"It's A Story About Devouring And Love Just Happens To Look Similar"

The first real conversation Katniss has with Peeta is when he tells her that he wants to die as himself, that he doesn't want the games to change him into something he's not, and that he wants to keep his identity and prove he's more than just a piece in their games because that's the only thing he has left to care about.

The first time we see Lucy Gray she sings a song that basically says that nothing they could take from her was worth keeping. "Can't take my past. Can't take my history... You can't take my charm. You can't take my health."

The capitol has taken everything from them both, but at the same time, they could never take away who they are.

They are both likeable charismatic and funny, with the kindest hearts, and incredibly loyal to the people they care about.

At the same time, everything they do before the games, and during is calculated. Lucy Gray singing a love song and winning the hearts of the capitol. Peeta confesses he's in love with his district partner, therefore cementing her identity as desirable. Both of them know how to sway people with words, how to charm people, and how to manipulate crowds. Neither of them has any problem doing so to keep themselves, and the people they love safe.

Lucy Gray's song The Old Therebefore, about learning how to love and live her life to the fullest before death, a final and calculated stroke in a last-ditch effort to save herself from the arena. This evokes enough emotion in the watchers to get them to rise to their feet and plead for her life alongside Snow.

Snow, watching the 74th and preparing for the 75th Hunger Games sees Lucy Gray in Katniss. A young girl, from the 12th district. Unafraid at the reaping. Selling a false love story, manipulating a boy who loves her in order to get out and supporting the revolution with the mockingjay as her symbol.

He threatens her family to get her to sell that she and Peeta are in love, to prevent the revolution, because obviously, she's pretending. He's had experience with a girl just like her before. He has no doubt that she has the acting ability to sell this story because clearly, she manipulated the first Hunger Games in her favor, the same way Lucy Gray manipulated him.

Watching the interviews for the 75th Hunger Games he realizes-

Katniss is just an impulsive girl, in a Mockingjay dress she didn't know about, made by someone who supports the revolution.

Peeta is a boy who has the ability to move people with just his words. He made Katniss desirable, he was the one who sold the love story, and he was the one to make their romance seem real. Katniss only started the revolution because she would rather risk dying with him than live without him. A concept President Snow was completely unfamiliar with. And it is with all these realizations crashing around him Peeta drops the baby bomb. He knows the baby's not real, and so does Snow. But it evokes enough emotion in the watchers to get them to rise to their feet and plead for the lives of the tributes.

Is it Lucy Gray or Peeta?

By the time Snow realizes he's made a mistake, it's too late.

Peeta is still charming and manipulating the capitol. Katniss is in love.

He goes up against a kindhearted boy expecting to beat Sejanus again, only to find out that it's Lucy Gray he's fighting; knowing he will never be able to escape their ghosts.

-from a conversation i had with @grandtyphoonpoetry breaking down every character in the hunger games.

Watching the new Percy Jackson episode, and while by no means is the show perfect, I do love how they updated the blending of Greek mythology and the American Gothic for social commentary.

What I mean is Echidna, the mother of monsters, is some respectable-looking vaguely southern white woman who is able to convince the police on the train that three kids shattered a train window and used those institutions to isolate the kids so she can target them and scare them for the chimera's hunt. The way that the police especially treat Annabeth. Now, as a young black girl, she has to know how to ask if they're getting arrested, and gets called out by the police for her tone.

And then, at the St. Louis Arch, we see Grover upset because of the museum, which is basically a monument to Manifest Destiny (literally, there's a shot where the words are in full display in the background). And while they say, "Grover is upset because he doesn't like it when people hurt animals," they explicitly depict America's colonization and destruction of indigenous communities as The Bad Thing. It adds another layer of flavor for the whole "Pan is missing" - it's not just about Climate Change. It's about the extermination of indigenous groups (the centaurs they saw on the train, the reminder that there used to be more of them until humans started killing them). They say "humans" are bad, but they're showing us Western/American colonizers.

Also, a rare yet interesting moment of conflict between Annabeth as a daughter of Athena and Grover as a Satyr. Annabeth insists that the museum's commodifying and glorifying of American colonization is "not what the arch is actually about, it's about architecture and math," but Athena is the goddess who protects social institutions and a patron goddess of the state, law, order, industry, and war. The Industrial Revolution and Western social institutions definitely contributed to colonialism; just saying. We also see in this episode that Athena can be arrogant and cruel - letting a monster go after her own daughter because she was embarrassed.

Anyway, idk. Maybe I'm overthinking this but these were the things that popped out to me on first watch, and now that I think about them more, I would love a continuation of these kinds of themes and tropes in future seasons, if we get them.

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I don't know how many of you have paid attention to the JJK 0 opening song "Greatest Strength" but if you haven't, you're missing out. The song itself is beautiful and it becomes even more emotional if you think of the song from not just Yuta's but Gojo's perspective and interpretation. In my interpretation of this song, the first half that is slower and more intimate is about Gojo and Geto and the second part where the rock elements kick in is Gojo addressing his students (listen to the song that way, you're never going to unhear it).

But what I really wanna focus on is this line from it:

"Your weakness if your greatest strength"

I think this line is incredibly interesting (read: heartbreaking) when interpreted in Gojo's context. Gojo's weakness, proven beyond a shadow of doubt by the series, is Geto. Well, less of a weakness, more of a vulnerability, but for the man expected to bear the weight of the jujutsu world and the title of The Strongest, those two are virtually the same thing.

So how is Geto both his weakness and his greatest strength? Well, if I were a cornier, less character focused person, I'd say "love is the greatest strength" or some shit like that. But anyone with the least bit of familiarity with Gojo's character knows that that's not something he would say. He's not one for sentiment. That being said, what I think is meant by "greatest strength" is the effect that Geto had on Gojo. Geto was Gojo's only friend. His influence brought out a softer, more humane side of Gojo. It was Geto slipping through the cracks that inspired Gojo to take on the herculean task that is changing the jujutsu society from the ground up by becoming a teacher. Making sure what happened to Geto never repeats with another kid and building a world that is kinder and better than the ones Geto and Gojo had to face becomes Gojo's purpose. And in that way, Geto is both his source of vulnerability and the foundation of his ideals.

But let's take this even further. I mentioned earlier that I think the first part of this song is for Geto and the second for his students? Well, this line falls in a place kind of toward the end of that first part. So I believe "greatest strength" refers to more than just Satoru - it refers to his students. Gojo wants his students to be on par with him, to dismantle the hierarchical notion of power and strength in jujutsu society. And he's kind of succeeding. Not only are they extremely powerful, but they also stand united and understand the problems of the system. They are Gojo's trump cards. To sum it up, he forged the trauma he and Geto (his weakness) went through into a will to affect change, and his students became his greatest strength in that pursuit.

Say what you want about Rick's writing choices but he cooked when he had each pjo book represent a myth and had each character represent a greek hero. I am not ashamed to admit that.

Okay, let's get something straight (or rather, gay). This goes out to all kpop fans.

If I have to see one more comment or tweet talking about how weird/gross it is for fans to discuss an idol's sexuality, or come after other fans for suggesting an idol might be queer, or act all holier-than-thou and talk about how we shouldn't "assume people's sexuality, I am going to fucking scream.

And before you come at me with wild accusations, let me get this out of the way - in no way do I condone the hypersexualization or objectification of idols. Or anyone for that matter. But discussing someone's possible orientation or seeing something that points to queerness isn't inherently sexual or fetishizing and to equate those two things is disgustingly homophobic on levels I cannot even begin to unpack here. Sexualities of all kinds (gay, straight, bi, ace, pan etc) are all celebrations of humanity and while it is up to every individual how public or private they want to be with their identity, it is not wrong to playfully guess or acknowledge signs of queerness (especially when so often there are explicit signs of queercoding!)

I encounter people's internalized homophobia and heteronormativity everyday both online and in person but the level of cognitive dissonance people have about this subject sometimes in the kpop fandoms I'm in is ASTOUNDING. So here I am writing this post to deconstruct some of shit.

First of all, the "oh, we shouldn't assume their sexuality" bullshit. People assume sexuality all the time. Literally, so much of the kpop industry itself is built on performative heterosexuality. We see in this in how commonly idols are asked about their "ideal type" (usually clearly implying the opposite gender). In how the slightest interactions between idols of different genders leads to dating rumors. In how it's assumed, especially for boy groups, that the fandom is mostly women/girls. In how it's normal for fans to pretend they are in a relationship with their bias. Like, be so for fucking real, kpop fan culture is literally where the word DELULU comes from. So it's okay to assume sexuality with all of this, but it's not okay if someone teases or so much as suggests that an idol might not be straight? The only time assuming sexuality is cast as being wrong is when the sexuality in question is anything but heterosexuality. And coming from a queer person, if you have ever said this, disrespectfully, fuck you.

Because in the process of saying shit like that you are essentially insinuating, intentionally or unintentionally, that not being straight is bad or abnormal. Because why else would you treat the suggestion of someone's queerness as an insult? Why would the idea that an idol is not straight be offensive or demeaning?

Even worse, this bullshit, patronizing, hetero-morality complex shuts down any discourse queer kpop fans want to have about queercoding in the industry. And there is a LOT of that. Korea is conservative, coming out isn't the only way to affirm queerness. And not wanting, not being able to be out and proud does not negate someone's possible queerness, idol or not. So queercoding is often an important form of self expression for some idols and to deny that discourse is denying those very idols you claim to be protecting their right to express themselves, their personhood and humanity.

And the cherry on top of the fucking cake is that of all places to do this, KPOP? An entertainment business model that has literally been built on queerbaiting? As much as I enjoy kpop, as a queer fan, this is one of the less than savory aspects of industry I have to be aware of and contend with. And if you find yourself wondering how kpop queerbaits, think about the concept of "fan service" between members of an idol group. Fan service includes all instances of a group encouraged to perform "skinship" or flirt with each other to amuse the fans. Fan service is literally an euphemistic way of referring to queerbaiting and it is unbelievable how people don't even realize it. It's even more frustrating to see some fans having the audacity to brush things off as "fan service" when fans playfully (emphasis on playfully) engage in shipping. They don't even realize how problematic it is that such "fan service" is used for the viewing pleasure of straight fans and baits queer fans but simultaneously denies queer fans their space and voice and shuts down actual queerness in the industry. If you enjoy fan service (and nothing wrong with that by itself), but also demonize shippers or shut down queer fans discussing queercoding, you are part of the problem. Don't come up trying to say you wish the kpop industry would be a little less severe on idols dating or being queer, because you are part of the reason why the industry is the way it is.

To all my fellow queer fans, be absolutely unapologetic for your jokes or memes or ships or thought-provoking discussions on queerness and queercoding. There is no shame in our joy, we are not wrong or twisted for it. Because we know that we would celebrate our idols for who they are or want to be no matter how they choose to express themselves. Do not let people who would twist it into something perverted or bad, as an excuse for their own homophobia, shame you for the innocent joy of celebrating queerness. Do not let yourself be ashamed of it. As long as you are kind and respectful, love what you love and be queer and proud and happy.

Satoru was not one to put much faith behind the unknowable. Maybe there was a God, or some universal power or creator. But did it matter? Humanity is still left to wander through the world fending for themselves, spinning endless cycles of survival and destruction. But he did like to think about multiverses.

It's not that he believed it, okay? It's a scientifically implausible theory. It's just an intriguing hypothesis, that he likes to wonder about sometimes. Because if there were that many worlds out there, then maybe there was one where the only person who ever felt like home didn't leave him.

That Satoru probably had the courage to ask him to stay when he felt him slipping away. That Satoru probably let his heart spill out of his mouth and gave it to him to hold. That Satoru probably knew what it felt like to be held by him. That Satoru probably knew what his lips felt like against his own, what his hair felt like between his fingers, what his love felt like when it wasn't quiet.

That Satoru could never even imagine looking down at the love of his life slumped in an alley, bleeding out, and delivering the final blow. That Satoru wasn't sitting alone on the school steps with every piece of family lost to time.

He hated that Satoru so much. He really did.

(No he didn't.)

Slow down, time is not our friend

I will never be over the absolute irony of how this movie has been treated in the award shows. The golden globes, the critic choice awards...all we need is one more moment from the Oscars and we'll have a perfect trifecta of fuckass blindness.

Like seriously? "I'm Just Ken" was a song quite literally made to be an ironic incel anthem, and they gave that the spotlight? Don't get me wrong, Ryan Gosling gave an excellent performance but even the man himself was baffled.

Like look at his face. That is the look of a man who just realized he is quite literally living the reality of the movie he made and somehow everyone runs face first into the point, and right past it. He wants someone to say "You just got punked!" so bad.

RYAN GOSLING "I'm Just Ken" wins Best Original Song at the 29th Annual Critics' Choice Awards (January 14, 2024)