Saw This On Twitter. What 3 Potions Would You Drink?

character movements for anxiety

1. Pacing: The character walks back and forth in a small area, unable to stay still due to restlessness and nervous energy.

2. Fidgeting: The character repeatedly adjusts their clothing, taps their fingers, or plays with objects, unable to keep their hands still.

3. Nail-biting: The character nervously bites their nails, a common habit that indicates anxiety or nervousness.

4. Rapid breathing: The character's breaths become quick and shallow, as if they're struggling to catch their breath due to heightened anxiety.

5. Clenching fists: The character tightly clenches their hands into fists, a physical manifestation of their inner tension and anxiety.

6. Avoiding eye contact: The character averts their gaze, unable to maintain eye contact due to feelings of unease or insecurity.

7. Shaking or trembling: The character's body shakes or trembles involuntarily, reflecting the physical manifestation of their anxiety.

8. Wrapping arms around oneself: The character crosses their arms tightly over their chest, as if seeking comfort or a sense of protection from their anxious thoughts.

9. Picking at skin or lips: The character absentmindedly picks at their skin or lips, a subconscious action resulting from nervousness or anxiety.

10. Swallowing hard: The character visibly swallows, indicating a dry throat and heightened anxiety.

Por que, Juan, por qué? -preguntaba su madre- Por qué te resulta tan difícilmente ser como el resto de la Bandada, Juan. Por qué no dejas los vuelos rasantes a los pelícanos y a los albatros...

Mira Juan -dijo su padre con cierta ternura- El invierno está cerca. Habrá pocos barcos, y los peces de superficie se habrán ido a las profundidades. Si quieres estudiar, estudia sobre la comida y cómo conseguirla. Esto de volar es muy bonito, pero no puedes comerte un planeo, sabes? No olvides que la razón de volar es comer.

Juan Salvador Gaviota. Richard Bach.

Let me fly 🌅🪽 !.

Coca Cola has been very successful  at transmitting the same message over and over again to create a brand of its own. A brand that tells a story: There is always happiness, there are dreams, there is love, there is hope, peace, kindness, laughter, generosity, magic scenes. Coca Cola uses also  a Christmas time to promote those stories. 

Quédate con esas relaciones fuertes dónde haya más para agradecer que para olvidar.

Contracts in the Entertainment Business

Contracts in the world of entertainment are important because they involve different aspects of the relationship between artist and manager. The contract stipulates the extent to which the manager will commit to the artist. There are agreements that could only include organizing tours for the artist. There are others contracts that might include planning the professional career of the artist involving not only the creation of the artistic image but also organizing every performance, recording, and interviews.

A contract that defines a superficial relationship between artist and manager might only include planning tours. This type of contract might not be beneficial for the artist in terms of professional growth and image development in the entertainment industry. The amount of time the manager spends on the development of the artist’s career is dedicated to plan live performances and get the money. According to Howard, a manager who establishes this type of relationship with the artist might not know much about business development.

There is another type of contract in which the manager is committed to bring out most of the artist’s capabilities. The contract includes an elaborated plan, detailed organization, a meticulous design, and precise control of the professional career of the artist. The manager is also responsible for finding the financial funds that might be needed it to reach the summit of success.

According to Paul Allen the functions of a manager should include: 1. All the phases of artist’s career in the entertainment industry 2. The appropriate music and show designed for live performances. 3. Publicity, public relations, employment, and advertising. 4. Image and related matters. 5. Booking and talent agencies that work on behalf of the artist. 6. The selection of other key team members such as attorneys, business managers, accountants, publicists, and a Webmaster.

In addition to the functions outlined before by Allen, George Howard suggests that the manager should go beyond signing a contract with the artist by providing a business development scheme. The manager should not see the artist as an investment that could pay off in cash after settling a recording deal. According to Howard management is “about leveraging the brand equity to create direct revenue streams, as well as strategic partnerships where you, again, create visibility (thus increasing brand equity) and revenue.”  He also mentioned that “most of the managers are not prepared to do business development.”

  REFERENCES

  Allen, Paul. (2007). Artist Management for the Music Business

Howard, George. (2011). Artist Manager Must Understand Their Role is Now Business Development. Retrieved from http://blog.tunecore.com/2011/02/artist-managers-must-understand-their-role-is-now-business-development.html

:)

Hablando Se Entiende La Gente Video Oficial. 

‘BUENO BUENO QUIEN HABLA’;  Quizá el siglo XXI vaya a ser reconocido, como el siglo, donde las nuevas comunicaciones y los medios sociales sustituyeron al emisor, al hablante, al humano, a la persona, y entonces ya las personas no hablan, sino emiten mensajes pictóricos que suplantan a la palabra, o fotografías posteadas que avalan ideas, o esbozos de ideas en un post que insinúan conductas, o discursos de otros personajes, bajo seudónimos, alias, avatares, Poncios y Pílatos, barajas y cartas, pero el ser humano real es suprimido de la conversación real, porque no quiere asumir la responsabilidad de un discurso, no quiere asumir el “yo esto dije” como manera de ejercer responsable la libertad de expresión, y esconderse mejor, bajo los alias, bajo las cartas, sin recibir la responsabilidad del recibir aprobación o rechazo. 

“BUENO BUENO QUIEN HABLA’ para recordarnos que es el sujeto, verbo y predicado de la oración, los elementos de toda palabra que intenta comunicar un mensaje. Y esto esta siempre presente en todos los lenguajes español, ingles, italiano, francés, porque el sujeto, quiere decir el que habla (no dibujos, no quotes, no pictografías, no palabras de otro) sino es el sujeto el que habla para determinar una acción “Juan corre en el campo” dice que es Juan, un nombre personal desarrolla una acción: pero si se pone una foto de un hombre corriendo en un campo, quien dijo que corre en el campo? La pictografia, o la fotografía no suplanta al sujeto! 

Las nuevas tecnologias de comunicación están suplantando al SUJETO DE LA ORACION, y el  SUJETO DE LA ORACION esta siendo suprimido por Alias, seudónimos, fake names, avatares, cartas y barajas, que traspasan mensajes de otros (no personales, con propia voz) con posts de otros, con ideas de otros y si la comunicación entre los seres humanos es a veces difícil de comprender, sera mas difícil de comprender con las CORTINAS DE HUMO y con personajes y avatares ficticios que comprometen, dificultan todavía mas, la buena comprensión del oyente, que es nuestro objetivo principal de toda comunicación seria.

 “BUENO BUENO QUIEN HABLA’ para recordarnos que debe haber un sujeto real, que emite un mensaje real, avalado por una presencia real y cuyo mensaje dirige a otro ser humano en una disposición de entender, para comunicarse mejor.

Don't believe in competition, it creates insecurities. You are what you are! A point from Zain Asher in this little talk "Trust your struggle".