My Favorite Kind Of Character Is The Kind Who Deep In Their Soul Is Constantly Screaming LOVE ME LOVE

my favorite kind of character is the kind who deep in their soul is constantly screaming LOVE ME LOVE ME LOVE ME and outwardly expressing literally anything else

More Posts from Blanchechic and Others

1 year ago
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Listen, let’s make a pact. Right now. No matter what happens. We meet back here next year. All of us. Right here. Deal?

3 years ago

Taylor announcing a new song???? Rick announcing Grover and Annabeth castings???? girlies it's time to go INSANE <3

4 months ago
Ophelia (1894) By John William Waterhouse

Ophelia (1894) by John William Waterhouse

4 months ago
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR
2024 + HORROR

2024 + HORROR

4 months ago

how does it feel to be surrounded by other delusional, left-wing scumbags in that echo chamber you call a 'fandom'?

It feels pretty good, actually! I like being surrounded by people who share my values and ethics because it makes me feel safe and supported. But, more than anything, it feels really really good not to be surrounded by fascists.

3 years ago

Look, I’ll be real, a part me is really glad that this website is going to be somewhat revitalized by the inevitable migration of Twitter refugees post-Elon purchase. Staff has been doing great! Tumblr deserves an active userbase because this website fucks harder than any other social media bar none! It is unequivocally the best social experience online!

But oh my sweet Lord god in heaven help me the existential terror of having Twitter slither in here to promote its normalization of persistent social abuse, its puritanical means-testing of surface level ideological commitment, and its disgustingly narcissistic perpetuation of pervasive cultural pessimism is a genuine nightmare that I am not prepared to deal with.

Like, Tumblr has a such a unique and rare method of social interaction that disincentives the kind of low-effort, low-stakes (until it’s suddenly not) engagement that runs wild on Twitter. Beyond all odds, Tumblr’s culture of artful shitposting mixed with thoughtful consideration has SOMEHOW managed to survive the whitewashing of the internet. We’re a living fossil in a fragile ecosystem. Twitter is an obliterate of any positive subculture; it panders exclusively to the lowest common denominator of online engagement, and then further feeds that into a toxic mentality of enabling the weaponization of internet clout. It’s a race to the bottom where the loser wins. You can’t get clout on Tumblr because engagement has largely been anonymized, and the userbase in general has deliberately fostered a culture of not giving a shit about being popular. Follower counts here do not matter. And that is a good thing – that is something we should want to protect and encourage.

And don’t get me wrong, Tumblr is built on the fundamental lowbrow. We all appreciate being crass, being strange, being ‘unmarketable.’ But this is Shakespearean lowbrow at its core. It’s shitposting painted by Picasso way more often than it is shitposting sold as a fucking NFT. Our reverence for quality stupid actually contributes positively and uniquely to engagement (most of the time), and that feeds into even more positive and unique engagement as users reblog and add their own contributions to the post. Retweeting something will just never have that effect.

I cannot remember the number of dumb, one-off jokes I’ve seen reblogged into beautiful efforts of collective poetry. I’ve seen posts asking if Ezra Pound and T.S Elliot fucked like rabid animals turned into significant contributions of literary analysis for their respective works. I’ve seen the stupidest fucking takes morphed into powerful pieces of social commentary by people who cared enough to contribute their time, their effort to do so: to create something worthwhile. That one post about the value of gold and silver in the post-apocalypse comes to mind. Like, that’s the kind of thing that could never have survived, much less become prominent and valued, on Twitter. It would sink to the bottom there and never resurface: digital echoes that promise something special, something worthwhile, but are fundamentally wasted and buried in the chaotic din of scramblingly awful takes. 

I guess I’m just saying that I don’t want that to happen here. I like Tumblr, and I want Tumblr to prosper, but not at the expense of all the things that make it wonderful in the first place.

1 year ago
Ewan Mitchell & Tom Glynn-Carney React To House Of The Dragon Scenes
Ewan Mitchell & Tom Glynn-Carney React To House Of The Dragon Scenes

Ewan Mitchell & Tom Glynn-Carney react to House of the Dragon Scenes

4 months ago
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The
“60s Horror Movies Reflect An Era Of Rapid Change And Uncertainty, And A Yawning Generation Gap. The

“60s horror movies reflect an era of rapid change and uncertainty, and a yawning generation gap. the social stability of the post-war years crumbled as attitudes to everything from hemlines to homosexuality underwent a seismic shift. horror movies, especially those made for low budgets outside the mainstream studio system, offered ways to process and interpret the rapid pace of change. they often served as cautionary tales about the dangers of abandoning traditional values.”

1 year ago

Everyday is a struggle with Ryu Sun Jae because he is a simp. He was born to teach us what an absolute pleasure it is to watch a man simp so hard that he needs a moment to look away and compose himself so that his downbad smile is not on display.

Downbadism is an art and Byun Woo Seok acts like he did a four year degree on it. You go king.

Another thing that absolutely is adorable is that Im Sol is still not in love with Sun Jae. Everything she does is out of the love she has for a person who got her through a hard time, someone she has grown to care about but as an idol. Right now while she has begun to see Sun Jae as the kid who lives next door, it is still her idol that she wants to save. And that to me is pretty nice because she isn't trying to impose herself on him or his life for any other reason but to keep him safe. There is no ulterior motive. And I think thats what makes her so likeable.

Special mention to tae sung, he is adorable in a way that not all second leads are and all his scenes with his banter with Sol are extremely fun to watch. In another drama, they would make an absolutely cute pair. They make a cute pair here too ngl. Love how she treats him like a naughty child and he calls her grandma

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blanchechic - Percy Blinders
Percy Blinders

she/her. desi. standbi. certified bollywood buff. multifandom.dupattas. sunflower fields. lotuses. cigarettes in lehengas. phool. kajal. yeh aankhein.लोग जुड़ते गये और बनता गया कारवाँ, मेरी जान

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