Its the Green Geckos :D
THEY GOT THIRD PLACE LESSGOOOO
And if I say this song is Treebark through the life series coded
Just Martyn begging Ren to love him again after all the things he did to win and further
So this one is about the life series, specifically about Jimmy's canary curse. The basic premis of it is that the canary curse presents itself as a curse hence the name but is actually a blessing in disguise.
As the first one out in the life games (up to secret life), Jimmy would be out of the game at around episodes seven before the finale of the games. He would be out when mijority of the bloodshed, murder and betrayal would actually happen and thus not taking as much trauma as would the other participants of the game would.
So a less traumatized Jimmy when compared to the other contestants and victors.
So when in Secret Life when Lizzie breaks the trend of the canary curse, it's as if the canary curse(/blessing) is lifted and Jimmy experiences the full torment of what the Life Series serves.
so has anyone seen that tiktok of two odysseus/hamilton cosplayers outside in the hurricane. because i have
I have been wondering. If Xisuma was the one designing the androids, does this mean he likes the neat, combed-back hair that they all had pre-deviation? Does he think this looks cool? Should Doc start tidying his hair back?
dfjbdjvsdjvdnfvsfmvdfnvdgbghnfg. Y’know?
wiwiwiwiwiwiwi
So this weekly theory stems from the purposeful similarities and differences between a moment in Third Life and Wild Life. That particular moment in session three of Wild Life and session five of Third Life that resulted in a sacrifical death between Ren and another blonde, traumatised players. Which include Jimmy and Martyn respectively.
Beginning with Ren's sacrifice to Jimmy in Wild Life, this death was mainly a transactional death to regain his yellow status in exchange for undying loyalty soaked in the blood of Renthedog. An animal commonly characterised as loyal or faithful to friends or someone(s) trusted. This death unified some fraction of the Bamboozlers and the Renwood Mount and could symbolise new beginnings as Ren's returning season after Double Life. Back in Third Life, the Flower husbands were known as enemies of Dogwarts and with this sacrifice for a life, it could be known as rebuilding a bridge burned with war and detest.
This death mirrors the tragic moment in session five of Third Life where Martyn executed Ren before reborning as the Red King and bringing harvoc to the players as a red name. Losing his first life to Grian's unsuccessful-successful TNT minecart trap, Ren swore vengance to the Desert Duo as a red name who are able to initiate violence upon any life but risk being permanently dead. Regardless of this gamble, Ren was slayed by his Hand (Marytn). One of his most trusted allies who was also by when Ren orchestrated each war and battle against the Desert Alliance.
These then connects with Jimmy and Martyn who both teamed as the Big Dogs relating the trio of dogs and loyalty and making the webbing of teams, allies and enemiess across all seasons even more complicated.
this is totally how the recruitment happened
hi !!! i wanted to know if you have a few tips on how you do your poses ? im not the greatest at them and want to see what others have to offer ^v^''
also , i absolutely ADORE your art ! it motivates me a lot
first of all thank you sm!! poses are literally my favourite thing to plan out so ill try my best to explain ghdfskl
so i usually break the body shape down like this
the body is basically like a 2-part rectangle which i can push in whatever direction i want to lead the pose- i like to exaggerate the shape to emphasise the uhh force of that push ig? i just play around with it until i get the energy i want
for idle/straight on poses i try to make them seem like they're doing something so that the pose forms more of a trapezium than a stiff rectangle, let the characters have some fun!
at this stage i don't really mind if the anatomy isn't completely accurate since i can fix that at the lineart/2nd sketch, im just focusing on getting the flow down so i let my lines be loose, just as long as i know which limb goes where then im good
also back poses!! most of the time you see the front of the character so drawing the back can be refreshing for me :) they flow just as well as the front ones too!
the same pose can be drawn in different angles- sometimes i put down a (very freestyled) perspective grid to define the space around the character and see where they can stand, and imagine a floating camera depending on where i want the focal point to be
you also don't really need to fret about following the grid to a T, just as long as they look grounded and the angle seems right
i like to slap down a few random grids to see how the character can interact with them, and they don't even need to be touching the character- they're just guidelines after all
for me i think of poses with a main line of action and a secondary contrasting motion (though sometimes one main line is enough), the second line adds a little flair and weight while the main is what you see at first glance
use references also! i can't emphasise that enough!! there's always pinterest or (especially for action poses) fight scenes from storyboards or from the finished film, which i love looking through frame-by-frame bc the keyframes and in-betweens are gold mines for inspiration- lego monkie kid is one of my go-to's for high energy poses!
aand that's all i got for now, hope this helps ^_^
OH GREAT SOPUU PLS TEACH ME ON PERSPECTIVE 🙏🙏🙏
SHDJFK UHh i think this post covers most of the stuff i wanna say!
and hmm this is one thing that sorta goes unsaid but try to avoid what i call waffle grids! like your typical tic-tac-toe grid where both vertical and horizontal lines are parallel to their axis cause it’ll just look very flat.
if you slant them to point to a certain…point tho then it makes everything look more dimensional!
same thing if it’s angled- take this top down view for example
the top drawing’s lines ARE slanted but again, verticals and horizontals are parallel and the surface/intention isn’t well defined. so using 1 or 2 point grids you can get a bunch of different results depending on what you want with the same top down angle
oh also sometimes i cheat by drawing the grid after the character lol BUT it helps learn what kinda grid suits what pose! so try that too if it works for you :)
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