Boss Is Asleep, Cannot Stop Me From Frogposting

Wild Space by Karen Miller was a doozy

If it keeps you from killing yourself it's not stupid. This applies to anything btw.

My deaf spiderwoman OC, Marisol 🕷

Miles knows ASL and even tho it's the Insomniac version of him Imma headcanon all versions of Miles know ASL because that cool asf!

Marisol communicates solely in ASL. She's Italian-American and LOVES pastels and hearts.

In deaf culture they use light to alert and get others attention so I wanted to incorporate light into her fighting style. She uses flash bombs and the main part of her suit, which is based off of the Mirror Spider's reflective back, can blind temporarily enemies. The eyes of her suit allow her to see in the intense light and are very expressive (an important part of signing).

She's not fully flushed out yet and this is only the 2nd iteration of her design so she will definitely change in the future. But for now I want to figure out what her face looks like and draw her with clothes over her suit because she does so all the time.

the dynamic between heinz doofenschmirtz and perry the platypus would probably come off as v romantic and gay if they were two people in a similar age range rather than a dude and a platypus. no i dont ship them but think about it. villainous monologues are already a very romantic and gay thing in itself (don’t question me on this you know im right). listening to somebody ramble excitedly about something they’re proud of is even more romantic and cute af. also doofensmirtz is already gay anyway. the only thing preventing this from becoming Peak Gay is the fact that perry is strictly professional and also a platypus. thanks for coming to my ted talk

anyone please ask your crush out like this

Well. The threatening display worked to quiet Lambert, just not in the way that was intended.

Scene doodle I have planned for The Rehabilitation of Death

chinese college girls slay (cr: 哭天喊地六仙女）

Trying to do this again. Ways to support me.

Hello, my name is Caleb, and I am a disabled trans guy from the global south. I am indigenous southeast Asian.

I have chronic pain, and I am the sole caretaker of three other disabled people. I currently work three jobs, and am desperate for help. All three of my jobs are not stable income, as two depend on me having clients.

My mom and dad are both chronically ill, and both need battalions of meds like insulin, rosuvastatin, b complex to prevent seizures, and so much more (my mom is a survivor of a sepsis attack that resulted in a few minutes of brain death that caused nerve damage. She is a full time wheelchair user, and my dad's heart needs maintenance medicine) my parents medicine alone costs around 700-1000 usd per month- meds alone. And I still have to pay the electricity, water, internet for my work, my sisters tuition fees,.. etc.. for commissions I make around 750 usd, and then another 50-150 usd when folk tip.. I partially lose some of them because in southeast Asia, PayPal takes a small percentage each transaction, and then again for conversion, and then again as a fee when I transfer money to my bank... for my industry work, I've only made 10k usd for work worth three years now, and this is money am not even able to spend, because my contract has a morality clause, which means, if my publisher randomly decides to drop me or the author, I will have to return every penny I make, even if I have already drawn 390 pages of the comic..

I have been workinh so much I only have 4 hours worth of sleep per day for nearly 10 days now.. have no idea what to do.... I have not been able to work on my personal projects, all I want is to be able to play video games and work on my comic and talk to my friends and partner..

For three days now, my dad has been having symptoms that are worrying. Back of his neck is hurting, and his blood pressure is high, and his words when he speaks is slurred. He is afraid, and he is the only person in our household who does most of the housework. I would absolutely love to scrape by enough to get him to arrange a Dr's appointment tomorrow.. and everything else.. wiggle room until I can open again commissions for February. Sorry again, and I hope things work out for everyone.

Direct support: my tipping jars

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Passive support, my print shop and patreon..!

My patreon:

Patreon

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creating eerie crests, and other things.

Art support/ emotional support

My twitter:

https://x.com/sethpuertoluna/status/1590780936991674368?s=20

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Bluesky Social

Caleb (@littlestpersimmon.bsky.social)

Indigenous Southeast Asian Illustrator. Header by Yasemin. He/him 🧿

I think the Hunger Games series sits in a similar literary position to The Lord of the Rings, as a piece of literature (by a Catholic author) that sparked a whole new subgenre and then gets blamed for flaws that exist in the copycat books and aren’t actually part of the original.

Like, despite what parodies might say, Katniss is nowhere near the stereotypical “unqualified teenager chosen to lead a rebellion for no good reason”.  The entire point is that she’s not leading the rebellion. She’s a traumatized teenager who has emotional reactions to the horrors in her society, and is constantly being reined in by more experienced adults who have to tell her, “No, this is not how you fight the government, you are going to get people killed.” She’s not the upstart teenager showing the brainless adults what to do–she’s a teenager being manipulated by smarter and more experienced adults. She has no power in the rebellion except as a useful piece of propaganda, and the entire trilogy is her straining against that role. It’s much more realistic and far more nuanced than anyone who dismisses it as “stereotypical YA dystopian” gives it credit for.

And the misconceptions don’t end there. The Hunger Games has no “stereotypical YA love triangle”–yes, there are two potential love interests, but the romance is so not the point. There’s a war going on! Katniss has more important things to worry about than boys! The romance was never about her choosing between two hot boys–it’s about choosing between two diametrically opposed worldviews. Will she choose anger and war, or compassion and peace? Of course a trilogy filled with the horrors of war ends with her marriage to the peace-loving Peeta. Unlike some of the YA dystopian copycats, the romance here is part of the message, not just something to pacify readers who expect “hot love triangles” in their YA. 

The worldbuilding in the Hunger Games trilogy is simplistic and not realistic, but unlike some of her imitators, Collins does this because she has something to say, not because she’s cobbling together a grim and gritty dystopia that’s “similar to the Hunger Games”. The worldbuilding has an allegorical function, kept simple so we can see beyond it to what Collins is really saying–and it’s nothing so comforting as “we need to fight the evil people who are ruining society”. The Capitol’s not just the powerful, greedy bad guys–the Capitol is us, First World America, living in luxury while we ignore the problems of the rest of the world, and thinking of other nations largely in terms of what resources we can get from them. This simplistic world is a sparsely set stage that lets us explore the larger themes about exploitation and war and the horrors people will commit for the sake of their bread and circuses, meant to make us think deeper about what separates a hero from a villain.

There’s a reason these books became a literary phenomenon. There’s a reason that dozens upon dozens of authors attempted to imitate them. But these imitators can’t capture that same genius, largely because they’re trying to imitate the trappings of another book, and failing to capture the larger and more meaningful message underneath. Make a copy of a copy of a copy, and you’ll wind up with something far removed from the original masterpiece. But we shouldn’t make the mistake of blaming those flaws on the original work.