[in the batcave]
Bruce: [checking off names on a clipboard like a middle-school class trip chaperone] …Jason, Kate, and Duke. That’s everyone. [checks the list again] where’s Tim? It’s unusual for him to be late.
Everyone: [looks around in confusion]
Bruce: [sighs] someone call him
Babs: already calling
[tense silence as the phone rings]
Tim: [on speaker phone] yeah?
Bruce: [immediately] we have a meeting scheduled. Where are you?
Dick: [leans forward towards the phone] are you ok?
Tim: [on speaker phone] shit. Look, I don’t think I’ll be able to make it
Bruce: [tiredly] why not?
Tim: [on speakerphone] uhm… it’s kind of hard to explain
Kate: [smirking] are you on a date?
—in another part of town-
Tim: [glancing to his left where Bernard is watching an abandoned storefront through binoculars, waiting for Batman to emerge from the hideout Bernard concluded must be on this street from an algorithm he made up]
Tim: I-
Tim: I’m not really sure
what are ur fave poems of all-time?
hi 💌 here are some:
“Hanging Fire” by Audre Lorde
“Tired” by Langston Hughes
“Having a Coke with You” by Frank O'Hara
“Love After Love” by Derek Walcott
“Mayakovsky” by Frank O'Hara
“i like my body when it is with your” by E. E. Cummings
“New Year's Eve Prayer” by Jeff Buckley
“Rain” by Roberto Bolaño
“Wild Geese” by Mary Oliver
“Spring Torrents” by Sara Teasdale
“Tulips” by Sylvia Plath
“A great Hope fell” by Emily Dickinson
“Poem” by Langston Hughes
“Sometimes I Pretend” by Naomi Shihab Nye
“What Was Once the Largest Shopping Center in Northern Ohio Was Built Where There Had Been a Pond I Used to Visit Every Summer Afternoon” by Mary Oliver
“Summer Morning” by Mary Oliver
“You Are Tired (I Think)” by E. E. Cummings
“Sifter” by Naomi Shihab Nye
“Emergency Management” by Camille Rankine
“Thanksgiving 2006” by Ocean Vuong
“Litany” by Langston Hughes
“Suicide in the Trenches” by Siegfried Sassoon
“I heard a Fly buzz - when I died” by Emily Dickinson
“Warning” by Jenny Joseph
“[i carry your heart with me(i carry it in]” by E. E. Cummings
“Love Sorrow” by Mary Oliver
“Conversations About Home (at the Deportation Centre)” by Warsan Shire
“Litany in Which Certain Things Are Crossed Out” by Richard Siken
“Limited but Fertile Possibilities Are Offered by This Brochure” by Marge Piercy
“The Thing Is” by Ellen Bass
“Mad Girl's Love Song” by Sylvia Plath
“The Century’s Decline” by Wislawa Szymborska
“A Primer For The Small Weird Loves” by Richard Siken
“Unpainted Door” by Louise Glück
“Spring has come back again” by Rainer Maria Rilke
“Homesickness” by Marina Tsvetaeva
“Don't Hesitate” by Mary Oliver
“There's a certain Slant of light” by Emily Dickinson
“Poem for Haruko” by June Jordan
“To Be Human Is to Sing Your Own Song” by Mary Oliver
“Toward a City That Sings” by June Jordan
“Edward the Confessor” by Eileen Myles (under the cut because I couldn't find it online)
Edward the Confessor by Eileen Myles
I have a confession to make I wish there were some role in society I could fulfill I could be a confessor I have a confession to make I have this way when I step into the bakery on 2nd Ave. of wanting to be the only really nice person in the store so the harried sales woman with several toned hair will like me. I do this in all kinds of stores, coffee shops xerox shops, everywhere I go. And invariably I leave my keys, xeroxing, my coffee from the last place I am being so nice. I try so hard to make a great impression on these neutral strangers right down to the perfect warm smile I get entirely lost and stagger back out onto the street, bereft of something major. It’s really leaning too hard on the everyday. My mother was the kind of woman who dragging us into stores always seemed to charm the pants off the cashier. She was such a great person, so human though at home she was such a bitch, I mean really distant. I imitate her and I don’t do it well. She didn’t leave her wallet or us in a store. I’m just a pale imitation it is simply not my style to open the hearts of strangers to my true personhood. I hope you accept this tiny confession of what I am currently going through. And if you are experiencing something of a similar nature tell someone, not me, but tell someone. It’s the new human program to be in. It would be nice for at least these final moments if we could sigh with the relief of being in the same program with all the other humans whispering in school. I can’t quite locate the terror, but I am trying to be my mother or Edward the Confessor smiling down on you with up-praying hands. I am looking down at the tips of my boots as I step across the balcony of the church excited to be allowed to say these things. Outside my church is a relationship. On 11th street this guy and this woman are selling the woman so they can get more dope. All their things are there, rags and loaves of bread and make-up. And there was— this was incredible. Two men lying by the door of the church giving each other blow-jobs. They were sort of street guys, one black one white. I said hey you can’t do that here. They jumped up, one spit come out of his mouth. If you don’t get out of here I’ll call the cops. Don’t call the cops we’ll go, we’ll leave. That was a shock. That was more than I expected to see in a day. Something about seeing the guy spit come out of his mouth. He didn’t have to do that. I guess I scared him. I couldn’t believe my eyes. I was scared too.
👁️🕸️🕷️ jarchivist
You’re welcome.
(ps. ratings and tags are from the authors, so don’t blame me if there isn’t sex in Adult rated fic)
…And A Bottle of Rum by Cynthia (1984)
Adult (NC-17), Established relationship, Bondage
A Change of Season by Charlotte Frost (1988)
All Audiences, Established Relationship
A Light in the Darkness by Debbie C (late 80’s)
Adult (NC-17), Action/Plot
A Matter of Seduction by Sharon Pillsbury (1989)
Adult (NC-17), First Time, Dubious consent
A Place of Red by Dovya Blacque (1987)
Adult (NC-17), First Time
A Private Obsession by CatalenaMara (1987)
Mature content (Teen)
A Shot in the Dark by Dana Austin Marsh (1994)
Adult (NC-17), Established relatioship, Humor
About Time by J S Cavalcante (1993)
Adult (NC-17), First Time
All That We Shall Be by Anna S Greener (2000)
Adult (NC-17), Angst, Established Relationship
All This Time by M E Carter (1999)
Adult (NC-17), First Time
And Our Tomorrows by Cynthia (1994)
Adult (NC-17), Angst, First Time
Babes in the Woods by Dana Austin Marsh (1998)
Adult (NC-17), Action/Plot, Established Relationship
Belial by Mary Kay (1987)
Adult (NC-17), Action/PLot
Beyond Setarcos by GayleF (1978)
Adult (NC-17)
Bitter Glass by Killa (1996)
Mature Content (Teen), Angst, Character Study, Major character death
Brief Encounter by Amanda Warrington (1992)
Adult (NC-17), AU-ish, First Time
By The Book by Dana Austin Marsh (1994)
Adult (NC-17), Established relationship, Humor
Certainties of Being by M E Carter (1995)
Adult (NC-17), First Time
Contemplations by Charlotte Frost (1988)
ADULT (NC-17), Established Relationship
Convalescing by Charlotte Frost (1987)
ADULT (NC-17), Established Relationship, Hurt/Comfort, Hurt!Spock
Cover of Night by Killa (1998)
ADULT (NC-17), Angst, Erotica, First Time, Romance
Cries of the Children by Debbie C (1988)
All audiences, Pre-slash, Action/Plot
Desert Heat by Gayle F (1976)
Adult (NC-17), Angst, First Time
Echoes by Dovya Blacque (1985)
All audiences, First Time
Enterprising Tours by Dana Austin Marsh (1994)
Adult (NC-17), Humor
Fairy Tale Dreams by Dana Austin Marsh (1994)
Adult (NC-17), Pon farr, Humor
From Rags To Riches by Dana Austin Marsh (1998)
All audiences, First Time, Humor
From The Fields by Dovya Blacque (1984)
Adult (NC-17), First Time
Full Circle by Killa (1997) sequel to Turning Point by Killa (1995)
(TP) Adult (NC-17), Angst
(FC) Adilt (NC-17), Angst, Established relationship
Gentleness by Charlotte Frost (1986)
Mature content (Teen), Established relationship
Getting What You Wished For by Dana Austin Marsh (1998)
Adult (NC-17), First Time
Green Eyed Monster by Mary Kay (1987)
Adult (NC-17), First Time
Have Another Good Night! by KS TLan (1980)
Adult (NC-17), First Time, Dubious Consent
He Who Waits by Mara Lyn Cade (1987)
Adult (NC-17), Bottom!Spock, Bondage
Joyboy by Syn Ferguson (1988)
Adult (NC-17), AU, Action/Plot, Angst, Character Study, First Time, Hurt/Comfort, Underage sexuality
Little Sorrows by Dovya Blacque
Adult (NC-17), Angst, First Time
Lotions And Potions, Etc. by Dana Austin Marsh (1996)
Mature content (Teen), Crack, Established relationship, Sex toys
Meat Dreams by J S Cavalcante (1994)
Adult (NC-17), First Time
Memories by Debbie C (1988)
Adult (NC-17), Angst, Major Character Death
Never and Always Lovers: A Ni-Var for Two Apart by Carolyn Spencer (1997)
Poetry, All audiences, Pre-Slash, Character study
Night of the Dragon by Gayle F (1978)
Adult (NC-17), Angst, Established relationship
Nightvisions by Carol A Frisbie, Susan K James (1979)
Adult (NC-17), Angst, First Time
Nothing To Sneeze At by Dana Austin Marsh (1993)
All audiences, Humor
Of Dark Places by Mary Kay (1987)
Adult (NC-17), First Time
Of Peacefulness, Happiness and Forgiveness by Charlotte Frost (1986)
Adult (NC-17), Established relationship
Out of the Big Black (series) by Rae Trail (1999-2004)
Adult (NC-17), Crossover TNG/TOS, Established relationship. Action/Plot
Parted From Me by Dana Austin Marsh (1992)
Adult (NC-17), Major Character death, Action/Plot, Angst, Established Relationship
Permutations by Dana Austin Marsh (1993)
Mature content (Teen), Humor, Established relationship
Portraits by Charlotte Frost (1990)
Adult (NC-17), Action/Plot, Angst, First Time, Hurt/Comfort
Poses (1977) by Leslie Fish sequel to Shelter (1976)by Leslie Fish
(Shelter) Adult (NC-17), Non-con, First Time
(Poses) Adult (NC-17), Angst
Prisoners by KS TLan (1982)
Adult (NC-17), Dubious consent, First Time
Private Moments by Charlotte Frost (1987)
Adult (NC-17), First Time
Proximity Breeds Contretemps by Dana Austin Marsh (1995)
Adult (NC-17), Humor
Re-Emergence by CatalenaMara (1983)
Poetry, All audiences, Character Study, Pre-Slash
Ritual Cleansing by KS TLan (1980)
Adult (NC-17), First Time
Rumour Has It by Dana Austin Marsh (1994)
Adult (NC-17), First Time
Shared Spaces by Dana Austin Marsh (1990)
Adult (NC-17), First Time
Sharing the Risk by Killa (1998)
Adult (NC-17), Angst, First Time
Sharing the Sunlight (Series) by Jenna Sinclair (1991-2005)
Adult (NC-17), First Time, Established relationship, Angst, Humor
Strong Medicine by Killa (1998)
Adult (NC-17), PWP, Established relationship
Surrender by Killa (1997)
Adult (NC_17), Angst, Hurt/Comfort, Bondage, Dominance/submission, Dubious consent, Non-consensual sex
Technical Hitch by KS TLan (late 90’s)
Adult (NC-17), PWP
Tenants of the Heart by Carleen (1992)
Adult (NC-17), Pon Farr, First Time
The Birthday Two-Step by Dana Austin Marsh (1994)
Adult (NC-17), Humor
The Blending of Two by Charlotte Frost (1989)
Adult (NC-17), First Time
The Deep End of Emotion by Dana Austin Marsh (1999)
Adult (NC-17), Pon Farr, First Time
The Diver by Carolyn Spencer (1995)
Adult (NC-17), Angst, Character Study, First Time
The Faces of Love by Charlotte Frost (1988)
All audiences, Angst, Character Study, Established relationship
The Hustler by Courtney Gray (1981)
Adult (NC-17), AU-ish, Prostitution, First Time
The Image of Perfection by Debbie C (1991)
Adult (NC-17), Action/Plot
The Kiss by Amanda Warrington (1994)
Adult (NC-17), Action/Plot, Angst, First Time
The Misunderstanding by Debbie C (1988)
Adult (NC-17), First Time, Action/Plot
The Need For Stars by Carolyn Spencer (1993)
Adult (NC-17), Angst, Established relationship
The Omni by Dana Austin Marsh (1989)
Adult (NC-17), Established relationship
The Only Way by KS TLan (1982)
Adult (NC-17), First Time
The Power of Suggestion by Dana Austin Marsh (1997)
Adult (NC-17), First Time
The Price (1981) by Syn Ferguson prequel to Courts of Honor by Syn Ferguson
(The Price) Adult (NC-17), Action/Plot, Angst, First Time, Hurt/Comfort, Hurt!Spock, Pon Farr, Explicit violence, Rape
(Courts of Honor) Adult (NC-17), Action/Plot, Angst, Established Relationship, Hurt/Comfort
The Tie That Binds by Dana Austin Marsh (1999)
Adult (NC-17), Angst, Established Relationship, Kolinahr, Pon Farr
The Tribble With Troubles by Dana Austin Marsh (1999)
Adult (NC-17), Established relationship, Crack
The Vacation by Rae Trail (1999)
Adult (NC-17), Established relationship
The Vigil by Debbie C (1991)
All audiences, Pre-slash
The Word Withheld by J S Cavalcante (2000)
Adult (NC-17), First Time
Unto Harvest in Fullness of Time by M E Carter (1999)
Mature content (Teen), Established relationship
Vigil by CatalenaMara (1985)
Poetry, All audiences
When the Cat’s Away by Dana Austin Marsh (1994)
Adult (NC-17), Established relationship
(Tell me if the links are’t working)
Is it an anxiety problem if 90% of your “bad feelings” turn out to have merit
The Archivist
Apparently, back in the day, there was a really notorious tie in novel for Star Trek that had a lot of slash elements called Killing Time
The slash elements were requested to be removed by Paramount, and they were, BUT due to a mistake, the original was sent to print without the edits
When it was caught, they’d printed 250k of this “first edition” which subsequently became collectors items for Kirk/Spock fans, since later editions DID include the edits censoring the slash
NOW, I bring this up because my friend who’s into the original Star Trek found and was reading the first edition at the desk at the library we work at, cause we’re slow on weekends and we’re the only ones here. She laughs at it, so I ask and she tells me about the general backstory of the book, and that she laughed because (among other things) Kirk, who doesn’t get mad in the og series really, was being described as hot headed and apparently just getting into fights left and right
So I’m looking over her shoulder at the scene, commenting on the character changes that resemble modern fic-degradation of characterization for the sake of a shipping dynamic, when I realize something
Now, my only interaction with the Star Trek series directly was the 2009 reboot, and my friends hasn’t seen those and is only interested in the originals. As I’m looking at this scene, and my friend is pointing out the character changes to Kirk, I realize that this is the fucking premise of the reboot, down to the fucking alternative timeline shenanigans, the rank swap, and Kirk being a hotheaded fuck up
The 2009 film was literally based on this slash fiction misprint they tried to bury!
Im reeling.
I can’t be the only one who made this connection.
So I google to see if anyone else has, and oh yes, good, there was someone
The fucking author of Killing Time
…I feel like I’ve uncovered a conspiracy. I’ve still got 3 hours left in my shift and I can’t focus. The world must know.
bbc merlin’s political agenda of “i’ll wait for the king to die and fuck his son so good, he’ll have to adopt my politics” was actually so ahead of its time
Anaïs Nin, from a letter to Henry Miller written c. August 1932, featured in A Literate Passion