hello metalocalypse fandom...
Dude this fic is so brutal but this part had me laughing my ass off
I love it when they do the aggressive POINT 🫵ðŸ˜
Go check out the author @mutantninjamidlifecrisis
cringe is dead so i actually am allowed to post angsty ninja turtle poetry. i checked the rulebook. - [ ✩ the gemini ✩ ]
Just a huge disclaimer forehand that I know not all the situations had the same gravity, etc. But I still wanted to talk about them because I think they're interesting.
I want to go in a crescendo of sorts so I'm not going through the episodes in chronological order.
Murderface and Toki
I'm starting with Dethsiduals (S3E07) because Toki and Murderface have been called useless by the rest of the band quite a few times, making them a bit of a slacking duo.
So, in this episode, Nathan, Pickles and Skwisgaar get all fed up with these two's behavior and decide to throw them out of the band. Nathan does the honors, of course.
At first, it's great. Their workload gets easier to deal with, managing to record several dozens of songs in mere hours. Pickles even says that kicking them out might have been the best choice.
That is until they realize, they're having TOO much fun. Their songs don't sound good because they're having fun. It's not brutal anymore, because They're so happy that it no longer is brutal, their music sucks instead. And you can't have Dethklok without brutality.
Eventually, they ask Murderface and Toki to come back, on the account that their sound simply isn't the same without them. It's definitely more focused on Murderface, though, as his negativity and aggressive behavior is partly the reason their music is brutal. Because he annoys them and criticizes them...
This theme makes a comeback in Army of Doomstar, of course.
Pickles
In Rehabklok (S3E08), where Pickles experiences is sent to rehab after a technical malfunction at a show.
Because they still need a drummer for the band, so they get a drum machine. Everyone is in awe and don't seem to find a problem with this change. Nathan even thinks it's perfect.
Though, he briefly wonders if this would make Pickles mad, only to be reassured by Skwisgaar that it's fine.
Sometime after, the drum machine has completely adapted to the band. The band can't stop praising the machine.
When Pickles comes back, no one seems too impressed and Nathan casually tells him that he's been replaced by the drum machine.
The drum machine gets too smug, though, and the band quickly grows tired of him. Also, Pickles has finished his last Rehab step which means he can join Dethklok again. And that they can get rid of this drum machine.
We all know how that goes, the drum machine tries to kill them and Pickles saves them. For which Dethklok are evidently grateful for, and also praise his return.
Skwisgaar
Finally, we get to Fatherklok (S3E05) where, in the search for his father, Skwisgaar abandons the band. Mind you this is the one instance where a member isn't kicked out but actually leaves off his own volition.
While Skwisgaar tries to make his new life in Sweden, Dethklok have a rehearsal. It doesn't go well. Toki is acting up because he's the only guitarist now, Murderface is too busy trying to contact Skwisgaar to care and Pickles' daddy issues are resurfacing. Rather than work this through, Nathan immediately decides to get Skwisgaar back from Sweden.
Problem is, when they get to Sweden, Skwisgaar doesn't seem to want to get back to Dethklok, which Nathan respects. Before leaving though, he gives Skwisgaar a few words.
We all know Skwisgaar quickly rejoins the band afterwards.
So what do we have here?
In Dethsiduals, the band is initially very glad to have kicked Murderface and Toki from the band. They feel like they work better without them, however it's a double-edged sword because they work too good, and that is not good for the band, in fact.
In Rehabklok, the whole band seems to be doing great with the drum machine replacing Pickles. With time, though, the machine's attitude puts them off and they're glad to have Pickles back with them.
In Fatherklok, the only sort of positive reaction to Skwisgaar leaving seems to be coming from Toki, who dreams of finally being the lead guitarist. Murderface and Pickles are too wrapped in their own bullshit to notice anything. But Nathan? Nathan doesn't like the band without Skwisgaar. We don't have a single moment of him enjoying Skwisgaar's absence and clearly wants him back.
Now, like I said at the beginning of the post, I know all these episodes had different types of situations. Toki and Murderface were in a month-long suspension, not officially kicked out. Pickles' rehab did imply he was coming back at some point. Skwisgaar was the only one that actually left Mordhaus physically and Dethklok as whole...so it makes sense Nathan had a wildly different reaction to the latter compared to the other two.
However, I think it's still very telling, that not even once did Nathan consider that the band was better without Skwisgaar. In Dethsiduals and Rehabklok, you have Nathan actually satisfied at first with the new state of the band. But in Fatherklok, this never happens. Instead, Nathan very quickly grows annoyed with the remaining three and believes getting Skwisgaar back is the solution to fix Dethklok.
The last part, especifically. By the end of their respective episodes, Nathan did want Murderface (+ Toki) and Pickles to come back, but so did the other side, which made the reunion easier. Nathan didn't really have to do a lot to make them join again. In Fatherklok, however, Nathan and the rest of Dethklok physically go to Sweden to recruit Skwisgaar back, to which Skwisgaar sharply refuses. In his own, emotionally constipated way, Nathan then compliments Skwisgaar before walking away, calling him nothing short of exceptional and special.
Nathan doesn't want Skwisgaar back in the band because Skwisgaar's lack of skill and bad attitude improve their music somehow like Murderface. He doesn't want Skwisgaar back because Skwisgaar's not an arrogant sex machine like the drumming robot (ironically, Skwisgaar is very much this in all probability). He wants Skwisgaar because he just does. Because the band is not the same without him. Because Toki can't replace him as lead guitarist. Because their dynamic is falling apart without him around. Nathan wants Skwisgaar to return to the band because both musically and personally, he values him. Skwisgaar is a hard worker, and easy to get along with for him (Skwisgaar does reserve his arrogance towards Toki and Murderface after all). Skwisgaar doesn't make him mad like Murderface and Toki with their entitlement, Skwisgaar isn't irresponsible like Pickles can be with his habits. In Nathan's eyes, Skwisgaar is essentially a good presence in the band that doesn't pose him problems, and it's exactly why he's the member Nathan can easily recognize as key.
And thus, it is no surprise to anyone that these two stick together in Nathan's next project after the band breaks up. Of course, the project seems more like a tantrum than anything else but it's still worth noting that they agreed to stay together for it.
While Murderface, Toki and Pickles embarked in projects unrelated to music, Nathan and Skwisgaar stuck with music exactly. What's even more interesting is that Nathan's trying to get away from Dethklok's sound, yet wants Skwisgaar, an elemental part of Dethklok, to be part of this new idea.
Surprise! This was a Nategaar post all along. >:)
No, but jokes aside, I think of their relationship a lot. The subtle compatibility. Unlike Pickles and Nathan's friendship where they're close enough to go at each other's neck and make up later, Skwisgaar and Nathan's is much more quiet, but it's latent. Because they're both awkward but hard-working and highly perfectionist people, it's more evident when it comes to music.
In addition, Skwisgaar is essentially the one member Nathan has never truly gotten mad at. We've seen him constantly be irritated by Murderface, have serious issues with Pickles and even have a fight with Toki in Skwisklok (S1E10). With Skwisgaar, however, it seems like their relationship is much easier. They understand each other both on a professional and friendship level.
They might not be each other's most intense or even most important relationship, but it's the kind of relationship where you know the other person will always have your back. The type that's both easy and comforting. I love them.
I need to expand on this more on here because I'm going insane thinking about this.
the main themes in the rise movie center around hope and sacrifice. hope, being a ninjas greatest weapon and what leo ultimately uses to get the team motivated, and sacrifice which leo actively uses. these two concepts are interchangeable and are used to develop this unhealthy view of being a hero.
leo being the prime example of this.
leo is notorious for being a martyr in the movie not because he wants to be self sacrificial and thinks he deserves it (although a small part of him might think that) but because thats what he's been taught and grown up to think. of taking responsibility. of allowing to take hold of the "burden" of caring for his team, for his brothers. he must sacrifice a part of himself in order to be a worthy leader. no more immature pizza stacking competitions, no, leo must sacrifice that part in order to mold into being a leader. he must sacrifice his childhood.
its no surprise leo wants nothing to do with this idea, its no surprise he's constantly rebelling against this notion and not taking it seriously because as much as we have seen leo act dumb and immature, we know that he is smarter than he acts. he knows that being a leader is sacrificing the part of freedom he loves so much. the part that can joke around with his brothers and can allow himself to easily fight off bad guys without worrying because thats not his job. he's just leo.
thats raphs job.
raph has sacrificed this part of himself. his identity is surrounded by being the oldest, being the responsible one, having the "raph chasm", being the leader. raph was born as the eldest son to take the responsibility and with little to no help from splinter (because lets be honest raphs relationship with his brothers is also very parental), raph has had to create this idea of what being a leader is not only to himself but for his brothers. he has created the mold of being a leader from shows, from experiences, from being the oldest. he must sacrifice a part of himself, a part of his freedom, a part of his childhood, in order for his brothers to be safe.
and now his younger brother is being pushed into this with little to no warning.
(now I could go on and on about how the season 2 finale was the catalyst for raph and leos bond and brotherhood to slowly unravel BUT thats another thread.)
the rejection of the leader position from leos perspective makes so much sense. leo is still a kid. this responsibility isn't for him, he's not equipped to make these decisions. thats for raph. thats for the oldest.
which makes why raph is so upset with leo in the beginning of the movie so much more real. all he's known is this great weight of carrying the burden and guilt of his brothers and the actions that could cause them to get hurt, he has taken the fall, taken the blame, and has done so without faltering (kind of). although leo is the "faceman", all of the brothers show some sort of mask to hide behind in an unhealthy way. donnie hides behind his science and his title of being the "smart one", mikey hides behind the fact that he is the youngest and his many dr. personas. leo and raph both hide behind some form of bravado that masks the fear they have for their brothers and their safety. raph uses his anger while leo uses his laid back attitude. both are hiding their fear. their both scared.
this is where hope and sacrifice begin to blur.
casey jr. introduces us to the idea of hope because he essentially is the human personified version of hope. he is future leos last hope. he is what is left of an entire civilization that has now been destroyed. but what is hope without sacrifice. casey jr. has witnessed both future mikey and future leo sacrifice themselves for the greater good. for hope. since this is all casey jr. has ever known, especially with how he grew up (another major theme but ill talk about that another time) the idea of sacrifice is hand in hand with hope. with winning. with being a hero.
so when leo comes back after raph sacrifices himself so leo can escape, casey jr. is more thrilled than anything that they have the key. because they "won", because raph sacrificed himself, because hope is nothing without sacrifice.
and this is again another reason why leo begins to put the two together and create his own warped idea of being a leader.
being a hero.
learning about his future self, of how much casey jr. idolizes him and calls him "the greatest ninja the worlds ever seen", of how he was a leader and led the entire revolution. of how he saved the world by sacrificing himself. its only until raph does the same does the gears begin to turn.
being a leader is about sacrifice.
and so getting thrown into the prison dimension is the responsible thing to do. its the right thing. its the sacrifice that someone like leo believes is what a leader would do because yeah leos the leader now and leaders do whatever they can to make sure their team is safe.
that their brothers are safe.
the words "its not about me" play into this mindset and although by the end it helps leo learn that he needs to put more trust in his brothers and allow the burden of being a leader to fall on more than his shoulders, "its not about you" is exactly the mindset that raph had in the beginning of the movie. and because of this, raph and leo both are stuck in this cycle of responsibility and freedom. of having to navigate between wanting to sacrifice their future of being heroes in order to just live like normal people for a few minutes or sacrifice their own individuality to bare the weight of the world on their shoulders. and with their situation of being literal mutated turtles created only to become super soldiers, they automatically are deemed special and were brought into this world in hopes of fighting against humanity.
A ninjas greatest weapon is hope after all.
[ cw: death mention / blood / injury / abuse / codependency / panic / a lot this time oof ]
AU starts here.
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You don’t spend six years alone with just one other person to talk to and just drop them.
Even if it’s your worst enemy.
doodle
Been reading "the neon void" by @sugarpasteltmnt on ao3 and GUYS ITS SO GOOD
so I went and drew my favorite moment so far from chapter 6
( TW: limb severing)
romantic or not they are actually the best of friends ever and i need more scenes of them in s2 or i’ll lose my mind
i haven’t felt this obsessed with a character since leo from rise.. simon elroy u are about to become sooo famous