Some Twitter Dot Com Shenanigans, Might As Well Post This Here Too :D

well, just explored the "mabel pines defense squad" tag

there were a lot of strongly worded posts

some misc headcanons

pacifica started working at greasy's because her parents made her. she was spending too much time talking to dipper and mabel and her parents were like "if you're going to fraternize with common rabble, you're going to work like one". they don't really care about collecting the paycheck she earns. they just did this to spite her for having friends and to punish her for it (joke's on them because she meets even more friends at the diner while working there)

after paz leaves home a couple months after turning 18, she goes and lives with susan for a while until she gets an apartment with dipper and mabel in town (theyre either going to a local college or getting their degrees online cause they wanna be in gravity falls as soon as humanly possible)

the Career headcanon i have for the twins + paz is that they start a paranormal pest control & problem resolution service. kind of like the ghostbusters, but not always ghosts and not always busting things. sometimes they just need to use diplomacy. either way, i feel like it's the perfect gig for them. it's a service that is needed in gravity falls, it's something the twins are well-experienced in, and it's something they enjoy immensely, too. win win win. dipper and mabel are primarily the ones doing the field work while pacifica is their bookkeeper/receptionist/general office person, putting her business degree to good use, but sometimes she'll join them on a mission when she's up for adventure

Stan twins: codependency & identity issues

“I tell you it’s unnatural for siblings to get along as well as you do,” says Stan to Dipper and Mabel in Not What He Seems, clearly missing his own relationship with Ford before things started to change. “We used to be like Dipper and Mabel,” says Ford in Weirdmaggedon 3: Take Back the Falls. Were they really, though?

I think what many people don’t get about Stan and Ford’s dynamic as children, or even as teenagers, is that, no matter what Stan and Ford think or say about it, they were not like Mabel and Dipper. That just highlights their lack of self-awareness. Here’s a canon analysis for anyone who cares to understand my point:

Mabel and Dipper have overall very different interests and hobbies and act separately on them. They have other friends and spend time with them—well, at least Mabel has Candy and Grenda, as the bubbly social butterfly she is; Dipper, on the other hand, seems way more preoccupied with deciphering the mysteries of Journal 3, but doesn’t miss an opportunity to be included in Wendy’s cool teenage group, as seen in episodes The Inconveniencing and The Love God (in the latter, he seems to be actually succeeding). As fraternal twins of different genders, no matter how alike they look (and despite Mabel’s joke of being “girl Dipper”), they still manage to retain pretty distinct identities. No issue here.

Mabel does her sleepovers, goes to boy band shows, and has encounters with potential crushes. When a surprised Dipper asks her about her vampire love in The Deep End, she points out, “I don’t tell you everything.” Dipper, meanwhile, explored the town with Soos, went to Wendy’s house, hung out with her teen gang, and overall lived many adventures without Mabel, such as trying to prove himself a man with help of the Manotaurs. I think the episode that shows the healthy independence Dipper and Mabel had from each other the best is probably Carpe Diem, inspired in Alex’s real life frustration with his sister, Ariel, but it can be observed all through the series:

What is shown to us in AToTS already differs from that. The Stan twins were inseparable, and each other’s only friends, as Stan establishes early on in his narrative: “Those bullies may have been right about us not making many friends, but when push comes to shove, you only really need one.”

With his question to Ford in the Lost Legends comic, The Jersey Devil’s in the Details, Stan implies they really did everything together, in a way reminiscent of Phineas and Ferb: “So what’re we gonna do today, buddy?”

Even small details, like the toys in their room, served to show the difference between the Stans and Dipper & Mabel, as Matt Chapman clarifies on the episode’s official commentary:

You also see that at this age, all the stuff that would cross over, that would appeal to both of them. You know, it’s not just like, oh, there’s science stuff here and then there’s like—I don’t know—what little Stan would be into. It’s like, no, they both like all this.

“But Mabel was just as desperate in Dipper and Mabel vs the Future as Stan was in A Tale of Two Stans!” Yes, true. She was, and I do believe her relationship with Dipper was the most important one in her life. But do you think the facts that a) she was already terrified of growing up, as shown in the episode Summerween, b) Candy and Grenda declined her invitations to their birthday party, c) Wendy showed her the apparently terrible reality of being a teenager, and d) Stan told her that it would be fine because at least she would always have Dipper... had nothing to with it? Originally her parents were going to forbid her from bringing Waddles to Piedmont, as revealed in the episode commentary of Dipper and Mabel vs. the Future, as just one more heartbreaking thing on the pile of Mabel’s Terrible, Horrible, No Good, Very Bad Day. (Of course, teen Stan’s circumstances were aggravated by the bad home situation he was being “left alone” in by Ford—just like Mabel! Whose parents were arguing, per TBoB canon, to the point of giving Dipper recurring nightmares.)

Another very important thing is that the poor girl was twelve years old, while Stan was presumably seventeen-ish, an age at which separation would be normal and even expected, with the time for college approaching. In fact, differently from what happened with Mabel, whose imminent separation from Dipper came out of left field through an unexpected proposal by Ford (foreshadowed only by her slight discomfort over how close Ford and Dipper were becoming), there was a blatant rift between the teen Stans that Ford went so far as to acknowledge to Stan’s face. Using Stan’s own words from the Land Before Swine commentary: “Anyway, cut to high school, the guy’s never kissed a girl, prom is coming up, and he asked me for advice. ‘Stanley, I know things have been a little weird between you and me with college, but can you talk to me about girls?’” That was before prom (the one in which a girl threw fruit punch at Ford), mind you.

And still, this is what Stan thinks when he realizes Ford is going to accept the scholarship: “Without Ford, I was just half of a dynamic duo. I couldn’t make it without him.” He saw himself as only half of a whole—no wonder, with the way both twins were pushed to believe this since their birth, when they were both named Stan.

When asked about Shermie, Alex observed that a crucial part of their dynamic is that they only had each other. No younger or older brother to support them. The quote from HanaHyperfixates’ and ThatGFFan’s interview:

In terms of Shermie, I remember asking Rob or somebody at some point, like, “Would Shermie be here, logically? Do we have to see him?” I don’t really wanna see him. I’m not interested in that. I’m interested in Stan and Ford being—sort of having only each other and then losing each other because of their different life paths.

I think the suggestion was, “Maybe Shermie would be a baby. Maybe that would happen.” And being like, “okay sure.”

Let’s not forget, too, the only time Ford ever mentions Shermie in Journal 3—“Sherman Pines’s,” surname and all:

From my own observations about their parents, that point is only driven further home.

Filbrick is, well, Filbrick. I don’t think I need to explain much here; every one of us has different interpretations and headcanons about him, but they seem to all agree on the common factor he wasn’t a good father—how much that can be justified by their time period or stretched to accommodate the most heartwrenching stangst is up for debate, just not a subject for this post.

Caryn is more complicated. I think Filbrick was definitely ‘worse’ than her, so to speak, at least in a more obvious way, and she has canonically demonstrated considerable fondness for Stan in particular—according to her, Stan’s rambunctiousness can be attributed to an excess of “personality,” he’s her “little free spirit.” She was, most notably, one of the two people present at Stan’s funeral if the info on the new website is to be trusted. We see her smiling brightly in the picture of the baby Stan twins included in TBoB, which hints at the fact she indeed liked her kids.

But the fact that she, as an adult, didn’t intervene when Stan was kicked out is simply, in my point of view, inexcusable. One could say she was momentarily paralyzed from an overwhelming fear of Filbrick, as a supposed victim herself, but a) that’s already entering headcanon domain, and b) I think that’s far from the truth and directly contradicting the comics, in which she looks happy and relaxed in the company of Filbrick: initiating contact and kissing him on the cheek, comfortingly stroking his back, looking at him with can only be described as tenderness... I don’t think Filbrick is meant to be seen as a monster, not in an exaggerated way. (He’s shown to be touched by Stan’s little stunt with the golden chain, too.) Just a really shitty father, in a common, boring, more nuanced, no less traumatizing, way.

Borrowing a paragraph from a previous analysis:

To me, the most telling thing of all is the fact Stan calls for Ford to help him, not his own mother. Ford, his brother, same age as him, who was at the moment beyond furious with him and very unlikely to show any compassion. Ford, whose attempts to change Filbrick’s mind would more likely than not have been unsuccessful. Not Caryn, adult, who probably had much greater sway over Filbrick. They say a child’s first instinct is to call for their mama. Clearly not in this case!

I’m not saying, here, that Caryn didn’t care about her boys. I elaborate more on her in the meta referenced above, here.

I find it adorable how easily, without any previous prompting, baby Stanley opens up to Ford about his feelings in the comics. The sheer vulnerability of this moment, seeking Ford’s reassurance that he wasn’t a bad kid; the implicit, profound trust, especially coming from someone like Stan, who grows into a man packed to the gills with toxic masculinity due to what he learned from his father. And the manner in which Ford gently comforts him, as if he were used to doing so. As Stan, too, had been shown to do when Crampelter mocked Ford’s fingers. They were clearly accustomed to being each other’s emotional pillars, in the way that kids who learned early on that they can’t count on adults or lean on the authority figures in their lives start building their own little safe space.

The way I see it, the Stan twins got along extremely well, for better or for worse. No obnoxious sibling bickering. No fights and conflict. How could they? They were literally each other’s only friend. If anything, their first major fight was caused by lack of communication, among many other things; they repressed their frustrations with each other to a ridiculous point instead of simply externalizing them like you would expect of an average sibling dynamic.

Second of all, they were monozygotic aka identical twins, as strongly hinted in the show, comics, and books, and as confirmed by Alex on the TBoB website, the behind-the-scenes DVD commentaries, and Twitter. The first mention of it, in 2015, below:

They were both named Stan, they had the same face. I’ve read irl identical twins’ confessions about the nature of such a relationship re: identity issues and how people tend to treat you, and it’s often not pretty. In the Stan twins’ case, their sense of identity was beyond blurry, and it’s not difficult to see why. If you pay attention to the show or the comics, you’ll see many hints of this unhealthiness: the way they were both called to the principal’s office (“Pines twins,” even though only Ford was an interested party), the way Stan was called “a dumber, sweatier version” of Ford by Crampelter, the way they had already pretended to be each other before, not in their childhood but adolescence (Stan’s idea, according to hilarious extra material in the DVDs).

Baby Ford, in the comics, has demonstrated a tendency to shoulder the blame that should only be attributed to Stan. For example, when he exclaims, “Oh my God! We killed the Sibling Brothers!” Ford, honey, if anyone had killed the Sibling Brothers, it would’ve been your brother, the person who shoved them in the first place. Not you.

I find it adorable that he also grounded himself for Stan! Filbrick had been very clear about grounding Stan, only, not both twins. But Ford stays with him as if he were grounded as well, as if he didn’t even have a choice. Where Stan was, there was Ford, not far behind.

They were an unit. Inseparable. As simple as that.

Until they weren’t.

The science fair incident happens, of course—and it’s worth noting Ford doesn’t consider the possibility that Stan sabotaged him out of jealousy or envy of his success for even a second! Instead, he immediately assumes Stan broke his machine so Ford would stay with him!

Did their codependency end with their separation, then? I’ve seen many people believing that yes, it did.

But mullet!Stan, now an adult, ten years after his fight with Ford, still resents Ford for not staying with him “forever”:

Not only that, but as Rob Renzetti (who is Gravity Falls’ supervising producer and story editor and the co-author of Journal 3) phrased it in this separate interview by HanaHyperfixates, Ford’s absence in Stan’s life haunted him and shaped all his relationships:

Um, I mean, to me that’s—I mean, really, Stan—Stan’s life has been… it’s been… sad, and lonely, since—he really… his brother was his best friend, and he loved him so, and I don’t think, you know, I don’t think any other relationship ever worked out for him, because of what happened between him and his brother.

And by the end of it all, you get Bill calling Stan “co-dependant” (British Bill?) on the TBoB website:

I know you might think, at first, that we should take Bill’s insults with a grain of salt, since he’s 1) Bill and 2) petty and desperate. But Bill has also a track record of trying to hit where he thinks will hurt the most, and he knows people. His insult here is not an isolated thing either. It might have been easily dismissed, I agree, if not for all the other evidence for the Stans’ codependency that I’m currently showing you. It’s just one proof out of many, just reinforcing an idea that’s already presented quite clearly.

If you’re still not convinced, Alex has revealed in HanaHyperfixates and ThatGFFan’s interview that Ford’s entire character was built around the type of person that could plausibility explain Stan’s neediness:

Ford was very much us building backwards. The same way you know a black hole is there by the light warped around it, it’s like, you know the damage someone’s family has done to them by all of their weird tics and behaviors. So who is the character who would result in Stan being this hurt and needy and mad and also longing?

But Stan’s codependency, imo, was always easier to see than Ford’s, to the point people mistakenly think Stan cared more about Ford than Ford about him. (I’ve dedicated an entire meta to debunking that assumption as well, here.)

In the commentary of Society of the Blind Eye, though, Alex added, referring to Ford and Fiddleford’s friendship:

Ford as somebody who lost Stan is kinda looking for—even though he rejected his brother, he kinda needs, he needs that other person, and he tried to find that in this kinda sweet prodigy and he just pushed him too far.

What Alex said about Ford’s relationship with Fiddleford can easily be applied to Ford’s relationship with Bill and with Dipper, since Ford needs “that other person,” needs to be one half of a duo. Ford has tried to recreate his dynamic with Stan again, and again, and again:

And then, of course, we have Ford’s proposal.

What’s really cool about this first image (below) is that it was drawn before Stan even accepted Ford’s proposal, and parallels their childhood picture in Ford’s pocket (one that, per Word of God, Ford has always carried with him, even before his portal days, as explained here) in a very obvious manner:

Ford was already excitedly fantasizing, drawing fanart of them together, picking their outfits and the name of the boat.

But more than that, he also says:

[...] I think it’s time for the Pines twins to join forces again. At least, I hope so. I haven’t discussed my idea with Stan yet. But if I know my brother, he will jump at the chance to find “money and babes.”

And this, to me, expresses both his hope that Stan would welcome his idea and agree to sail away with him and his almost certainty that it is exactly what is going to happen. Ford does mention Stan’s love for “money and babes,” but do you guys think Ford didn’t know what (or better yet, whom) Stan actually loved? In AToTS, Journal 3, and TBoB’s new canon material, we can observe that same certainty. In all three instances, Ford immediately assumes that Stan will show up and come for his call via postcard with no indication whatsoever that the possibility of Stan declining showed up in his mind.

Alex has also commented, in the first interview I’ve referenced:

Those characters at sea—it was so rich. They’re really really funny, because they both have major major blind spots. I can kinda write stories about them as a duo forever, because you can always excuse them both getting hyped on a bad idea for their own reasons, and then you can always come up with a reason for them to disagree about it, and it’s always sweet to see them come together again, because they’re so full of themselves, but they are also both so damaged they desperately need each other.

Not only reinforcing the idea that their codependency was—or at least eventually became—mutual, but confirming that things returned to their status quo. Ford has a black & white mindset, the only way he knows how to be with Stan is a codependent way. They’re either separated and estranged or they’re sailing completely alone on a boat for the rest of their lives. Either rivals or best friends forever. There’s no middle ground for him.

I made a Romeo cardboard cutout, and my parents and my sibling are scared of him which they call "the cardboard demon" and I have been placing him all over the house to scare people these past holidays. Just wanted to share that :)

~~~

A lot of people have Pacifica want to become a lawyer, which makes sense because of all the times she threatens to sue . . . but I have a weird little headcanon that keeps popping up in my fics where she becomes a comic/cartoon artist, which she bonds with Stan over. When she's older she puts some of her own experiences growing up (like, being trained by a bell, what the heck) down in comic form, maybe in a direct way, maybe in more of an allegorical way.

i can't believe my very first art post here is minecraft story mode shitpost

In The Book of Bill, Dipper has his nightmare about his parents having... Maritial issues? Do you think Dipper tell Pacifica about the possibility of his parents spitting up? I know Pacifica tells her problem with her parents with Dipper.

On another note, angst dipcifica ideas?

Loooong post ahead. I think I got a little carried away.

I like the idea that Dipper and Pacifica, as they become better friends and stuff, both confide in each other - we only really see Pacifica confiding in Dipper in the show and books, which makes sense because she has one episode and one story focused on her (The Golf War was more about Mabel than her, though it was definitely important for character development) but just her telling him about her own problems probably wouldn't be sustainable for a long term relationship (whether romantic or platonic) (he's not her therapist lol)

I realize that's not really answering the question, that was just my tangent about what I headcanon (fun fact about me: I don't have very many headcanons because I like to keep my options open for what I write/draw about - I know headcanoning something doesn't automatically mean you can't ever go against that headcanon, it's just a random thought in my second tangent in this answer) so for if he tells her about his parents possibly splitting up: Maybe. I'd say it depends on how much their relationship (again, this could be platonic or romantic, even if I know we both ship them lol) has developed since the events of Northwest Mansion Mystery and Face It. It also could depend on how long it's been since they met her; she was still a bully to Mabel (and mean to everyone, but Dipper mostly cares about Mabel) and even if both the twins forgave her he might not be willing to open up very quickly to her. On the opposite side, she's already been vulnerable with him twice, which could make him more willing to open up in response to her, especially since it's (if we take his search history in BoB as canon and not something Bill made up, which I am generally inclined to do for when he was talking about anyone other than himself, but there's still the possibility that he was just Making Stuff Up) pretty much canon that he doesn't have friends outside of Gravity Falls and Mabel.

Tl;dr it depends on how you interpret them and their relationship post-canon. I would say that he'd probably tell her. Not right away or anything, but if they keep in communication with each other, eventually.

That was a lot of words, but I guess I have a lot of thoughts about these guys?

As for angsty Dipcifica ideas . . . this one's a little harder for me, since . . . well, I'd say I'm not a super angsty writer, though I've definitely done some. But I've come up with a couple!

The two of them go on some sort of adventure/monster hunt, get into a fight, and maybe they're distracted from something attacking them or one of them pushes the other and they fall in a hole. They get injured and the other one blames themselves for extra angst points! Could probably work with either in either role, though if Pacifica is the one who does NOT get injured there could be angst about her mean girl era, and if Dipper's the one who didn't get injured he could have angst because of his lower self esteem.

Other characters disapproving of their relationship. Not just Preston and Priscilla, who can definitely put a lot of angst (mostly on Pacifica) and you can definitely do a lot of different things with that relationship, but also some of the Pines's friends and family, like Stan, Ford, and Wendy, who can disapprove because she was a bully. Or even the Pines parents if they're a little older and Dipper takes Pacifica to meet them! Why the parents would disapprove, I have no idea. Well, I have some ideas, buuut I digress. This could put pressure on both of them and maybe they consider ending their relationship but ultimately decide that they're happier with each other (and they'll always have Mabel's support. She's the #1 Dipcifica shipper.) Unless you want to take it a really angsty route and they do break up. Maybe they get back together, maybe they don't.

They're dating but they're both super insecure about themselves and this culminates in . . . idk, maybe they hide their insecurities which leads to trouble, or maybe they sense the other's insecurities and try to help them, but it ends up backfiring and hurting them instead. Then they have guilt and even more insecurity!

I think that's all I got for now, though I'll probably be thinking about more Dipcifica angst stuff for a few weeks, but this was fun! I hope the wall of text wasn't too hard to get through and that it wasn't too confusing!

ma there's a weird snowman outside

I just want y’all to know that one time during lockdown I played a lot of Minecraft because I had nothing better to do and then later I was going to go into my room after a shower so I could go back to being a hermit but it was dark so I just thought “oop, can’t go in there, there’ll be skeletons spawning there and they’ll shoot at me”

And for LIKE FIVE WHOLE SECONDS I didn’t question it and I just turned on the lights and walked out into the living room to wait it out, just thankful I had my pajamas on already so I didn’t have to fight off the shooty skeletons in my dark closet where there might be some creepers too

And then all of a sudden I was like “Wait what the frig skeletons aren’t real” and then just went back into my room

And I think about that a lot. So if ANY OF YOU dare to think that I have any more than three and a half braincells on a really good day, just please remember this and know that you are sorely mistaken