I've Been Reading A Lot Of Books About Urban Naturalism Recently, And The One Big Thing They All Talk

i've been reading a lot of books about urban naturalism recently, and the one big thing they all talk about is how you HAVE to stop seeing nature as something that happens somewhere else. nature is not just charismatic megafauna and state parks and mountain ranges. nature is that abandoned lot that's growing native milkweed in it. nature is the murder of crows that lives in your block. nature is the moss growing on your roof and the dandelions growing in the sidewalk cracks and the song birds at your neighbor's birdfeeder. and you should care about it! you should notice it! that's YOUR nature!

More Posts from Blanchechic and Others

2 months ago

So this was a pre-planned (and likely paid for by the Kremlin) show: to invite Zelenskyy, scold him like a kindergartener in front of the press, present him with an unreasonable "deal" - an ultimatum - knowing full well he will refuse it (as anyone in this position would). And then tell the world: "Look, our mighty Orange King could've ended this horrible war in a day, but this poorly-dressed, warmongering, ungrateful twat just doesn't want peace! It's not our fault, we did what we could!"

The show is so cheap, so transparent, yet still effective for so many brainless people.

1 year ago
God Help Us All
God Help Us All

God help us all

1 year ago
DEFEND YOUR COUNCIL
DEFEND YOUR COUNCIL
DEFEND YOUR COUNCIL
DEFEND YOUR COUNCIL

DEFEND YOUR COUNCIL

2 years ago
AEMOND TARGARYEN + Tumblr Tags
AEMOND TARGARYEN + Tumblr Tags
AEMOND TARGARYEN + Tumblr Tags
AEMOND TARGARYEN + Tumblr Tags
AEMOND TARGARYEN + Tumblr Tags
AEMOND TARGARYEN + Tumblr Tags

AEMOND TARGARYEN + tumblr tags

4 months ago
Ophelia (1894) By John William Waterhouse

Ophelia (1894) by John William Waterhouse

1 year ago
art of a person reading a book. the book cover says 'nov 29-dec 05, #readpalestine week, publishers for palestine.'
the text above the person's head reads 'read palestine week, reading list and free ebooks for download on publishersforpalestine.org'

"Publishers for Palestine is a global collective of publishers, and others who work in publishing around the world, who stand for justice, freedom of expression, and the power of the written word.

Join us for an international #ReadPalestine week, starting Wednesday, November 29, on the International Day of Solidarity with the Palestinian People. During this week, we encourage people around the world to read fiction and poetry by Palestinian and Palestinian diaspora authors, as well as nonfiction about Palestinian history, politics, arts, culture, and life, as well as books about organizing, resistance, and solidarity for a Free Palestine. 

To encourage the spread of #ReadPalestine, signatories of the Publishers for Palestine letter of solidarity have organized a Free Palestine Reading List. Participating publishers are offering one of their e-book titles for free download from November 29 to December 5; all titles are available through this website. There are currently more than thirty books on the list in nine languages, including a half-dozen award winners, with more coming in.

We also encourage readers to post on social media about their favorite Palestine books, to quote from their favorite authors, and to make learning more about Palestine an act of solidarity, using the hashtags #ReadPalestine, #LirelaPalestine, #اقرأ_فلسطين, and more. Participating indie bookstores and libraries are invited to join us by creating Read Palestine displays, social media posts, and other forms of creative solidarity."

3 years ago

The Female Gaze in 2521: On Empowered Female Characters and Healthy Masculinity

The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity

Y’all I’m so excited to dive into this!

If you’re a kdrama fan, then by now you’ve probably caught on that kdramas often incorporate “the female gaze”. While it’s debated what’s considered the female gaze, we can all conclude that it is different from the omnipresent male gaze in media.

The male gaze describes the visual or aesthetic presentation of women in a way that depicts them as sexual objects, with personalities that tend to center towards men or their fantasies of how women "should" behave. That’s a bit of an oversimplification, but if you watch literally any popular show or movie, you’ll quickly notice the male gaze because it’s woven into the camerawork, the characterization, or body language of the characters on screen. See if you can catch it here.

The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity
The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity

Not so subtle, right? Kdramas are not free from it, either, but it is worth noting that kdramas do tend to pull an opposing card, namely the female gaze.

This tends to center female characters as being a spectator rather than an object, and typically holding more agency, meaning they lead their lives and choices. The male characters are often characterized as charming, sweet, polite, and romantic.

I see two forms of the female gaze in 2521: first, the empowered female characters and their depiction on screen; second, the portrayal of healthy masculinity in the leading male characters. 

Since this would actually become a literal essay if I tried to encompass every instance or relevant detail, I’m limiting it to just a few observations. But trust me, this show is abundant with many more. If you want to discuss it more, feel free to message me - I’m a nerd for this shit haha

Anyway, leggo~

Let’s start with our empowered protagonists (abbreviated to FC for Female Character from here on)!

The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity

Hee Do’s character is a take on the classic “I’m not like other girls” trope but thankfully the writers have spun it into a refreshingly animated and enlivened perspective. She is loud, sometimes adorably obnoxious, a little childish, and passionate. Contrary to the typical loud kdrama FC, she is innocent but not naive. Also contrary to other FCs, she does not seek a love interest. Her main goal is to improve her fencing and transfer to the school where her idol trains.

I like how Yi Jin’s presence in Hee Do’s life lifts her up and helps her accomplish her goals, but he’s not an absolute necessity. This kdrama could very well have orbited around the high school friend group and Hee Do would still succeed. This is pretty poignant, since Yi Jin being there merely enriches her life. She still ultimately has agency over her choices and dreams.

Also, let’s highlight how none of these FC are sexualized, be it their school uniforms, fencing gear, or the beach scene. Yes, Korea is much more conservative with these things, and yes, I think the writers and directors were cognizant of the thin line they were treading with the age gap and Hee Do being a minor for a while. But still! I think it’s worth celebrating and pointing out that they often show her wearing her red tracksuit pants under her skirt while no one else does. 

The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity

Seungwan is another FC who shines so well with the female gaze. She’s the one who makes an active effort to call out the abuse of the teachers at her school. She is an active participant in her life - she makes a clear stand that she will no longer tolerate witnessing abuse. Her agency is clear: she’s not backing down, and not stooping down to threats of being expelled.

Instead, she whips a reverse uno card and goes fuck this place, I’m leaving. That’s not to say empowerment comes without vulnerability and emotion. I think that’s what I enjoy so much about FCs done well in kdramas contrary to western media lately, because western media female empowerment these days seems to be “see, I’m a heartless bitch, watch me stand up for my beliefs and not even cry”. So when Seungwan explains the situation to her mom and says she’s sorry and starts crying in her mother’s embrace, it makes her moment of courage to leave and stand for her values that much stronger.

The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity

It’s brave because it has a toll. It’s brave because it’s an unfair situation to be put into. Crying about it makes that reality crash down on us much harder. Also, can we celebrate how this drama doesn’t attempt to give us beautiful crying scenes? A lot of male gaze centric media will make even women’s suffering an aesthetic viewing experience. But this? Not at all. We got runny noses, snot, creased eyebrows and sobbing breaths and shaking shoulders. Beauty isn’t the focus. It’s the feeling. 

This feels like a good transition into part 2: healthy masculinity! Because! Let me tell you!! We have plenty of kdramas with men crying, sure. But I’ve never seen performances like this where 1) male crying is filmed in such an intimate way and 2) where the female lead is framed as the dominant comfort - but not an emotionless hero, either.

Let’s talk about Jiwoong’s crying scene on the rooftop when he found out Seungwan was leaving.

The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity

The camerawork doesn’t shy away from showing the growing hurt and welling tears in his eyes. She comes over to hug him, swooping her arms over his shoulders even though he’s the taller one. We see him cover his face but not shy away from letting it out. She pats him on the back. It’s refreshing to see a male character cry without him having to throw things or break shit lmao like men can just stand there and cry and allow women to see them like this. 

Transition into Yi Jin’s crying scenes (oh man, Nam Joo Hyuk is my favorite actor for a reason: you can read his face so perfectly without him needing to speak). Yi Jin’s crying scenes are also devoid of being overly dramatic while still encompassing the intensity of his feelings and the weight of the moment. The scene that stands out the most to me is in episode 8 when he’s doing the live reporting via the hotel room but his computer crashes.

The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity

The deafening silence hits the audience hard. It’s meant to feel like a slap in the face because we’re meant to sit in his shock for a bit. The shock, denial, anger, and sadness washes over him as the camera centers a closeup of his face. He shakily puts down the phone, gets up, collapses next to the hotel bed, lifts up the sheets, and shouts - and I mean fucking shouts - into the duvet. This happens as the camera pans out so we all go from feeling caught up in his emotional turmoil to feeling the spaciousness of the room around him; how he’s so alone, how he has no one to rely on in this moment.

I fucking held my breath man. Because this felt so intimate. We don't normally see male characters on screen break down like this. And if so, it might be framed in an aesthetic or artistic way or even sexual way, like crying in the shower. This was just...plain hard truth. That shit was intense. Can I just say? Oscar worthy, my dude. 

The second moment that stands out combines the two observations! We get an empowered FC and a representation of healthy masculinity all in one! That’s right peeps, I’m talking the tunnel crying scene.

The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity

God, what a performance. Note how the camerawork highlights that he is collapsed and lower than her.

The Female Gaze In 2521: On Empowered Female Characters And Healthy Masculinity

Hee Do is the one holding his face. She’s the one who caresses his tears away. And mind you, even though we’re talking the Very Handsome Baek Yi Jin here, he is still a snotty crying mess. In traditional media, this visual is very much a male-dominant gaze: a helpless woman being saved by a heroic male protagonist in her moment of vulnerability, held in his arms, her tears being wiped away. This scene flipped the script, though. It’s beautiful to see a female character in this role. And again, just like with Seungwan, it’s not to say that she, being the hero in this moment, is devoid of emotion either. No, she cries too. She cries because she sees him, sees his pain. She doesn’t let it eat away at her and let her spiral. It isn’t an overly dramatic moment of hysteria and tears. It’s an acknowledgement: I see you. I understand you. Which is why their romance is all the more special. These are two people who have now seen each other at their worst. And they still choose to be gentle and soft and caring because the world around them is cruel enough.

What are your thoughts? Overall, I keep finding ways to celebrate this kdrama. Be it the writing, the visual directing and color theory, the character development and character arcs…….there’s just nothing quite like it. And I don’t think there will be something like it for a while. Hopefully this sets the new standard.

Love you fam :) Thanks for reading!

Peace out~


Tags
3 years ago
Let’s Try This Kind Of Love, Hee Do. I’m Going To Do Everything I Can With You. So Prepare Yourself.
Let’s Try This Kind Of Love, Hee Do. I’m Going To Do Everything I Can With You. So Prepare Yourself.
Let’s Try This Kind Of Love, Hee Do. I’m Going To Do Everything I Can With You. So Prepare Yourself.
Let’s Try This Kind Of Love, Hee Do. I’m Going To Do Everything I Can With You. So Prepare Yourself.
Let’s Try This Kind Of Love, Hee Do. I’m Going To Do Everything I Can With You. So Prepare Yourself.
Let’s Try This Kind Of Love, Hee Do. I’m Going To Do Everything I Can With You. So Prepare Yourself.
Let’s Try This Kind Of Love, Hee Do. I’m Going To Do Everything I Can With You. So Prepare Yourself.

Let’s try this kind of love, Hee Do. I’m going to do everything I can with you. So prepare yourself.


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blanchechic - Percy Blinders
Percy Blinders

she/her. desi. standbi. certified bollywood buff. multifandom.dupattas. sunflower fields. lotuses. cigarettes in lehengas. phool. kajal. yeh aankhein.लोग जुड़ते गये और बनता गया कारवाँ, मेरी जान

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