C-est-ta-fille-rousse - ✌🏽

INCORRECT QUOTE BREYNOLDS

Brimsley: Reynolds kissed me!

Agatha Danbury: Oh my God! Oh my God! Oh my God!

Brimsley : It was unbelievable!

Agatha Danbury: Oh my God! Oh my God! Oh my God!

Queen Charlotte: Okay, we wanna hear everything. Lady Danbury, get the tea and light the candles. Brimsley, does this end well or do we need tissues?

Brimsley: Oh, it ended VERY well!

Agatha Danbury: Do not start without me! Do not start without me!

Queen Charlotte: Okay, alright, let’s hear about the kiss. Was it a soft brush against your lips or was it like a, you know, “I gotta have you now” kind of thing?

Brimsley: Well, at first it was really intense, you know? And then, oh God, and then we just sort of sunk into it.

Queen Charlotte: Ohh... So, okay, was he holding you? Or were his hands on your back?

Brimsley : First they started out on my waist and then they slid up and then they were in my hair!

Agatha Danbury and Queen Charlotte: tell us more, more!

*meanwhile*

Reynolds while walking behind King George: And, uh, and then I kissed him.

King George: Tongue?

Reynolds: yes your majesty.

King George: Cool.

This is giving strong Icemav or Hangster

whatever was left, that was ours for a while.

sunrise - louise glück

my Mexican dad before we went to go see Wakanda Forever: so Namor, it means like “no love”? Is that part of his character?

me: no dad, that’s just been the character’s name since 1939.

Namor in the movie: so I took that as my name, “Namor,” the child without love!

my dad:

Ice: I can't fix Mav, but I can fuck him, see if maybe that calms him down.

Stop and Smell the Flowers: Dick van Duijn Captured a Squirrel’s Floral Delight

Rebecca and Roy giving each other a wake up call! TED LASSO (2x01 | 3x09)

Keep seeing posts in solidarity with the WGA strike that say things like “no one cares about your favorite shows” and “fuck your tv show. I hope it gets canceled” and while I understand and agree with the underlying sentiment, which is clearly “Real people are more important than fictional ones, you dipshit” I don’t like the framing because, well, it feels shitty to dismiss the importance of the work made by the workers we’re trying to defend.

No one cares about your favorite shows more than the writers do.

No one understands the power and importance of tv and film more than the writers who created them.

No one loves tv, movies, games, and stories more than the people who fought tooth and nail in an incredibly competitive and underpaid profession for the chance to be part of it.

They know it’s important. They know it changes lives. They know it can be more than just a story, more than just a bit of entertainment. They’ve loved and respected this medium, continue to love and respect this medium, more than you ever will.

The person who wants a show to get canceled the least is the writer who poured their everything into making it good.

TV and movies are great, actually, and you are not wrong to be invested and care about them. That’s what the writers gave you. That’s what the writers wanted when they wrote it. That’s why they wrote it.

Which is why we respect them when they make the call that this strike and its demands are worth risking it.

The people on that picket line do not want their shows canceled. They want to keep writing them. They can’t, not under the current conditions.

So we accept the risk with them and support them.

But I don’t want to berate the power and importance of their work, the value they put into it and the love they have for it, in the same breath that I am defending their strike. Worthy shows will likely get canceled or derailed and that will be a tragedy worth mourning. The writers know that better than anyone.

So when they say something else is even more important, we listen. And when your favorite show gets ruined, you make sure your fully justified anger and grief is pointed in the right direction - at the CEOs who killed it.

Got back from seeing the movie again and a tiny theme I liked was the solidarity in the younger POC generation vs the older gen.

Margo, Hobie, Pavitr and Miles all had eachother’s back. They fought together, they helped eachother in small ways like Hobie telling Miles to use the palms, and big ways like Miles saving Captain Singh and Margo letting Miles go “home”.

They could’ve stopped him, they could’ve not helped eachother but they did. Because they understood and they all realized what was wrong with the Spider Society. All of them at the end came together to support and help Miles, in the way the rest of the spiders couldn’t.

And when you put that into perspective with Miguel and Jessica, older POC that gave no support. They believe that Miles has to suffer in order to become Spider-Man, that pain will always have to happen.

But the others don’t believe that, they know that best way to be a hero is uplift and help eachother. Often the parents, the older generation compromise their morals and others for the future, for them to grow up safer and yet the future generation always has to reckon with the consequences of those actions without even having a say in the first place.

That’s a damn message, and I love that they used the younger poc generation to show that because this does happen in real life, there is a difference and our parents, our grandparents believe that pain has to happen for our identity to be created.