ruth ○ she/her ○ 20s ○ peace sign bisexual ○ never really knows what's happening ○ will probably figure it out someday ○ maybe ○ hopefully
196 posts
Who gives a shit if Dennis is gay or bisexual, the only thing that matters is that he's an opportunist.
He whored himself out to make bank and I respect that.
IT'S ALWAYS SUNNY IN PHILADELPHIA
⤷ S5E9. Mac and Dennis Break Up
do you ever see someone in some quiet intimate moment and suddenly love them so desperately you feel like you’re dying
#like when they pass a mirror and make a face and mess with their hair a little #or when you hear someone singing in their car with the windows rolled up as they drive past you #i don’t know how to express this i just. people are people and it makes me so sad and filled up sometimes
obsessed with jamie correcting everyone. i can picture him reading in his free time so he can enter his “well, actually” era
The next Himbo event would be them huddled over at the whiteboard discussing plays on how Roy can win back Keeley.
I AM MANIFESTING THIS.
One of the only things that has irked me so far this season is how Ted's "one out of eleven" style of coaching has kinda disappeared with Zava's arrival, but I think him feeling like he lost/is losing his sense of purpose in London offers a little bit of explanation.
midway through the episode, ted asks henry if he knows that he would only be away from him for something he truly believes in. henry immediately says he knows, but ted so obviously isn’t sure of what his reason or purpose is anymore. meanwhile, the entire episode is a testament to how much ted has affected everyone around him for the past two years - the team works together so easily, jaime has assumed a real leadership role, rebecca is reminded of the importance of ted’s way over rupert’s, and the entire press room not only listens to him but participates alongside him showing how he has swayed popular opinion and culture as a whole. yet ted still doesn’t see why he’s there.
ted’s main thing is “believe,” but this season he’s the only who doesn’t believe.
Also we’re not gonna talk about Jamie’s little “Ted Lassoism” so to speak when he said “Bingo, el Ringo” after reminding the boys it’s “just poo-peh” cause that shit had me smiling so much
Anyone who thinks Jamie Tartt doesn't look hot af this season needs to get their fucking eyes checked
In tonight’s hottest episode, Ted Lasso season 3 episode 3 has it all: gay Colin Hughes, boys kissing, group meditation, himbos, Jesus Christ Superstar, a therapist who should lose his license, a therapist who is a goddess, a psychic visit, truth bombs, Keeley slaying her job, soft voice Roy Kent, awkward encounters with your ex, everyone’s favourite restaurant, the first time I’ve gotten full body chills over a matchbox, Jamie Tartt wearing slutty little earrings
Jamie Tartt with all the braincells in this episode
“Look, I know you all want me to talk about pie charts or cake graphs, but that’s not the entire story. What you don’t see is how I make sure that forgetful students get supplies. Or how I help students with broke parents get uniforms that fit so they don’t get roasted all day. Or how I have barrels of lotion stashed all around the school so these kids don’t start a commotion with their crusty ankles. My unique approach betters the school."
…I keep doing it lol
previously in this series: Ryan & Shane
Top 5 Beatdown Spoilers Out of Context @wearewatcher
The way this scene made me actually sob:))))) I’m fine:)))))
I do think the majority of us should strangle the shame that lives inside of us like wringing water from the rag until we are soft and dry and weightless
Source: Screen Rant
I need your help. House M.D. | 2x13 Skin Deep
My favorite part of the movie was when Liam and Theo decided not to participate in it and instead spent their honeymoon in Japan, where they met Hikari - a friendly ramen shop owner - and Liam went full-on history nerd mode, talking about Japanese culture, trying his best with foreign terminology. The museums? Kira's cameo? Perfect sequel, guys, we keep winning!
whatever was left, that was ours for a while.
sunrise - louise glück
why the line "this isn't even a car key!" is just the funniest thing ever? am i just dumb? wait! don't answer that!
I wish I could blaze a post telling people to test their smoke alarms but I have literally no money so if y’all could help me spread this the old fashioned way
namor being called “a child without love” by a spanish friar who was cooperating with and supporting conquistador enslavers when namor was literally there because he loved his mom and she loved the surface world and this was her home and they were desecrating it with pure evil.. oh it made me MAD
knives out 1: in a world full of exploitation -- amidst rich assholes who are all playing their own games, in a country that feels entitled to a land they stole -- you have to play your own game, and a strategy of kindheartedness is valuable.
knives out 2: but beating them at their own game is also valuable. burning shit down will be the answer sometimes. and the rich are not immune to destruction, despite all their resources, because their networks are so toxic and codependent. and also they're dumb. they're a very shaky tower of cards.
ryan bergara is the emma perkins of puppet history send tweet
rian johnson has managed to evade all common ethical problems in his screenwriting and i want everyone to know that the knives out mysteries are a perfect representation of how to write about a certain community respectfully AND simultaneously not make a big deal of how good you are at being a diverse writer.
in knives out and glass onion, both main characters are women who have been wronged by the other main character(s)—in marta's case, she experiences xenophobia from the thrombey's constantly; in andi's, she came up with a billion dollar idea which was stolen by a white man. when she took him to court for it, her entire friend group sided with this man; this directly affects helen after andi's death.
andi and marta's stories specifically represent real experiences for women who are minorities in america, but the stories are told without being too ham-fisted or obvious about it. these aren't stories about racism, xenophobia, and misogyny, they're stories involving racism, xenophobia, and misogyny, which i feel is something you don't often see. they're not triyng to prove a point by telling these stories, they're just stories being told—it's a difference that's hard to describe, but you know it when you see it. it's got less of a looking-into-the-camera-for-emphasis vibe.
alongside this, benoit was never a white/male savior to neither helen nor marta (respectively). he helped helen when she came to him about andi and he stood behind marta when he saw the tox report, but he never took over the case and they were never treated like damsels in distress. in the end, helen and marta took control of their own revenge and benoit nudged everyone else to the side while they did it. benoit is not the hero of these stories, helen and marta are.
this is good fucking writing!!!! i need film bros to be positively insufferable about rian johnson NEOW
edit 12/26/22: i've been told that ana de armas is a white latina. genuinely i did not know, she always looked brown to me and i haven't seen her in anything other than knives out, that's truly my bad. i've updated the post now to change the language about marta, other than that everything remains!
all of human history and language has led us to this exact moment. holy shit.
Steven Lim: "we're hemorrhaging money every month I don't know if I can afford groceries at this point"
Ryan Bergara: "More than 20 people are financially dependent on me catching ghosts and my emotional relationship with a blue puppet, I'm so scared we'll fail"
Shane "meh we'll be fine" Madej: "meh we'll be fine"