Reblog If Pirates Of The Caribbean Contributed To Your Bisexual Awakening

“How can you not be angry?”

“I am angry,” the werewolf said. “But unlike you, I don’t have the luxury of showing it without being called a monster. Without someone taking it as a sign of proof that I need to be put down like a rabid dog, that I’m just like what the stories tell you.” 

“But everyone gets angry…that’s human.”

“Up until the point when you’re not human.”

This is why I don’t tell 99% people im bisexual

To the idea of Mav telling Bradley that he appreciates how much he values the idea of the perfect marriage Carole and Goose had but, at the same time, how unrealistic is because "kid, they were married four years and they spent together maybe two of them. They didn't had the time to see the other side of everything" in answer to Bradley asking why he continues to stay with Ice if all they do lately is fighting, to which Mav answers "what? Should I leave him because he's having a bad week and he's being a little more sarcastic than usual?" We can only 🥂

#ThankYouBones Week

Day 9: 4 Hodgela scenes that made you cry

I think perhaps my favorite thing about this couple is that they were completely unplanned at the start of the series. TJ and Michaela had such chemistry during their scenes together in season 1, that the producers and writers had no choice but to take notice. It wasn’t always smooth sailing for these two. And we even had to endure a broken up Hodgela for a couple years. It could have been painful, but I think they both grew into the people they needed to be in order to finally achieve their happily ever ever. Angela and Hodgins have been a joy to watch evolve and grow more and more in love with each passing season. One of my all-time favorite moments (not pictured) is when Hodgins made it possible for Angela to pursue her dream of living and working in Paris. The plans were set, and they had one foot out the door. But during their last case at the Jeffersonian, Angela witnesses Hodgins’ excitement as he operates a piece of machinery. And he literally tells the machine that he will miss it. The scene cuts to Angela just staring at her husband. And later, she informs him that they have to stay in D.C. Hodgins’ life is at the Jeffersonian. And she cannot take away his dream just to fulfill her own. Even if he would willingly bend the world to make her happy. “And-and I’m okay with it. As long as I’m with you.” Additionally, the paralysis arc was some of TJ and Michaela’s most compelling work to date. Like Booth and Brennan, Hodgins and Angela have proven time and time again that they are solid. Though they nearly crumbled when Hodgins spiraled into a dark and hopeless state after learning that he may never walk again. Angela refused to give up on her husband and the life they share. And she helped him find his way out of the darkness. Now they are thriving once more. And I couldn’t be happier. They deserve the world, and more. Angela is Hodgins’ carburetor for life. 

This is probably my last post on the whole “Liz is dead” situation but I want to talk about my great grandmother, who is currently 92 years old. When I was growing up, hell even now, she’d tell me a lot about her own stories, mostly about how terrifying life was under both the British Raj and Nizam rule (her side of my family is from Hyderabad - Google the Nizams and the Razakars if you’ve never heard about them, that’s a whole other thing of its own).

Something I remember very clearly is her telling me about this one song she was forced to sing in her school - she went to a Christian convent school - and the song was about the greatness of “George Prabhu and Mary Rani,” aka George V, Elizabeth II’s grandfather. Recently my mom was able to film her singing this song so that we could listen to the lyrics, which are originally in Telugu, and roughly translated it means “we’re singing in honor of George and Mary, who are the rulers of India and have brought great fortune to India, and we see them as our father and mother.”

This is just a really difficult reminder that when we’re talking about why Elizabeth II and the royal family don’t deserve our respect or condolences, many of us have very personal stories that run deep through our families. “But she was a mother, a grandmother, a person” and I don’t care because she and her family were in the business of dehumanizing and erasing the identities of millions of other mothers, other grandmothers, other PEOPLE. Why else would my great grandmother be forced to sing a song in their honor? “But she wasn’t responsible for India” fair enough, her darling grandfather had a great time doing that, but how about you go and talk to Kenya? Or anyone in Africa? Or the Caribbean? I’m sick and tired of being told to “not speak ill of the dead” when REALLY I and millions of others should be getting an apology from anyone who wants to “praise her legacy” and talk about how “revolutionary” she was.

edit: i got the george’s mixed up before. george v is elizabeth ii’s grandfather. george vi is her father.

idk if this has been done before | insp.

the funniest thing about ghost files is how terrified ryan is about finding evidence

ABBOTT ELEMENTARY (2022 -) 2.07 - Attack Ad

Keep seeing posts in solidarity with the WGA strike that say things like “no one cares about your favorite shows” and “fuck your tv show. I hope it gets canceled” and while I understand and agree with the underlying sentiment, which is clearly “Real people are more important than fictional ones, you dipshit” I don’t like the framing because, well, it feels shitty to dismiss the importance of the work made by the workers we’re trying to defend.

No one cares about your favorite shows more than the writers do.

No one understands the power and importance of tv and film more than the writers who created them.

No one loves tv, movies, games, and stories more than the people who fought tooth and nail in an incredibly competitive and underpaid profession for the chance to be part of it.

They know it’s important. They know it changes lives. They know it can be more than just a story, more than just a bit of entertainment. They’ve loved and respected this medium, continue to love and respect this medium, more than you ever will.

The person who wants a show to get canceled the least is the writer who poured their everything into making it good.

TV and movies are great, actually, and you are not wrong to be invested and care about them. That’s what the writers gave you. That’s what the writers wanted when they wrote it. That’s why they wrote it.

Which is why we respect them when they make the call that this strike and its demands are worth risking it.

The people on that picket line do not want their shows canceled. They want to keep writing them. They can’t, not under the current conditions.

So we accept the risk with them and support them.

But I don’t want to berate the power and importance of their work, the value they put into it and the love they have for it, in the same breath that I am defending their strike. Worthy shows will likely get canceled or derailed and that will be a tragedy worth mourning. The writers know that better than anyone.

So when they say something else is even more important, we listen. And when your favorite show gets ruined, you make sure your fully justified anger and grief is pointed in the right direction - at the CEOs who killed it.

#an adoptive dad and his adopted son (clearly)