per se, but because he explicitly hadn’t been doing anything to warrant such a warning, not that he was aware of, at least.

          ( Except, perhaps, the trespassing part. )

          “𝐖𝐡𝐚𝐭 𝐝𝐢𝐝 𝐲𝛐𝐮 𝐭𝐡𝐢𝐧𝐤 𝐭𝐡𝐚𝐭 𝚰 𝐰𝐚𝐬–” No... no, actually, he clearly didn’t want to know. Uncertain eyes flickered back to the previous subject of his attention, lips twisting in disdain. It was a true internal conflict, debating if he was possessed of the mental fortitude to dare ask but his curiosity, it seemed, won over any hesitation. Under his breath, eyes drifting back to the man in question, “𝐚𝐫𝐞 𝐲𝛐𝐮 𝐠𝛐𝐢𝐧𝐠 𝐭𝛐 𝐞𝐱𝐩𝐥𝐚𝐢𝐧 𝐰𝐡𝐲 𝐭𝐡𝐞𝐫𝐞 𝐚𝐫𝐞... 𝐭𝛐𝐩𝐢𝐚𝐫𝐲 𝐫𝐞𝐧𝐝𝐢𝐭𝐢𝛐𝐧𝐬 𝛐𝐟 𝐚 𝐰𝛐𝐦𝐚𝐧'𝐬 𝐚𝐧𝐚𝐭𝛐𝐦𝐲? 𝐉𝐮𝐬𝐭, 𝐡𝐞𝐫𝐞, 𝐢𝐧 𝐭𝐡𝐢𝐬 𝐲𝐚𝐫𝐝? 𝚨𝐫𝐞 𝐭𝐡𝐞𝐲 𝐧𝛐𝐫𝐦𝐚𝐥𝐥𝐲 𝐡𝐞𝐫𝐞?”

The Flight Into Egypt- Adam Elsheimer; 1609

Since I’m thinking about it—a little more on Veric’s prostheses.

Normally, when he’s back home in his atelier or, recently, tutoring only his most recent apprentice, he’ll use his wheelchair instead of his prosthetics, which is... just a practical thing, really, because the workshop is already equipped with a lift operated by arcana machina, so he just needs something really basic but sturdy that will get him around the place when he’s low-energy and doesn’t have to expend a bunch of effort to maintain it. There are maybe a handful of people who’ve even seen the wheelchair or know that he uses it, and that list includes his current apprentice Iseult, his old Army Mage™ friends Vallareo and Isonandra, and his field-of-study peer/rival Elian.

Outside of that, though, even though they’re pretty much always concealed by his clothes when he wears them, his prosthetics are well known and even something of a legend because of the circumstances surrounding them. A lot of the mages that fought in the war have stories that were spread around in the aftermath, and Veric’s in particular is about the rough-hewn legs of diamond he made for himself in a desperate attempt to fight beside his friends, which... is more accurate than he’ll acknowledge, admittedly. Before then, arcana machina that served as prosthetics only tended to work as short-term replacements for smaller limbs like fingers and such, just because it was difficult to find reliable and sturdy materials that possessed types of arcane power that easily mesh with the natural power of a human body, meaning that the cost of even cheaper materials meant it usually wasn’t worth bothering at all if they couldn’t reliably work long-term. What Veric did was nothing short of a miracle, but after the war he had plenty of time to actually refine the prosthetics into something more resembling actual limbs in both shape and operation, outside of the colors and runes and the like, and though it’s still not a widespread use of machina, the incident did contribute to legitimizing machina prosthetics as a concept. Appearance-wise, they actually have a quite elegant form, lined with shallow veins and runes inlaid with aquamarine and hemimorphite, white and light blue stonework that glows faintly in darker atmospheres.

He usually tends to wear or at least carry shoes with him so that he doesn’t damage “finer” floors like tile and whatnot, but if he’s traveling out in the wilds? He will quite literally go barefoot. Black diamond is a powerful and now somewhat rare resource in arcane science and here he is literally trampling prosthetics made of the stuff through the dirt and mud because it’s convenient and he can do what he want.

𝐒𝐄𝐓𝐓𝐋𝐈𝐍𝐆 𝐃𝐔𝐒𝐓 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

basically i was looking over the protective prompts and the hero prompts and it hit me that like. the unbridled angst and vibes of the whole “post-battle” scene, or a scene set after an attack or a disaster or smth, needs to be ADDRESSED!!! and so y’all get the full weight of my angst today, sprinkled with a lot of teamwork and selfless and sacrificing vibes. i hope you enjoy! do NOT add further contributions to this list!!! i will curse your potato crops!!!

DIALOGUE PROMPTS.

“ can you hear me? hey… [NAME], can you hear my voice? “

“ come on… wake up. please… please wake up… “

“ oh! oh, thank god! i thought we lost you… “

“ hey, hey… look at me, okay? you gotta get up now. you think you might be able to walk? ‘cause they sent for back-up, and if they find us… we cannot let them find us. understand? “

“ go, go! save yourself! i’ll buy you some time! “

“ we both know i’m not walking out of this one. it’s okay, alright? it’s okay… just… do me a favor, will you? will you make them pay for this? i don’t care how. but… don’t let them get away with it. “

“ hey, how badly are you hurt? can you move? you think you can walk? “

“ if you can’t walk, i’m gonna have to carry you, alright? we can’t stay here. “

“ hey, look at me. i’m slowing you down, we both know it. it’s okay. i’ll hide and wait for back-up; you get yourself out of here. “

“ you’re gonna need to climb up on my back, you’re slowing us down with that injury. “

“ will you quit talking like that?! i’m not leaving you behind! “

“ what the hell are you doing here?! i told you to get out of here! “

“ you’re shivering… hey. hey, listen to me, okay? everything’s gonna be alright, i promise. here… take my jacket. don’t worry, i’m warm-blooded. “

“ i’ll get blood on your shirt… “

“ hey, don’t you dare close your eyes, you hear me? you die in my arms, and i’m gonna stick the dry-cleaning bill for this shirt in your coffin, that’s a promise! “

“ i know we almost died just now, but… am i the only one who’s hungry? “

“ we need to get you to a hospital… “

“ hey, come on now… you’re okay. you’re good, right? “

“ i must be hurt pretty bad if you’re being this nice to me. “

“ quit playing the martyr. we’re not leaving you behind. “

“ you know, i hate to be the negative voice, but… did… did we just lose? “

“ look at me… i’m not gonna make it. it’s okay, i’m fine with that. but… you can’t stay here. you’ve got a good long life ahead of you. and you’re smart, too; too smart to wait around here and waste that long life. so you get out of here, and you go live that life. live it for both of us. will you promise me you’ll do that? “

“ back-up isn’t coming. is it? we’re on our own, right? “

“ can’t sleep, huh? it’s okay. it’s probably all that adrenaline and shock; i can’t sleep, either. wanna keep each other company? “

“ i don’t give two shits about the back-up; i’m just happy you’re alive. “

ACTION PROMPTS.

as always, add a “+ REVERSE” to switch the roles!

[ CARRY ]:     having found the receiver in an injured/weak/unconscious state, the sender carries them in their arms to safety.

[ TILT ]:     the sender gently tilts the receiver’s chin up so that they can check to see if they’re okay.

[ PULL ]:     sender takes the fallen receiver’s hands and carefully pulls them up so that they’re standing once more.

[ WAIST ]:     sender, while physically supporting and steadying the receiver, loops an arm around their waist for extra support.

[ BACK ]:     sender crouches down slightly to let the wounded receiver climb on their back, giving them a piggy-back ride to safety afterwards.

[ HAIR ]:     while in the process of checking the receiver for injuries or other signs of harm, the sender gently brushes several strands of hair from their eyes.

[ TEND ]:     sender begins to care for the receiver’s injuries.

[ LEAN ]:     the wounded sender leans against the receiver for physical support.

[ SUPPORT ]:     the sender encourages the wounded receiver to lean against them for physical support.

[ PUSH ]:     the sender gently pushes the receiver back to lie down so they can check them properly for injuries.

[ COAT ]:     sender removes their jacket and drapes it around the shoulders of the trembling receiver.

[ BLANKET ]:     just as they’re all about to go to sleep, the sender covers the receiver with their own blanket.

[ AWAKE ]:     the sender, unable to sleep, gets up to go for a walk, and finds that the receiver is also unable to sleep.

[ TOGETHER ]:     when the receiver awakens, they discover that the sender has been sleeping next to them, arms wrapped around one another for warmth, comfort, protection ( or something more… )

[ BANDAGE ]:     the sender sits down across from the receiver and begins to bandage their wounds.

[ DRAG ]:     unable to leave them behind, the sender drags the wounded receiver out of danger and into a safe hiding place for both of them to wait until help arrives.

[ TOUCH ]:     the sender nudges or touches the receiver to check and see if they’re alright after the attack.

[ CLEAN ]:     the sender gently and carefully begins to bathe the blood/soot/ash/dirt from the receiver’s skin during a moment of calm.

[ PRIORITY ]:     when they arrive at a designated safe place, the sender refuses to be examined or cared for until the receiver is taken care of first.

[ PROMISE ]:     before leaving to get help/food/water/a rescue mission etc, the sender assures and promises the receiver that they’ll return safely, refusing to bring them along or to stay behind.

[ BROKEN ]:     after having promised the receiver that they’d return, it’s learned that the sender died during their mission. how does the receiver respond?

[ TRAPPED ]:     after having promised the receiver that they’d return from a mission, the receiver learns that the sender has been kidnapped or otherwise trapped, requiring a rescue mission to bring them home.

[ RESCUE ]:     the sender and receiver reunite after the sender embarked upon an infamously perilous rescue mission to save the receiver.

[ FOUND ]:     after a massive rescue mission to try and find the missing receiver, the sender is the first to find them just as the efforts are about to be abandoned.

[ HOPE ]:     just as the receiver is about to lose hope in ever finding the sender again, a message or clue of some kind is discovered that essentially guarantees that the sender is still alive, restoring the receiver’s hope once more.

[ CLING ]:     having finally been reunited, the sender pulls the receiver into a tight, overwhelmingly relieved embrace, clinging to them and burying their face in their shoulder. the whole deal. make it EMOTIONAL–

[ TEARS ]:     having finally found the receiver, or having finally been found by the receiver, the sender breaks down in tears of relief, fear, and many other emotions as they officially reunite.

[ SACRIFICE ]:     knowing that the circumstances only allow one of them to survive, the sender sacrifices their life in order to guarantee the receiver’s survival and safety.