You Don't Need An Agent! Publishers That Accept Unsolicited Submissions

You Don't Need an Agent! Publishers That Accept Unsolicited Submissions

I see a few people sayin that you definitely need an agent to get published traditionally. Guess what? That's not remotely true. While an agent can be a very useful tool in finding and negotiating with publishers, going without is not as large of a hurdle as people might make it out to be!

Below is a list of some of the traditional publishers that offer reading periods for agent-less manuscripts. There might be more! Try looking for yourself - I promise it's not that scary!

Albert Whitman & Company: for picture books, middle-grade, and young adult fiction

Hydra (Part of Random House): for mainly LitRPG

Kensington Publishing: for a range of fiction and nonfiction

NCM Publishing: for all genres of fiction (YA included) and nonfiction

Pants of Fire Press: for middle-grade, YA, and adult fiction

Tin House Books: very limited submission period, but a good avenue for fiction, literary fiction, and poetry written by underrepresented communities

Quirk Fiction: offers odd-genre rep for represented and unagented authors. Unsolicited submissions inbox is closed at the moment but this is the page that'll update when it's open, and they produced some pretty big books so I'd keep an eye on this

Persea Books: for lit fiction, creative nonfiction, YA novels, and books focusing on contemporary issues

Baen: considered one of the best known publishers of sci-fi and fantasy. They don't need a history of publication.

Chicago Review Press: only accepting nonfiction at the moment, but maybe someone here writes nonfiction

Acre: for poetry, fiction and nonfiction. Special interest in underrepresented authors. Submission period just passed but for next year!

Coffeehouse Press: for lit fiction, nonfiction, poetry and translation. Reading period closed at time of posting, but keep an eye out

Ig: for queries on literary fiction and political/cultural nonfiction

Schaffner Press: for lit fiction, historical/crime fiction, or short fiction collections (cool)

Feminist Press: for international lit, hybrid memoirs, sci-fi and fantasy fiction especially from BIPOC, queer and trans voices

Evernight Publishing: for erotica. Royalties seem good and their response time is solid

Felony & Mayhem: for literary mystery fiction. Not currently looking for new work, but check back later

This is all what I could find in an hour. And it's not even everything, because I sifted out the expired links, the repeat genres (there are a lot of options for YA and children's authors), and I didn't even include a majority of smaller indie pubs where you can really do that weird shit.

A lot of them want you to query, but that's easy stuff once you figure it out. Lots of guides, and some even say how they want you to do it for them.

Not submitting to a Big 5 Trad Pub House does not make you any less of a writer. If you choose to work with any publishing house it can take a fair bit of weight off your shoulders in terms of design and distribution. You don't have to do it - I'm not - but if that's the way you want to go it's very, very, very possible.

Have a weirder manuscript that you don't think fits? Here's a list of 50 Indie Publishers looking for more experimental works to showcase and sell!

If Random House won't take your work - guess what? Maybe you're too cool for Random House.

More Posts from Candlewriter and Others

4 months ago

Me: *looking at a porcelain hand in the home decor aisle of a store* if I lost my hands in some kind of tragic accident, I’d decorate my entire home with hand-shaped things. Then I’d invite guests over for like, dinner parties and such and sit there expectantly just basking in their discomfort.

My boyfriend: Do you hear what you say when you talk? Do you know what you just said to me?


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3 years ago
Unreasonable Ideas

Unreasonable Ideas


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5 months ago

hey, can we talk for a second? it’s about your girlfriend. yeah, she’s great. no, yeah, I agree. It’s just that… she seems really devoted to you? Like really devoted. Almost as if you were the sole, fragile line mooring her to the shores of humanity. No, that’s not romant—ugh. Listen. Me and the girls, we’re worried you might be the last good thing to happen to her and that were some tragedy to inevitably befall you, she would tear the gods from their thrones and dye the infinite western seas wine-dark with their ichor. Do you think you could introduce her to a new hobby or something? we don’t want to have to argue over what color “wine-dark” is supposed to be


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2 years ago

One of the most stressful and terrifying moments is when you are watching a series/season finale, and you realize there isn’t enough time left in the episode for it to end the way you want.


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2 years ago

Every character i ever write will inevetably be neuro divergent coded because i can not for the life of me figure out how the fuck neuro typical people function.


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4 months ago

Big fan of sun motifs in characters not necessarily being about positivity and happiness and how they're so " bright and warm" but instead being about fucking brutal they are.

Radiant. A FORCE of nature that will turn you to ash. That warmth that burns so hot it feels like ice. Piercing yellow and red and white. A character being a Sun because you cannot challenge a Sun without burning alive or taking everything down with them if victorious.


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3 years ago

worldbuilding is what writers do when they want to justify a petty aesthetic choice


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2 years ago

you know what doesn’t get talked about enough in writing circles

completed story grief

That feeling you are left with when you have finished a long project - whether it is long because it contains a lot of words, or long because it took you a long time to write, or long because it took you a long time to start writing it - when you’re happy because you finished it but empty because it is finished. You took out all of the words that were inside of you, at least all of the ones that pertain to that story, and the relief that follows such an action can be devastatingly exhausting.

On top of just the empty feeling, there follows that bittersweet sense of understanding that this thing which has for so long been your companion is no longer just your companion, and that you have in some ways severed the ties with it, because you will not be writing it anymore. You might write other stories related to it. You might write stories in the same world. Or stories with the same characters. But THAT story is finished. That story has been taken out of you and put where it can be a part of everyone that reads it. That is unimaginably happy and sad at the same time.

So I just want to say, I guess, be nice to yourself after you finish a story. Yes it’s happy, yes it feels good. But if you also feel a little like you’ve just lost something, give yourself some time to process that, because in a way you did. It’s a happy loss, the sort of loss wildlife rescuers feel when an animal they saved is able to go back and be wild again. It’s a good, happy thing, but it’s also okay to take a little time to be sad and take care of yourself.


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candlewriter - Burning at Both Ends
Burning at Both Ends

R. - They/Them - Queer SF/F/Romance writer - Carrd with social media links.Avid fan of anything gay. This is my writing journal.

229 posts

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