You Know, Sexuality Is Fluid. SEX EDUCATION S2 (2020)

Zuko finds out Katara was parentified from the age of eight and was a single mom friend of three until he stumbled into the position of gaang dad friend. So when she visits the Fire Nation Zuko dotes on her, making sure her every need is anticipated and catered to. He even goes as far as - to the horror of his council - kneeling to remove her shoes.

Because of this she earns the nickname Lady Katara among the palace staff which she finds amusing but a little confusing. So one day over tea she asks Iroh why they call her that and he explains:

"They're just practicing."

"Why would you need to practice a nickname?"

"Well my dear, they expect that within a few years Fire will preceed it."

And that's about when Katara chokes on her tea.

I don't think I've seen anybody talk about how absolutely insane The Boiling Rock is from Hakoda's perspective.

Imagine getting captured, and your son tells you that you won't be apart for too long. That's sweet, but obviously your son has no resources to spare for organizing a breakout. You hope that the Avatar can defeat the Fire Lord soon - that's the earliest time you could hope to be rescued.

You get put into a temporary holding facility until the guards can sort out who is who. After a while, they put you on a prisoner transport to the Boiling Rock. Your captors try to intimidate you by telling you that it's the highest security prison in the Fire Nation, probably the whole world. It's far away from the capital.

You arrive at the Boiling Rock. It really is in the middle of a boiling lake. There's only one way in or out, and it's a gondola that takes you above the boiling lake. You meet the warden. They take you to your cell. You settle down to wait for the end of the war.

And 15 minutes later Sokka comes in like "hey dad I'm here I got the prince of the Fire Nation and an Earth Kingdom ninja leader gf ok let's go I'm busting you out"

Remember in New Girl when Winston broke up with his girlfriend and took the cat? Honestly, mood.

Katara, who didn't want to be summarized as a healer in the original series, becomes exactly that in the legend of Korra, in addition to a mother and grandmother... other than that, nothing. Not even a statue of her in the big city ? For what ? Did she really do anything after the war ? Damn Bryke...

“Relax. You will become an adult. You will figure out your career. You will find someone who loves you. You have a whole lifetime; time takes time.”

— Johanna de Silentio

"Pen ruined Eloises reputation" no the fuck she didnt. Eloise faced no consequences for going to see a man of lowerclass unchaperoned (Pen wrote she was seeing political radicals), got a new friend, and was still able to hang out with the debutantes and have her reputation in tact meanwhile Eloise blabbing about polins lessons caused Pen to be shamed and have to write about herself cause everyone was making fun of her

It's not that I think Zuko took lightning for Katara because he loved her, or that she healed him because she loved him, but I do think that it's only after the adrenaline fades that they truly realize what it means to care about someone so much that you do the impossible for them. I think they will always have this between them, this understanding that transcends whatever other relationships they may have, romantic or not. Katara's hands still remember what it felt like to hold Zuko's heartbeat between them, and if everything she touches still carries a bit of that heartbeat, bleeding out from her fingertips, she doesn't show it to anyone, but the firelord somehow knows, somehow always finds her hands, catching her fingertips in his warm ones briefly in passing. And if Zuko is always seeing shadows in the thunderstorm, a torrent of memory in the split second before lightning strikes, he is soothed by the silent eyes of the Water Tribe ambassador, watching him from across a crowded room.

This made me bust out laughing

Know a distraction when you see one.

i think we are all forgetting something when we talk about how toxic patrick, tashi, and art are — or when we decide one is “worse” than the other. they all have moments of seeing right through it, seeing each other’s toxic behavior for what it is, and STILL want and need each other in this possessive, envious, visceral way.

1. in the way beginning, tashi is clearly flirting more with art than patrick, and patrick is visibly annoyed. art sees right through it and even challenges him like “okay, let’s leave”, and has this little smirk on his face because he knows patrick won’t give up on tashi.

2. tashi immediately sees the visible tension and love between art and patrick, and literally orchestrates their first kiss. she sees right through their repression, and even calls herself a “home-wrecker” but still entangles herself with them, especially patrick because he’s clearly the better tennis player at that point and that is tash’s ONLY true love. tennis. that’s what she desires most in him, and patrick knows that. he even calls her out on it in the dorm room scene. but they have this mirroring fire in each other that neither of them can give up, not until patrick breaks the balance and bails — tashi’s injury is literally a metaphor for the balance shattering between all three of them when patrick leaves her.

3. before this, patrick sees right through art trying to break them up, and even admires that quality — maybe even feels smug and flattered because art is jealous and feels left out from both tashi and patrick. patrick has known this all along, we saw it in the “tick-serve” scene, where he even swears to tashi he won’t tell anyone but he still tells art, who is desperate to feel a part of them and patrick wants that, too — even keeps that close intimacy with art that we see in the churro scene (swoon swoon swoon).

4. haven’t you noticed that arts desire to be great is only ever tied up in patrick and tashi? how he needs to beat patrick to win tashis affection, how he needs to win in tennis so that tashi can live through him, how he lives up to his potential in the ending only because tashi and patrick push him to it, in their little fucked up ways? he knows this — he even admits that he’s playing for tashi, that he knows she’s living through him. he even admits he’s playing a fucked up little game with patrick when they’re in the sauna. yet he still does it. again, he knows what’s happening, sees right through them — still does it, still loves them.

5. when tashi calls patrick to come pick her up he knows it’s not just to tell him to throw the match — and despite how she battles him about it, they still have sex in the car, because he already knows. he’s so fully aware of her and her game and he’s so willing to be caught up in it, the same as art.

just some examples of how they all have moments of clarity and agency and yet they still choose to be entangled in one another because they’re all fucked up in their own, individual ways, and they’re all living through each other for their own specific needs. arts is to be seen as worthy, as great, but only through their gaze. tashis is to have the career that was stolen from her. patricks is truly to be in love and in lust with both of them, because we even see that from the beginning that tashis love alone will never satiate him; it has to be arts love, too. that scene in the sauna when he thinks he’s lost it from art is the most sad and fucked up we ever even see patrick. on top of tashi asking him to throw the game — he’s so defensive of arts feelings.

in short this is an actual love triangle (and i would go as far as to see it as a polyship). you can’t erase one without the whole thing unraveling, and you can’t say one character was the “worst” without picking apart the motivations and pointing to the fact that their bad behavior was never a secret or left unchecked.

even at the end, patrick signals to art that he slept with tashi — art knows and they still have that intimate completion at the end, all three of them. art living up to his potential and embracing patrick fully (id argue this could even be a metaphor for embracing his bisexuality), patrick having both tashi and arts affection again, and tashi playing a phenomenal tennis match through her little white boys — in such a visceral, emotional way that she cries out like she did in the beginning and the last frame is her smiling.

in a fucked up way, they all get what they wanted out of each other.